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A wretched soul, bruised with adversity.

      — The Comedy of Errors, Act II Scene 1

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1-20 of 34 total

KEYWORD: visage

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Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

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The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

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1

All's Well That Ends Well
[V, 3]

Gentleman

2824

Gracious sovereign,
Whether I have been to blame or no, I know not:
Here's a petition from a Florentine,
Who hath for four or five removes come short
To tender it herself. I undertook it,
Vanquish'd thereto by the fair grace and speech
Of the poor suppliant, who by this I know
Is here attending: her business looks in her
With an importing visage; and she told me,
In a sweet verbal brief, it did concern
Your highness with herself.

2

Antony and Cleopatra
[IV, 12]

Antony

2940

Vanish, or I shall give thee thy deserving,
And blemish Caesar's triumph. Let him take thee,
And hoist thee up to the shouting plebeians:
Follow his chariot, like the greatest spot
Of all thy sex; most monster-like, be shown
For poor'st diminutives, for doits; and let
Patient Octavia plough thy visage up
With her prepared nails.
[Exit CLEOPATRA]
'Tis well thou'rt gone,
If it be well to live; but better 'twere
Thou fell'st into my fury, for one death
Might have prevented many. Eros, ho!
The shirt of Nessus is upon me: teach me,
Alcides, thou mine ancestor, thy rage:
Let me lodge Lichas on the horns o' the moon;
And with those hands, that grasp'd the heaviest club,
Subdue my worthiest self. The witch shall die:
To the young Roman boy she hath sold me, and I fall
Under this plot; she dies for't. Eros, ho!

3

Coriolanus
[I, 9]

Cominius

873

Go we to our tent:
The blood upon your visage dries; 'tis time
It should be look'd to: come.

4

Hamlet
[I, 2]

Hamlet

279

Seems, madam, Nay, it is. I know not 'seems.'
'Tis not alone my inky cloak, good mother,
Nor customary suits of solemn black,
Nor windy suspiration of forc'd breath,
No, nor the fruitful river in the eye,
Nor the dejected havior of the visage,
Together with all forms, moods, shapes of grief,
'That can denote me truly. These indeed seem,
For they are actions that a man might play;
But I have that within which passeth show-
These but the trappings and the suits of woe.

5

Hamlet
[II, 2]

Hamlet

1620

Ay, so, God b' wi' ye!
[Exeunt Rosencrantz and Guildenstern]
Now I am alone.
O what a rogue and peasant slave am I!
Is it not monstrous that this player here,
But in a fiction, in a dream of passion,
Could force his soul so to his own conceit
That, from her working, all his visage wann'd,
Tears in his eyes, distraction in's aspect,
A broken voice, and his whole function suiting
With forms to his conceit? And all for nothing!
For Hecuba!
What's Hecuba to him, or he to Hecuba,
That he should weep for her? What would he do,
Had he the motive and the cue for passion
That I have? He would drown the stage with tears
And cleave the general ear with horrid speech;
Make mad the guilty and appal the free,
Confound the ignorant, and amaze indeed
The very faculties of eyes and ears.
Yet I,
A dull and muddy-mettled rascal, peak
Like John-a-dreams, unpregnant of my cause,
And can say nothing! No, not for a king,
Upon whose property and most dear life
A damn'd defeat was made. Am I a coward?
Who calls me villain? breaks my pate across?
Plucks off my beard and blows it in my face?
Tweaks me by th' nose? gives me the lie i' th' throat
As deep as to the lungs? Who does me this, ha?
'Swounds, I should take it! for it cannot be
But I am pigeon-liver'd and lack gall
To make oppression bitter, or ere this
I should have fatted all the region kites
With this slave's offal. Bloody bawdy villain!
Remorseless, treacherous, lecherous, kindless villain!
O, vengeance!
Why, what an ass am I! This is most brave,
That I, the son of a dear father murther'd,
Prompted to my revenge by heaven and hell,
Must (like a whore) unpack my heart with words
And fall a-cursing like a very drab,
A scullion!
Fie upon't! foh! About, my brain! Hum, I have heard
That guilty creatures, sitting at a play,
Have by the very cunning of the scene
Been struck so to the soul that presently
They have proclaim'd their malefactions;
For murther, though it have no tongue, will speak
With most miraculous organ, I'll have these Players
Play something like the murther of my father
Before mine uncle. I'll observe his looks;
I'll tent him to the quick. If he but blench,
I know my course. The spirit that I have seen
May be a devil; and the devil hath power
T' assume a pleasing shape; yea, and perhaps
Out of my weakness and my melancholy,
As he is very potent with such spirits,
Abuses me to damn me. I'll have grounds
More relative than this. The play's the thing
Wherein I'll catch the conscience of the King. Exit.

6

Hamlet
[III, 1]

Polonius

1733

Ophelia, walk you here.- Gracious, so please you,
We will bestow ourselves.- [To Ophelia] Read on this book,
That show of such an exercise may colour
Your loneliness.- We are oft to blame in this,
'Tis too much prov'd, that with devotion's visage
And pious action we do sugar o'er
The Devil himself.

7

Hamlet
[III, 3]

Claudius

2316

Thanks, dear my lord.
[Exit [Polonius].]
O, my offence is rank, it smells to heaven;
It hath the primal eldest curse upon't,
A brother's murther! Pray can I not,
Though inclination be as sharp as will.
My stronger guilt defeats my strong intent,
And, like a man to double business bound,
I stand in pause where I shall first begin,
And both neglect. What if this cursed hand
Were thicker than itself with brother's blood,
Is there not rain enough in the sweet heavens
To wash it white as snow? Whereto serves mercy
But to confront the visage of offence?
And what's in prayer but this twofold force,
To be forestalled ere we come to fall,
Or pardon'd being down? Then I'll look up;
My fault is past. But, O, what form of prayer
Can serve my turn? 'Forgive me my foul murther'?
That cannot be; since I am still possess'd
Of those effects for which I did the murther-
My crown, mine own ambition, and my queen.
May one be pardon'd and retain th' offence?
In the corrupted currents of this world
Offence's gilded hand may shove by justice,
And oft 'tis seen the wicked prize itself
Buys out the law; but 'tis not so above.
There is no shuffling; there the action lies
In his true nature, and we ourselves compell'd,
Even to the teeth and forehead of our faults,
To give in evidence. What then? What rests?
Try what repentance can. What can it not?
Yet what can it when one cannot repent?
O wretched state! O bosom black as death!
O limed soul, that, struggling to be free,
Art more engag'd! Help, angels! Make assay.
Bow, stubborn knees; and heart with strings of steel,
Be soft as sinews of the new-born babe!
All may be well. He kneels.

8

Hamlet
[III, 4]

Hamlet

2431

Such an act
That blurs the grace and blush of modesty;
Calls virtue hypocrite; takes off the rose
From the fair forehead of an innocent love,
And sets a blister there; makes marriage vows
As false as dicers' oaths. O, such a deed
As from the body of contraction plucks
The very soul, and sweet religion makes
A rhapsody of words! Heaven's face doth glow;
Yea, this solidity and compound mass,
With tristful visage, as against the doom,
Is thought-sick at the act.

9

Henry IV, Part II
[II, 3]

Earl of Northumberland

1155

I pray thee, loving wife, and gentle daughter,
Give even way unto my rough affairs;
Put not you on the visage of the times
And be, like them, to Percy troublesome.

10

Henry V
[V, 2]

Duke of Burgundy

3004

My duty to you both, on equal love,
Great Kings of France and England! That I have labour'd,
With all my wits, my pains and strong endeavours,
To bring your most imperial majesties
Unto this bar and royal interview,
Your mightiness on both parts best can witness.
Since then my office hath so far prevail'd
That, face to face and royal eye to eye,
You have congreeted, let it not disgrace me,
If I demand, before this royal view,
What rub or what impediment there is,
Why that the naked, poor and mangled Peace,
Dear nurse of arts and joyful births,
Should not in this best garden of the world
Our fertile France, put up her lovely visage?
Alas, she hath from France too long been chased,
And all her husbandry doth lie on heaps,
Corrupting in its own fertility.
Her vine, the merry cheerer of the heart,
Unpruned dies; her hedges even-pleach'd,
Like prisoners wildly overgrown with hair,
Put forth disorder'd twigs; her fallow leas
The darnel, hemlock and rank fumitory
Doth root upon, while that the coulter rusts
That should deracinate such savagery;
The even mead, that erst brought sweetly forth
The freckled cowslip, burnet and green clover,
Wanting the scythe, all uncorrected, rank,
Conceives by idleness and nothing teems
But hateful docks, rough thistles, kecksies, burs,
Losing both beauty and utility.
And as our vineyards, fallows, meads and hedges,
Defective in their natures, grow to wildness,
Even so our houses and ourselves and children
Have lost, or do not learn for want of time,
The sciences that should become our country;
But grow like savages,—as soldiers will
That nothing do but meditate on blood,—
To swearing and stern looks, diffused attire
And every thing that seems unnatural.
Which to reduce into our former favour
You are assembled: and my speech entreats
That I may know the let, why gentle Peace
Should not expel these inconveniences
And bless us with her former qualities.

11

Henry V
[V, 2]

Henry V

3203

Now, fie upon my false French! By mine honour, in
true English, I love thee, Kate: by which honour I
dare not swear thou lovest me; yet my blood begins to
flatter me that thou dost, notwithstanding the poor
and untempering effect of my visage. Now, beshrew
my father's ambition! he was thinking of civil wars
when he got me: therefore was I created with a
stubborn outside, with an aspect of iron, that, when
I come to woo ladies, I fright them. But, in faith,
Kate, the elder I wax, the better I shall appear:
my comfort is, that old age, that ill layer up of
beauty, can do no more, spoil upon my face: thou
hast me, if thou hast me, at the worst; and thou
shalt wear me, if thou wear me, better and better:
and therefore tell me, most fair Katharine, will you
have me? Put off your maiden blushes; avouch the
thoughts of your heart with the looks of an empress;
take me by the hand, and say 'Harry of England I am
thine:' which word thou shalt no sooner bless mine
ear withal, but I will tell thee aloud 'England is
thine, Ireland is thine, France is thine, and Harry
Plantagenet is thine;' who though I speak it before
his face, if he be not fellow with the best king,
thou shalt find the best king of good fellows.
Come, your answer in broken music; for thy voice is
music and thy English broken; therefore, queen of
all, Katharine, break thy mind to me in broken
English; wilt thou have me?

12

Henry VI, Part II
[V, 1]

Henry VI

3047

The head of Cade! Great God, how just art Thou!
O, let me view his visage, being dead,
That living wrought me such exceeding trouble.
Tell me, my friend, art thou the man that slew him?

13

Henry VIII
[III, 2]

Cardinal Wolsey

1941

Leave me awhile.
[Exit CROMWELL]
[Aside]
It shall be to the Duchess of Alencon,
The French king's sister: he shall marry her.
Anne Bullen! No; I'll no Anne Bullens for him:
There's more in't than fair visage. Bullen!
No, we'll no Bullens. Speedily I wish
To hear from Rome. The Marchioness of Pembroke!

14

Julius Caesar
[II, 1]

Brutus

688

Let 'em enter.
[Exit LUCIUS]
They are the faction. O conspiracy,
Shamest thou to show thy dangerous brow by night,
When evils are most free? O, then by day
Where wilt thou find a cavern dark enough
To mask thy monstrous visage? Seek none, conspiracy;
Hide it in smiles and affability:
For if thou path, thy native semblance on,
Not Erebus itself were dim enough
To hide thee from prevention.
[Enter the conspirators, CASSIUS, CASCA, DECIUS
BRUTUS, CINNA, METELLUS CIMBER, and TREBONIUS]

15

King Lear
[I, 4]

Lear

825

I'll tell thee. [To Goneril] Life and death! I am asham'd
That thou hast power to shake my manhood thus;
That these hot tears, which break from me perforce,
Should make thee worth them. Blasts and fogs upon thee!
Th' untented woundings of a father's curse
Pierce every sense about thee!- Old fond eyes,
Beweep this cause again, I'll pluck ye out,
And cast you, with the waters that you lose,
To temper clay. Yea, is it come to this?
Let it be so. Yet have I left a daughter,
Who I am sure is kind and comfortable.
When she shall hear this of thee, with her nails
She'll flay thy wolvish visage. Thou shalt find
That I'll resume the shape which thou dost think
I have cast off for ever; thou shalt, I warrant thee.

16

King Lear
[II, 2]

Earl of Kent

1139

That such a slave as this should wear a sword,
Who wears no honesty. Such smiling rogues as these,
Like rats, oft bite the holy cords atwain
Which are too intrinse t' unloose; smooth every passion
That in the natures of their lords rebel,
Bring oil to fire, snow to their colder moods;
Renege, affirm, and turn their halcyon beaks
With every gale and vary of their masters,
Knowing naught (like dogs) but following.
A plague upon your epileptic visage!
Smile you my speeches, as I were a fool?
Goose, an I had you upon Sarum Plain,
I'ld drive ye cackling home to Camelot.

17

Lover's Complaint

Shakespeare

8

Upon her head a platted hive of straw,
Which fortified her visage from the sun,
Whereon the thought might think sometime it saw
The carcass of beauty spent and done:
Time had not scythed all that youth begun,
Nor youth all quit; but, spite of heaven's fell rage,
Some beauty peep'd through lattice of sear'd age.

18

Lover's Complaint

Shakespeare

85

'His browny locks did hang in crooked curls;
And every light occasion of the wind
Upon his lips their silken parcels hurls.
What's sweet to do, to do will aptly find:
Each eye that saw him did enchant the mind,
For on his visage was in little drawn
What largeness thinks in Paradise was sawn.

19

Lover's Complaint

Shakespeare

92

'Small show of man was yet upon his chin;
His phoenix down began but to appear
Like unshorn velvet on that termless skin
Whose bare out-bragg'd the web it seem'd to wear:
Yet show'd his visage by that cost more dear;
And nice affections wavering stood in doubt
If best were as it was, or best without.

20

Measure for Measure
[III, 1]

Isabella

1316

There spake my brother; there my father's grave
Did utter forth a voice. Yes, thou must die:
Thou art too noble to conserve a life
In base appliances. This outward-sainted deputy,
Whose settled visage and deliberate word
Nips youth i' the head and follies doth emmew
As falcon doth the fowl, is yet a devil
His filth within being cast, he would appear
A pond as deep as hell.

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