# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[IV, 3]

First Lord

2144

The stronger part of it by her own letters, which
makes her story true, even to the point of her
death: her death itself, which could not be her
office to say is come, was faithfully confirmed by
the rector of the place.

2

All's Well That Ends Well
[V, 3]

King of France

2940

The story then goes false, you threw it him
Out of a casement.

3

All's Well That Ends Well
[V, 3]

King of France

3046

Let us from point to point this story know,
To make the even truth in pleasure flow.
[To DIANA]
If thou be'st yet a fresh uncropped flower,
Choose thou thy husband, and I'll pay thy dower;
For I can guess that by thy honest aid
Thou keep'st a wife herself, thyself a maid.
Of that and all the progress, more or less,
Resolvedly more leisure shall express:
All yet seems well; and if it end so meet,
The bitter past, more welcome is the sweet.
[Flourish]
EPILOGUE

4

Antony and Cleopatra
[III, 13]

Domitius Enobarus

2294

[Aside] Mine honesty and I begin to square.
The loyalty well held to fools does make
Our faith mere folly: yet he that can endure
To follow with allegiance a fall'n lord
Does conquer him that did his master conquer
And earns a place i' the story.

5

Antony and Cleopatra
[V, 2]

Octavius

3836

Most probable
That so she died; for her physician tells me
She hath pursued conclusions infinite
Of easy ways to die. Take up her bed;
And bear her women from the monument:
She shall be buried by her Antony:
No grave upon the earth shall clip in it
A pair so famous. High events as these
Strike those that make them; and their story is
No less in pity than his glory which
Brought them to be lamented. Our army shall
In solemn show attend this funeral;
And then to Rome. Come, Dolabella, see
High order in this great solemnity.

6

As You Like It
[IV, 3]

Oliver

2144

By and by.
When from the first to last, betwixt us two,
Tears our recountments had most kindly bath'd,
As how I came into that desert place-
In brief, he led me to the gentle Duke,
Who gave me fresh array and entertainment,
Committing me unto my brother's love;
Who led me instantly unto his cave,
There stripp'd himself, and here upon his arm
The lioness had torn some flesh away,
Which all this while had bled; and now he fainted,
And cried, in fainting, upon Rosalind.
Brief, I recover'd him, bound up his wound,
And, after some small space, being strong at heart,
He sent me hither, stranger as I am,
To tell this story, that you might excuse
His broken promise, and to give this napkin,
Dy'd in his blood, unto the shepherd youth
That he in sport doth call his Rosalind.

7

Comedy of Errors
[I, 1]

Aegeon

126

My youngest boy, and yet my eldest care,
At eighteen years became inquisitive
After his brother: and importuned me
That his attendant—so his case was like,
Reft of his brother, but retain'd his name—
Might bear him company in the quest of him:
Whom whilst I labour'd of a love to see,
I hazarded the loss of whom I loved.
Five summers have I spent in furthest Greece,
Roaming clean through the bounds of Asia,
And, coasting homeward, came to Ephesus;
Hopeless to find, yet loath to leave unsought
Or that or any place that harbours men.
But here must end the story of my life;
And happy were I in my timely death,
Could all my travels warrant me they live.

8

Comedy of Errors
[V, 1]

Solinus

1798

Why, here begins his morning story right;
These two Antipholuses, these two so like,
And these two Dromios, one in semblance,—
Besides her urging of her wreck at sea,—
These are the parents to these children,
Which accidentally are met together.
Antipholus, thou camest from Corinth first?

9

Cymbeline
[I, 4]

Philario

344

His father and I were soldiers together; to whom I
have been often bound for no less than my life.
Here comes the Briton: let him be so entertained
amongst you as suits, with gentlemen of your
knowing, to a stranger of his quality.
[Enter POSTHUMUS LEONATUS]
I beseech you all, be better known to this
gentleman; whom I commend to you as a noble friend
of mine: how worthy he is I will leave to appear
hereafter, rather than story him in his own hearing.

10

Cymbeline
[II, 2]

Iachimo

933

The crickets sing, and man's o'er-labour'd sense
Repairs itself by rest. Our Tarquin thus
Did softly press the rushes, ere he waken'd
The chastity he wounded. Cytherea,
How bravely thou becomest thy bed, fresh lily,
And whiter than the sheets! That I might touch!
But kiss; one kiss! Rubies unparagon'd,
How dearly they do't! 'Tis her breathing that
Perfumes the chamber thus: the flame o' the taper
Bows toward her, and would under-peep her lids,
To see the enclosed lights, now canopied
Under these windows, white and azure laced
With blue of heaven's own tinct. But my design,
To note the chamber: I will write all down:
Such and such pictures; there the window; such
The adornment of her bed; the arras; figures,
Why, such and such; and the contents o' the story.
Ah, but some natural notes about her body,
Above ten thousand meaner moveables
Would testify, to enrich mine inventory.
O sleep, thou ape of death, lie dull upon her!
And be her sense but as a monument,
Thus in a chapel lying! Come off, come off:
[Taking off her bracelet]
As slippery as the Gordian knot was hard!
'Tis mine; and this will witness outwardly,
As strongly as the conscience does within,
To the madding of her lord. On her left breast
A mole cinque-spotted, like the crimson drops
I' the bottom of a cowslip: here's a voucher,
Stronger than ever law could make: this secret
Will force him think I have pick'd the lock and ta'en
The treasure of her honour. No more. To what end?
Why should I write this down, that's riveted,
Screw'd to my memory? She hath been reading late
The tale of Tereus; here the leaf's turn'd down
Where Philomel gave up. I have enough:
To the trunk again, and shut the spring of it.
Swift, swift, you dragons of the night, that dawning
May bare the raven's eye! I lodge in fear;
Though this a heavenly angel, hell is here.
[Clock strikes]
One, two, three: time, time!

11

Cymbeline
[II, 4]

Iachimo

1255

First, her bedchamber,—
Where, I confess, I slept not, but profess
Had that was well worth watching—it was hang'd
With tapesty of silk and silver; the story
Proud Cleopatra, when she met her Roman,
And Cydnus swell'd above the banks, or for
The press of boats or pride: a piece of work
So bravely done, so rich, that it did strive
In workmanship and value; which I wonder'd
Could be so rarely and exactly wrought,
Since the true life on't was—

12

Cymbeline
[III, 3]

Belarius

1649

How you speak!
Did you but know the city's usuries
And felt them knowingly; the art o' the court
As hard to leave as keep; whose top to climb
Is certain falling, or so slippery that
The fear's as bad as falling; the toil o' the war,
A pain that only seems to seek out danger
I' the name of fame and honour; which dies i'
the search,
And hath as oft a slanderous epitaph
As record of fair act; nay, many times,
Doth ill deserve by doing well; what's worse,
Must court'sy at the censure:—O boys, this story
The world may read in me: my body's mark'd
With Roman swords, and my report was once
First with the best of note: Cymbeline loved me,
And when a soldier was the theme, my name
Was not far off: then was I as a tree
Whose boughs did bend with fruit: but in one night,
A storm or robbery, call it what you will,
Shook down my mellow hangings, nay, my leaves,
And left me bare to weather.

13

Cymbeline
[III, 3]

Belarius

1672

My fault being nothing—as I have told you oft—
But that two villains, whose false oaths prevail'd
Before my perfect honour, swore to Cymbeline
I was confederate with the Romans: so
Follow'd my banishment, and this twenty years
This rock and these demesnes have been my world;
Where I have lived at honest freedom, paid
More pious debts to heaven than in all
The fore-end of my time. But up to the mountains!
This is not hunters' language: he that strikes
The venison first shall be the lord o' the feast;
To him the other two shall minister;
And we will fear no poison, which attends
In place of greater state. I'll meet you in the valleys.
[Exeunt GUIDERIUS and ARVIRAGUS]
How hard it is to hide the sparks of nature!
These boys know little they are sons to the king;
Nor Cymbeline dreams that they are alive.
They think they are mine; and though train'd
up thus meanly
I' the cave wherein they bow, their thoughts do hit
The roofs of palaces, and nature prompts them
In simple and low things to prince it much
Beyond the trick of others. This Polydore,
The heir of Cymbeline and Britain, who
The king his father call'd Guiderius,—Jove!
When on my three-foot stool I sit and tell
The warlike feats I have done, his spirits fly out
Into my story: say 'Thus, mine enemy fell,
And thus I set my foot on 's neck;' even then
The princely blood flows in his cheek, he sweats,
Strains his young nerves and puts himself in posture
That acts my words. The younger brother, Cadwal,
Once Arviragus, in as like a figure,
Strikes life into my speech and shows much more
His own conceiving.—Hark, the game is roused!
O Cymbeline! heaven and my conscience knows
Thou didst unjustly banish me: whereon,
At three and two years old, I stole these babes;
Thinking to bar thee of succession, as
Thou reft'st me of my lands. Euriphile,
Thou wast their nurse; they took thee for
their mother,
And every day do honour to her grave:
Myself, Belarius, that am Morgan call'd,
They take for natural father. The game is up.

14

Cymbeline
[III, 6]

Belarius

2254

It shall be so.
Boys, we'll go dress our hunt. Fair youth, come in:
Discourse is heavy, fasting; when we have supp'd,
We'll mannerly demand thee of thy story,
So far as thou wilt speak it.

15

Cymbeline
[V, 5]

Guiderius

3716

Let me end the story:
I slew him there.

16

Hamlet
[I, 1]

Bernardo

40

Sit down awhile,
And let us once again assail your ears,
That are so fortified against our story,
What we two nights have seen.

17

Hamlet
[III, 2]

Hamlet

2149

He poisons him i' th' garden for's estate. His name's Gonzago.
The story is extant, and written in very choice Italian. You
shall see anon how the murtherer gets the love of Gonzago's wife.

18

Hamlet
[V, 2]

Hamlet

4002

As th'art a man,
Give me the cup. Let go! By heaven, I'll ha't.
O good Horatio, what a wounded name
(Things standing thus unknown) shall live behind me!
If thou didst ever hold me in thy heart,
Absent thee from felicity awhile,
And in this harsh world draw thy breath in pain,
To tell my story. [March afar off, and shot within.]
What warlike noise is this?

19

Henry IV, Part I
[III, 3]

Henry V

2178

It appears so by the story.

20

Henry IV, Part II
[II, 1]

Falstaff

885

Glasses, glasses, is the only drinking; and for thy
walls, a pretty slight drollery, or the story of the
the German hunting, in water-work, is worth a thousand of
bed-hangers and these fly-bitten tapestries. Let it be ten
if thou canst. Come, and 'twere not for thy humours, there's
a better wench in England. Go, wash thy face, and draw the
action. Come, thou must not be in this humour with me; dost
know me? Come, come, I know thou wast set on to this.