Please wait

We are searching the Open Source Shakespeare database
for your request. Searches usually take 1-30 seconds.

progress graphic

For I am nothing, if not critical.

      — Othello, Act II Scene 1

SEARCH TEXTS  

Plays  +  Sonnets  +  Poems  +  Concordance  +  Advanced Search  +  About OSS

Search results

1-20 of 161 total

KEYWORD: praise

---

For an explanation of each column,
tap or hover over the column's title.

# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 1]

Countess

45

'Tis the best brine a maiden can season her praise
in. The remembrance of her father never approaches
her heart but the tyranny of her sorrows takes all
livelihood from her cheek. No more of this, Helena;
go to, no more; lest it be rather thought you affect
a sorrow than have it.

2

All's Well That Ends Well
[I, 2]

King of France

265

I would I had that corporal soundness now,
As when thy father and myself in friendship
First tried our soldiership! He did look far
Into the service of the time and was
Discipled of the bravest: he lasted long;
But on us both did haggish age steal on
And wore us out of act. It much repairs me
To talk of your good father. In his youth
He had the wit which I can well observe
To-day in our young lords; but they may jest
Till their own scorn return to them unnoted
Ere they can hide their levity in honour;
So like a courtier, contempt nor bitterness
Were in his pride or sharpness; if they were,
His equal had awaked them, and his honour,
Clock to itself, knew the true minute when
Exception bid him speak, and at this time
His tongue obey'd his hand: who were below him
He used as creatures of another place
And bow'd his eminent top to their low ranks,
Making them proud of his humility,
In their poor praise he humbled. Such a man
Might be a copy to these younger times;
Which, follow'd well, would demonstrate them now
But goers backward.

3

All's Well That Ends Well
[III, 5]

Helena

1673

O, I believe with him,
In argument of praise, or to the worth
Of the great count himself, she is too mean
To have her name repeated: all her deserving
Is a reserved honesty, and that
I have not heard examined.

4

All's Well That Ends Well
[IV, 5]

Countess

2471

I would I had not known him; it was the death of the
most virtuous gentlewoman that ever nature had
praise for creating. If she had partaken of my
flesh, and cost me the dearest groans of a mother, I
could not have owed her a more rooted love.

5

All's Well That Ends Well
[V, 2]

Parolles

2669

I praise God for you.

6

Antony and Cleopatra
[II, 2]

Octavius

753

You praise yourself
By laying defects of judgment to me; but
You patch'd up your excuses.

7

Antony and Cleopatra
[II, 6]

Pompey

1260

Know, then,
I came before you here a man prepared
To take this offer: but Mark Antony
Put me to some impatience: though I lose
The praise of it by telling, you must know,
When Caesar and your brother were at blows,
Your mother came to Sicily and did find
Her welcome friendly.

8

Antony and Cleopatra
[II, 6]

Domitius Enobarus

1326

I will praise any man that will praise me; though it
cannot be denied what I have done by land.

9

Antony and Cleopatra
[III, 2]

Domitius Enobarus

1606

Would you praise Caesar, say 'Caesar:' go no further.

10

Antony and Cleopatra
[V, 2]

Cleopatra

3738

Give me my robe, put on my crown; I have
Immortal longings in me: now no more
The juice of Egypt's grape shall moist this lip:
Yare, yare, good Iras; quick. Methinks I hear
Antony call; I see him rouse himself
To praise my noble act; I hear him mock
The luck of Caesar, which the gods give men
To excuse their after wrath: husband, I come:
Now to that name my courage prove my title!
I am fire and air; my other elements
I give to baser life. So; have you done?
Come then, and take the last warmth of my lips.
Farewell, kind Charmian; Iras, long farewell.
[Kisses them. IRAS falls and dies]
Have I the aspic in my lips? Dost fall?
If thou and nature can so gently part,
The stroke of death is as a lover's pinch,
Which hurts, and is desired. Dost thou lie still?
If thus thou vanishest, thou tell'st the world
It is not worth leave-taking.

11

As You Like It
[I, 2]

Le Beau

387

Neither his daughter, if we judge by manners;
But yet, indeed, the smaller is his daughter;
The other is daughter to the banish'd Duke,
And here detain'd by her usurping uncle,
To keep his daughter company; whose loves
Are dearer than the natural bond of sisters.
But I can tell you that of late this Duke
Hath ta'en displeasure 'gainst his gentle niece,
Grounded upon no other argument
But that the people praise her for her virtues
And pity her for her good father's sake;
And, on my life, his malice 'gainst the lady
Will suddenly break forth. Sir, fare you well.
Hereafter, in a better world than this,
I shall desire more love and knowledge of you.

12

As You Like It
[II, 3]

Adam

645

What, my young master? O my gentle master!
O my sweet master! O you memory
Of old Sir Rowland! Why, what make you here?
Why are you virtuous? Why do people love you?
And wherefore are you gentle, strong, and valiant?
Why would you be so fond to overcome
The bonny prizer of the humorous Duke?
Your praise is come too swiftly home before you.
Know you not, master, to some kind of men
Their graces serve them but as enemies?
No more do yours. Your virtues, gentle master,
Are sanctified and holy traitors to you.
O, what a world is this, when what is comely
Envenoms him that bears it!

13

As You Like It
[II, 4]

Silvius

750

O, thou didst then never love so heartily!
If thou rememb'rest not the slightest folly
That ever love did make thee run into,
Thou hast not lov'd;
Or if thou hast not sat as I do now,
Wearing thy hearer in thy mistress' praise,
Thou hast not lov'd;
Or if thou hast not broke from company
Abruptly, as my passion now makes me,
Thou hast not lov'd.
O Phebe, Phebe, Phebe! Exit Silvius

14

Comedy of Errors
[IV, 2]

Luciana

1086

With words that in an honest suit might move.
First he did praise my beauty, then my speech.

15

Coriolanus
[I, 5]

Coriolanus

590

Sir, praise me not;
My work hath yet not warm'd me: fare you well:
The blood I drop is rather physical
Than dangerous to me: to Aufidius thus
I will appear, and fight.

16

Coriolanus
[I, 9]

Coriolanus

780

Pray now, no more: my mother,
Who has a charter to extol her blood,
When she does praise me grieves me. I have done
As you have done; that's what I can; induced
As you have been; that's for my country:
He that has but effected his good will
Hath overta'en mine act.

17

Coriolanus
[II, 2]

Cominius

1329

I shall lack voice: the deeds of Coriolanus
Should not be utter'd feebly. It is held
That valour is the chiefest virtue, and
Most dignifies the haver: if it be,
The man I speak of cannot in the world
Be singly counterpoised. At sixteen years,
When Tarquin made a head for Rome, he fought
Beyond the mark of others: our then dictator,
Whom with all praise I point at, saw him fight,
When with his Amazonian chin he drove
The bristled lips before him: be bestrid
An o'er-press'd Roman and i' the consul's view
Slew three opposers: Tarquin's self he met,
And struck him on his knee: in that day's feats,
When he might act the woman in the scene,
He proved best man i' the field, and for his meed
Was brow-bound with the oak. His pupil age
Man-enter'd thus, he waxed like a sea,
And in the brunt of seventeen battles since
He lurch'd all swords of the garland. For this last,
Before and in Corioli, let me say,
I cannot speak him home: he stopp'd the fliers;
And by his rare example made the coward
Turn terror into sport: as weeds before
A vessel under sail, so men obey'd
And fell below his stem: his sword, death's stamp,
Where it did mark, it took; from face to foot
He was a thing of blood, whose every motion
Was timed with dying cries: alone he enter'd
The mortal gate of the city, which he painted
With shunless destiny; aidless came off,
And with a sudden reinforcement struck
Corioli like a planet: now all's his:
When, by and by, the din of war gan pierce
His ready sense; then straight his doubled spirit
Re-quicken'd what in flesh was fatigate,
And to the battle came he; where he did
Run reeking o'er the lives of men, as if
'Twere a perpetual spoil: and till we call'd
Both field and city ours, he never stood
To ease his breast with panting.

18

Coriolanus
[III, 2]

Volumnia

2294

I prithee now, sweet son, as thou hast said
My praises made thee first a soldier, so,
To have my praise for this, perform a part
Thou hast not done before.

19

Coriolanus
[V, 2]

Menenius Agrippa

3386

I tell thee, fellow,
The general is my lover: I have been
The book of his good acts, whence men have read
His name unparallel'd, haply amplified;
For I have ever verified my friends,
Of whom he's chief, with all the size that verity
Would without lapsing suffer: nay, sometimes,
Like to a bowl upon a subtle ground,
I have tumbled past the throw; and in his praise
Have almost stamp'd the leasing: therefore, fellow,
I must have leave to pass.

20

Coriolanus
[V, 5]

First Senator

3808

Behold our patroness, the life of Rome!
Call all your tribes together, praise the gods,
And make triumphant fires; strew flowers before them:
Unshout the noise that banish'd CORIOLANUS,
Repeal him with the welcome of his mother;
Cry 'Welcome, ladies, welcome!'

] Back to the concordance menu