# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[IV, 3]

Bertram

2316

He shall be whipped through the army with this rhyme
in's forehead.

2

As You Like It
[III, 2]

Touchstone

1207

I'll rhyme you so eight years together, dinners, and
suppers, and sleeping hours, excepted. It is the right
butter-women's rank to market.

3

As You Like It
[III, 2]

Orlando

1475

Neither rhyme nor reason can express how much.

4

Comedy of Errors
[II, 2]

Dromio of Syracuse

441

Was there ever any man thus beaten out of season,
When in the why and the wherefore is neither rhyme
nor reason?
Well, sir, I thank you.

5

Cymbeline
[V, 3]

Posthumus Leonatus

3080

Nay, do not wonder at it: you are made
Rather to wonder at the things you hear
Than to work any. Will you rhyme upon't,
And vent it for a mockery? Here is one:
'Two boys, an old man twice a boy, a lane,
Preserved the Britons, was the Romans' bane.'

6

Cymbeline
[V, 3]

Posthumus Leonatus

3087

'Lack, to what end?
Who dares not stand his foe, I'll be his friend;
For if he'll do as he is made to do,
I know he'll quickly fly my friendship too.
You have put me into rhyme.

7

Henry V
[V, 2]

Henry V

3114

Marry, if you would put me to verses or to dance for
your sake, Kate, why you undid me: for the one, I
have neither words nor measure, and for the other, I
have no strength in measure, yet a reasonable
measure in strength. If I could win a lady at
leap-frog, or by vaulting into my saddle with my
armour on my back, under the correction of bragging
be it spoken. I should quickly leap into a wife.
Or if I might buffet for my love, or bound my horse
for her favours, I could lay on like a butcher and
sit like a jack-an-apes, never off. But, before God,
Kate, I cannot look greenly nor gasp out my
eloquence, nor I have no cunning in protestation;
only downright oaths, which I never use till urged,
nor never break for urging. If thou canst love a
fellow of this temper, Kate, whose face is not worth
sun-burning, that never looks in his glass for love
of any thing he sees there, let thine eye be thy
cook. I speak to thee plain soldier: If thou canst
love me for this, take me: if not, to say to thee
that I shall die, is true; but for thy love, by the
Lord, no; yet I love thee too. And while thou
livest, dear Kate, take a fellow of plain and
uncoined constancy; for he perforce must do thee
right, because he hath not the gift to woo in other
places: for these fellows of infinite tongue, that
can rhyme themselves into ladies' favours, they do
always reason themselves out again. What! a
speaker is but a prater; a rhyme is but a ballad. A
good leg will fall; a straight back will stoop; a
black beard will turn white; a curled pate will grow
bald; a fair face will wither; a full eye will wax
hollow: but a good heart, Kate, is the sun and the
moon; or, rather, the sun, and not the moon; for it
shines bright and never changes, but keeps his
course truly. If thou would have such a one, take
me; and take me, take a soldier; take a soldier,
take a king. And what sayest thou then to my love?
speak, my fair, and fairly, I pray thee.

8

Julius Caesar
[IV, 3]

Cassius

2126

Ha, ha! how vilely doth this cynic rhyme!

9

Love's Labour's Lost
[I, 1]

Biron

103

Something then in rhyme.

10

Love's Labour's Lost
[I, 2]

Moth

398

If she be made of white and red,
Her faults will ne'er be known,
For blushing cheeks by faults are bred
And fears by pale white shown:
Then if she fear, or be to blame,
By this you shall not know,
For still her cheeks possess the same
Which native she doth owe.
A dangerous rhyme, master, against the reason of
white and red.

11

Love's Labour's Lost
[I, 2]

Don Adriano de Armado

463

I do affect the very ground, which is base, where
her shoe, which is baser, guided by her foot, which
is basest, doth tread. I shall be forsworn, which
is a great argument of falsehood, if I love. And
how can that be true love which is falsely
attempted? Love is a familiar; Love is a devil:
there is no evil angel but Love. Yet was Samson so
tempted, and he had an excellent strength; yet was
Solomon so seduced, and he had a very good wit.
Cupid's butt-shaft is too hard for Hercules' club;
and therefore too much odds for a Spaniard's rapier.
The first and second cause will not serve my turn;
the passado he respects not, the duello he regards
not: his disgrace is to be called boy; but his
glory is to subdue men. Adieu, valour! rust rapier!
be still, drum! for your manager is in love; yea,
he loveth. Assist me, some extemporal god of rhyme,
for I am sure I shall turn sonnet. Devise, wit;
write, pen; for I am for whole volumes in folio.

12

Love's Labour's Lost
[IV, 3]

Biron

1319

The king he is hunting the deer; I am coursing
myself: they have pitched a toil; I am toiling in
a pitch,—pitch that defiles: defile! a foul
word. Well, set thee down, sorrow! for so they say
the fool said, and so say I, and I the fool: well
proved, wit! By the Lord, this love is as mad as
Ajax: it kills sheep; it kills me, I a sheep:
well proved again o' my side! I will not love: if
I do, hang me; i' faith, I will not. O, but her
eye,—by this light, but for her eye, I would not
love her; yes, for her two eyes. Well, I do nothing
in the world but lie, and lie in my throat. By
heaven, I do love: and it hath taught me to rhyme
and to be melancholy; and here is part of my rhyme,
and here my melancholy. Well, she hath one o' my
sonnets already: the clown bore it, the fool sent
it, and the lady hath it: sweet clown, sweeter
fool, sweetest lady! By the world, I would not care
a pin, if the other three were in. Here comes one
with a paper: God give him grace to groan!

13

Love's Labour's Lost
[IV, 3]

Biron

1508

Not you to me, but I betray'd by you:
I, that am honest; I, that hold it sin
To break the vow I am engaged in;
I am betray'd, by keeping company
With men like men of inconstancy.
When shall you see me write a thing in rhyme?
Or groan for love? or spend a minute's time
In pruning me? When shall you hear that I
Will praise a hand, a foot, a face, an eye,
A gait, a state, a brow, a breast, a waist,
A leg, a limb?

14

Love's Labour's Lost
[V, 2]

Princess of France

1886

Nothing but this! yes, as much love in rhyme
As would be cramm'd up in a sheet of paper,
Writ o' both sides the leaf, margent and all,
That he was fain to seal on Cupid's name.

15

Love's Labour's Lost
[V, 2]

Biron

2316

Thus pour the stars down plagues for perjury.
Can any face of brass hold longer out?
Here stand I. lady, dart thy skill at me;
Bruise me with scorn, confound me with a flout;
Thrust thy sharp wit quite through my ignorance;
Cut me to pieces with thy keen conceit;
And I will wish thee never more to dance,
Nor never more in Russian habit wait.
O, never will I trust to speeches penn'd,
Nor to the motion of a schoolboy's tongue,
Nor never come in vizard to my friend,
Nor woo in rhyme, like a blind harper's song!
Taffeta phrases, silken terms precise,
Three-piled hyperboles, spruce affectation,
Figures pedantical; these summer-flies
Have blown me full of maggot ostentation:
I do forswear them; and I here protest,
By this white glove;—how white the hand, God knows!—
Henceforth my wooing mind shall be express'd
In russet yeas and honest kersey noes:
And, to begin, wench,—so God help me, la!—
My love to thee is sound, sans crack or flaw.

16

Merry Wives of Windsor
[V, 5]

Hostess Quickly

2656

Corrupt, corrupt, and tainted in desire!
About him, fairies; sing a scornful rhyme;
And, as you trip, still pinch him to your time.
SONG.
Fie on sinful fantasy!
Fie on lust and luxury!
Lust is but a bloody fire,
Kindled with unchaste desire,
Fed in heart, whose flames aspire
As thoughts do blow them, higher and higher.
Pinch him, fairies, mutually;
Pinch him for his villany;
Pinch him, and burn him, and turn him about,
Till candles and starlight and moonshine be out.
[During this song they pinch FALSTAFF. DOCTOR CAIUS]
comes one way, and steals away a boy in green;
SLENDER another way, and takes off a boy in white;
and FENTON comes and steals away ANN PAGE.
A noise of hunting is heard within. All the
Fairies run away. FALSTAFF pulls off his buck's
head, and rises]

17

Merry Wives of Windsor
[V, 5]

Falstaff

2696

And these are not fairies? I was three or four
times in the thought they were not fairies: and yet
the guiltiness of my mind, the sudden surprise of my
powers, drove the grossness of the foppery into a
received belief, in despite of the teeth of all
rhyme and reason, that they were fairies. See now
how wit may be made a Jack-a-Lent, when 'tis upon
ill employment!

18

Much Ado about Nothing
[V, 2]

Benedick

2429

And therefore will come.
[Exit MARGARET]
[Sings]
The god of love,
That sits above,
And knows me, and knows me,
How pitiful I deserve,—
I mean in singing; but in loving, Leander the good
swimmer, Troilus the first employer of panders, and
a whole bookful of these quondam carpet-mangers,
whose names yet run smoothly in the even road of a
blank verse, why, they were never so truly turned
over and over as my poor self in love. Marry, I
cannot show it in rhyme; I have tried: I can find
out no rhyme to 'lady' but 'baby,' an innocent
rhyme; for 'scorn,' 'horn,' a hard rhyme; for,
'school,' 'fool,' a babbling rhyme; very ominous
endings: no, I was not born under a rhyming planet,
nor I cannot woo in festival terms.
[Enter BEATRICE]
Sweet Beatrice, wouldst thou come when I called thee?

19

Pericles
[IV, 0]

Gower

1493

Imagine Pericles arrived at Tyre,
Welcomed and settled to his own desire.
His woeful queen we leave at Ephesus,
Unto Diana there a votaress.
Now to Marina bend your mind,
Whom our fast-growing scene must find
At Tarsus, and by Cleon train'd
In music, letters; who hath gain'd
Of education all the grace,
Which makes her both the heart and place
Of general wonder. But, alack,
That monster envy, oft the wrack
Of earned praise, Marina's life
Seeks to take off by treason's knife.
And in this kind hath our Cleon
One daughter, and a wench full grown,
Even ripe for marriage-rite; this maid
Hight Philoten: and it is said
For certain in our story, she
Would ever with Marina be:
Be't when she weaved the sleided silk
With fingers long, small, white as milk;
Or when she would with sharp needle wound
The cambric, which she made more sound
By hurting it; or when to the lute
She sung, and made the night-bird mute,
That still records with moan; or when
She would with rich and constant pen
Vail to her mistress Dian; still
This Philoten contends in skill
With absolute Marina: so
With the dove of Paphos might the crow
Vie feathers white. Marina gets
All praises, which are paid as debts,
And not as given. This so darks
In Philoten all graceful marks,
That Cleon's wife, with envy rare,
A present murderer does prepare
For good Marina, that her daughter
Might stand peerless by this slaughter.
The sooner her vile thoughts to stead,
Lychorida, our nurse, is dead:
And cursed Dionyza hath
The pregnant instrument of wrath
Prest for this blow. The unborn event
I do commend to your content:
Only I carry winged time
Post on the lame feet of my rhyme;
Which never could I so convey,
Unless your thoughts went on my way.
Dionyza does appear,
With Leonine, a murderer.

20

Romeo and Juliet
[I, 5]

Juliet

773

A rhyme I learn'd even now
Of one I danced withal.