# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[III, 6]

First Lord

1759

O, for the love of laughter, let him fetch his drum;
he says he has a stratagem for't: when your
lordship sees the bottom of his success in't, and to
what metal this counterfeit lump of ore will be
melted, if you give him not John Drum's
entertainment, your inclining cannot be removed.
Here he comes.

2

As You Like It
[III, 5]

Rosalind

1688

[Advancing] And why, I pray you? Who might be your
mother,
That you insult, exult, and all at once,
Over the wretched? What though you have no beauty-
As, by my faith, I see no more in you
Than without candle may go dark to bed-
Must you be therefore proud and pitiless?
Why, what means this? Why do you look on me?
I see no more in you than in the ordinary
Of nature's sale-work. 'Od's my little life,
I think she means to tangle my eyes too!
No faith, proud mistress, hope not after it;
'Tis not your inky brows, your black silk hair,
Your bugle eyeballs, nor your cheek of cream,
That can entame my spirits to your worship.
You foolish shepherd, wherefore do you follow her,
Like foggy south, puffing with wind and rain?
You are a thousand times a properer man
Than she a woman. 'Tis such fools as you
That makes the world full of ill-favour'd children.
'Tis not her glass, but you, that flatters her;
And out of you she sees herself more proper
Than any of her lineaments can show her.
But, mistress, know yourself. Down on your knees,
And thank heaven, fasting, for a good man's love;
For I must tell you friendly in your ear:
Sell when you can; you are not for all markets.
Cry the man mercy, love him, take his offer;
Foul is most foul, being foul to be a scoffer.
So take her to thee, shepherd. Fare you well.

3

Hamlet
[III, 4]

Hamlet

2419

Ay, lady, it was my word.
[Lifts up the arras and sees Polonius.]
Thou wretched, rash, intruding fool, farewell!
I took thee for thy better. Take thy fortune.
Thou find'st to be too busy is some danger.
Leave wringing of your hands. Peace! sit you down
And let me wring your heart; for so I shall
If it be made of penetrable stuff;
If damned custom have not braz'd it so
That it is proof and bulwark against sense.

4

Hamlet
[IV, 3]

Hamlet

2762

I see a cherub that sees them. But come, for England!
Farewell, dear mother.

5

Henry IV, Part I
[I, 2]

Edward Poins

284

Well, for two of them, I know them to be as
true-bred cowards as ever turned back; and for the
third, if he fight longer than he sees reason, I'll
forswear arms. The virtue of this jest will be, the
incomprehensible lies that this same fat rogue will
tell us when we meet at supper: how thirty, at
least, he fought with; what wards, what blows, what
extremities he endured; and in the reproof of this
lies the jest.

6

Henry IV, Part I
[II, 4]

Falstaff

1134

I call thee coward! I'll see thee damned ere I call
thee coward: but I would give a thousand pound I
could run as fast as thou canst. You are straight
enough in the shoulders, you care not who sees your
back: call you that backing of your friends? A
plague upon such backing! give me them that will
face me. Give me a cup of sack: I am a rogue, if I
drunk to-day.

7

Henry IV, Part I
[V, 4]

Falstaff

3077

[Rising up] Embowelled! if thou embowel me to-day,
I'll give you leave to powder me and eat me too
to-morrow. 'Sblood,'twas time to counterfeit, or
that hot termagant Scot had paid me scot and lot too.
Counterfeit? I lie, I am no counterfeit: to die,
is to be a counterfeit; for he is but the
counterfeit of a man who hath not the life of a man:
but to counterfeit dying, when a man thereby
liveth, is to be no counterfeit, but the true and
perfect image of life indeed. The better part of
valour is discretion; in the which better part I
have saved my life.'Zounds, I am afraid of this
gunpowder Percy, though he be dead: how, if he
should counterfeit too and rise? by my faith, I am
afraid he would prove the better counterfeit.
Therefore I'll make him sure; yea, and I'll swear I
killed him. Why may not he rise as well as I?
Nothing confutes me but eyes, and nobody sees me.
Therefore, sirrah,
[Stabbing him]
with a new wound in your thigh, come you along with me.

8

Henry V
[IV, 0]

Chorus

1788

Now entertain conjecture of a time
When creeping murmur and the poring dark
Fills the wide vessel of the universe.
From camp to camp through the foul womb of night
The hum of either army stilly sounds,
That the fixed sentinels almost receive
The secret whispers of each other's watch:
Fire answers fire, and through their paly flames
Each battle sees the other's umber'd face;
Steed threatens steed, in high and boastful neighs
Piercing the night's dull ear, and from the tents
The armourers, accomplishing the knights,
With busy hammers closing rivets up,
Give dreadful note of preparation:
The country cocks do crow, the clocks do toll,
And the third hour of drowsy morning name.
Proud of their numbers and secure in soul,
The confident and over-lusty French
Do the low-rated English play at dice;
And chide the cripple tardy-gaited night
Who, like a foul and ugly witch, doth limp
So tediously away. The poor condemned English,
Like sacrifices, by their watchful fires
Sit patiently and inly ruminate
The morning's danger, and their gesture sad
Investing lank-lean; cheeks and war-worn coats
Presenteth them unto the gazing moon
So many horrid ghosts. O now, who will behold
The royal captain of this ruin'd band
Walking from watch to watch, from tent to tent,
Let him cry 'Praise and glory on his head!'
For forth he goes and visits all his host.
Bids them good morrow with a modest smile
And calls them brothers, friends and countrymen.
Upon his royal face there is no note
How dread an army hath enrounded him;
Nor doth he dedicate one jot of colour
Unto the weary and all-watched night,
But freshly looks and over-bears attaint
With cheerful semblance and sweet majesty;
That every wretch, pining and pale before,
Beholding him, plucks comfort from his looks:
A largess universal like the sun
His liberal eye doth give to every one,
Thawing cold fear, that mean and gentle all,
Behold, as may unworthiness define,
A little touch of Harry in the night.
And so our scene must to the battle fly;
Where—O for pity!—we shall much disgrace
With four or five most vile and ragged foils,
Right ill-disposed in brawl ridiculous,
The name of Agincourt. Yet sit and see,
Minding true things by what their mockeries be.

9

Henry V
[IV, 1]

Henry V

1948

No; nor it is not meet he should. For, though I
speak it to you, I think the king is but a man, as I
am: the violet smells to him as it doth to me: the
element shows to him as it doth to me; all his
senses have but human conditions: his ceremonies
laid by, in his nakedness he appears but a man; and
though his affections are higher mounted than ours,
yet, when they stoop, they stoop with the like
wing. Therefore when he sees reason of fears, as we
do, his fears, out of doubt, be of the same relish
as ours are: yet, in reason, no man should possess
him with any appearance of fear, lest he, by showing
it, should dishearten his army.

10

Henry V
[IV, 1]

Henry V

2070

Indeed, the French may lay twenty French crowns to
one, they will beat us; for they bear them on their
shoulders: but it is no English treason to cut
French crowns, and to-morrow the king himself will
be a clipper.
[Exeunt soldiers]
Upon the king! let us our lives, our souls,
Our debts, our careful wives,
Our children and our sins lay on the king!
We must bear all. O hard condition,
Twin-born with greatness, subject to the breath
Of every fool, whose sense no more can feel
But his own wringing! What infinite heart's-ease
Must kings neglect, that private men enjoy!
And what have kings, that privates have not too,
Save ceremony, save general ceremony?
And what art thou, thou idle ceremony?
What kind of god art thou, that suffer'st more
Of mortal griefs than do thy worshippers?
What are thy rents? what are thy comings in?
O ceremony, show me but thy worth!
What is thy soul of adoration?
Art thou aught else but place, degree and form,
Creating awe and fear in other men?
Wherein thou art less happy being fear'd
Than they in fearing.
What drink'st thou oft, instead of homage sweet,
But poison'd flattery? O, be sick, great greatness,
And bid thy ceremony give thee cure!
Think'st thou the fiery fever will go out
With titles blown from adulation?
Will it give place to flexure and low bending?
Canst thou, when thou command'st the beggar's knee,
Command the health of it? No, thou proud dream,
That play'st so subtly with a king's repose;
I am a king that find thee, and I know
'Tis not the balm, the sceptre and the ball,
The sword, the mace, the crown imperial,
The intertissued robe of gold and pearl,
The farced title running 'fore the king,
The throne he sits on, nor the tide of pomp
That beats upon the high shore of this world,
No, not all these, thrice-gorgeous ceremony,
Not all these, laid in bed majestical,
Can sleep so soundly as the wretched slave,
Who with a body fill'd and vacant mind
Gets him to rest, cramm'd with distressful bread;
Never sees horrid night, the child of hell,
But, like a lackey, from the rise to set
Sweats in the eye of Phoebus and all night
Sleeps in Elysium; next day after dawn,
Doth rise and help Hyperion to his horse,
And follows so the ever-running year,
With profitable labour, to his grave:
And, but for ceremony, such a wretch,
Winding up days with toil and nights with sleep,
Had the fore-hand and vantage of a king.
The slave, a member of the country's peace,
Enjoys it; but in gross brain little wots
What watch the king keeps to maintain the peace,
Whose hours the peasant best advantages.

11

Henry V
[V, 2]

Henry V

3114

Marry, if you would put me to verses or to dance for
your sake, Kate, why you undid me: for the one, I
have neither words nor measure, and for the other, I
have no strength in measure, yet a reasonable
measure in strength. If I could win a lady at
leap-frog, or by vaulting into my saddle with my
armour on my back, under the correction of bragging
be it spoken. I should quickly leap into a wife.
Or if I might buffet for my love, or bound my horse
for her favours, I could lay on like a butcher and
sit like a jack-an-apes, never off. But, before God,
Kate, I cannot look greenly nor gasp out my
eloquence, nor I have no cunning in protestation;
only downright oaths, which I never use till urged,
nor never break for urging. If thou canst love a
fellow of this temper, Kate, whose face is not worth
sun-burning, that never looks in his glass for love
of any thing he sees there, let thine eye be thy
cook. I speak to thee plain soldier: If thou canst
love me for this, take me: if not, to say to thee
that I shall die, is true; but for thy love, by the
Lord, no; yet I love thee too. And while thou
livest, dear Kate, take a fellow of plain and
uncoined constancy; for he perforce must do thee
right, because he hath not the gift to woo in other
places: for these fellows of infinite tongue, that
can rhyme themselves into ladies' favours, they do
always reason themselves out again. What! a
speaker is but a prater; a rhyme is but a ballad. A
good leg will fall; a straight back will stoop; a
black beard will turn white; a curled pate will grow
bald; a fair face will wither; a full eye will wax
hollow: but a good heart, Kate, is the sun and the
moon; or, rather, the sun, and not the moon; for it
shines bright and never changes, but keeps his
course truly. If thou would have such a one, take
me; and take me, take a soldier; take a soldier,
take a king. And what sayest thou then to my love?
speak, my fair, and fairly, I pray thee.

12

Henry VI, Part I
[I, 2]

Charles, King of France

208

Sound, sound alarum! we will rush on them.
Now for the honour of the forlorn French!
Him I forgive my death that killeth me
When he sees me go back one foot or fly.
[Exeunt]
[Here alarum; they are beaten back by the English]
with great loss. Re-enter CHARLES, ALENCON, and REIGNIER]

13

Henry VI, Part I
[IV, 1]

Duke of Exeter

1951

Well didst thou, Richard, to suppress thy voice;
For, had the passions of thy heart burst out,
I fear we should have seen decipher'd there
More rancorous spite, more furious raging broils,
Than yet can be imagined or supposed.
But howsoe'er, no simple man that sees
This jarring discord of nobility,
This shouldering of each other in the court,
This factious bandying of their favourites,
But that it doth presage some ill event.
'Tis much when sceptres are in children's hands;
But more when envy breeds unkind division;
There comes the rain, there begins confusion.

14

Henry VI, Part II
[III, 2]

Earl of Warwick

1873

Who finds the heifer dead and bleeding fresh
And sees fast by a butcher with an axe,
But will suspect 'twas he that made the slaughter?
Who finds the partridge in the puttock's nest,
But may imagine how the bird was dead,
Although the kite soar with unbloodied beak?
Even so suspicious is this tragedy.

15

Henry VI, Part III
[II, 6]

Earl of Warwick

1313

I think his understanding is bereft.
Speak, Clifford, dost thou know who speaks to thee?
Dark cloudy death o'ershades his beams of life,
And he nor sees nor hears us what we say.

16

Julius Caesar
[I, 2]

Brutus

140

No, Cassius; for the eye sees not itself,
But by reflection, by some other things.

17

Julius Caesar
[I, 3]

Cassius

531

And why should Caesar be a tyrant then?
Poor man! I know he would not be a wolf,
But that he sees the Romans are but sheep:
He were no lion, were not Romans hinds.
Those that with haste will make a mighty fire
Begin it with weak straws: what trash is Rome,
What rubbish and what offal, when it serves
For the base matter to illuminate
So vile a thing as Caesar! But, O grief,
Where hast thou led me? I perhaps speak this
Before a willing bondman; then I know
My answer must be made. But I am arm'd,
And dangers are to me indifferent.

18

King John
[II, 1]

Blanch

823

My uncle's will in this respect is mine:
If he see aught in you that makes him like,
That any thing he sees, which moves his liking,
I can with ease translate it to my will;
Or if you will, to speak more properly,
I will enforce it easily to my love.
Further I will not flatter you, my lord,
That all I see in you is worthy love,
Than this; that nothing do I see in you,
Though churlish thoughts themselves should be your judge,
That I can find should merit any hate.

19

King John
[V, 7]

Philip the Bastard

2723

He will the rather do it when he sees
Ourselves well sinewed to our defence.

20

King Lear
[II, 2]

Earl of Kent

1236

Good King, that must approve the common saw,
Thou out of heaven's benediction com'st
To the warm sun!
Approach, thou beacon to this under globe,
That by thy comfortable beams I may
Peruse this letter. Nothing almost sees miracles
But misery. I know 'tis from Cordelia,
Who hath most fortunately been inform'd
Of my obscured course- and [reads] 'shall find time
From this enormous state, seeking to give
Losses their remedies'- All weary and o'erwatch'd,
Take vantage, heavy eyes, not to behold
This shameful lodging.
Fortune, good night; smile once more, turn thy wheel.