# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[II, 1]

Lafeu

670

O, will you eat no grapes, my royal fox?
Yes, but you will my noble grapes, an if
My royal fox could reach them: I have seen a medicine
That's able to breathe life into a stone,
Quicken a rock, and make you dance canary
With spritely fire and motion; whose simple touch,
Is powerful to araise King Pepin, nay,
To give great Charlemain a pen in's hand,
And write to her a love-line.

2

All's Well That Ends Well
[III, 6]

Parolles

1800

I'll about it this evening: and I will presently
pen down my dilemmas, encourage myself in my
certainty, put myself into my mortal preparation;
and by midnight look to hear further from me.

3

Cymbeline
[I, 1]

Cymbeline

192

Thou foolish thing!
[Re-enter QUEEN]
They were again together: you have done
Not after our command. Away with her,
And pen her up.

4

Cymbeline
[V, 4]

First Gaoler

3312

A heavy reckoning for you, sir. But the comfort is,
you shall be called to no more payments, fear no
more tavern-bills; which are often the sadness of
parting, as the procuring of mirth: you come in
flint for want of meat, depart reeling with too
much drink; sorry that you have paid too much, and
sorry that you are paid too much; purse and brain
both empty; the brain the heavier for being too
light, the purse too light, being drawn of
heaviness: of this contradiction you shall now be
quit. O, the charity of a penny cord! It sums up
thousands in a trice: you have no true debitor and
creditor but it; of what's past, is, and to come,
the discharge: your neck, sir, is pen, book and
counters; so the acquittance follows.

5

Henry V
[II, 3]

Hostess Quickly

840

Nay, sure, he's not in hell: he's in Arthur's
bosom, if ever man went to Arthur's bosom. A' made
a finer end and went away an it had been any
christom child; a' parted even just between twelve
and one, even at the turning o' the tide: for after
I saw him fumble with the sheets and play with
flowers and smile upon his fingers' ends, I knew
there was but one way; for his nose was as sharp as
a pen, and a' babbled of green fields. 'How now,
sir John!' quoth I. 'what, man! be o' good
cheer.' So a' cried out 'God, God, God!' three or
four times. Now I, to comfort him, bid him a'
should not think of God; I hoped there was no need
to trouble himself with any such thoughts yet. So
a' bade me lay more clothes on his feet: I put my
hand into the bed and felt them, and they were as
cold as any stone; then I felt to his knees, and
they were as cold as any stone, and so upward and
upward, and all was as cold as any stone.

6

Henry V
[V, 2]

Chorus

3360

Thus far, with rough and all-unable pen,
Our bending author hath pursued the story,
In little room confining mighty men,
Mangling by starts the full course of their glory.
Small time, but in that small most greatly lived
This star of England: Fortune made his sword;
By which the world's best garden be achieved,
And of it left his son imperial lord.
Henry the Sixth, in infant bands crown'd King
Of France and England, did this king succeed;
Whose state so many had the managing,
That they lost France and made his England bleed:
Which oft our stage hath shown; and, for their sake,
In your fair minds let this acceptance take.

7

Henry VI, Part I
[III, 1]

Duke of Gloucester

1228

Presumptuous priest! this place commands my patience,
Or thou shouldst find thou hast dishonour'd me.
Think not, although in writing I preferr'd
The manner of thy vile outrageous crimes,
That therefore I have forged, or am not able
Verbatim to rehearse the method of my pen:
No, prelate; such is thy audacious wickedness,
Thy lewd, pestiferous and dissentious pranks,
As very infants prattle of thy pride.
Thou art a most pernicious usurer,
Forward by nature, enemy to peace;
Lascivious, wanton, more than well beseems
A man of thy profession and degree;
And for thy treachery, what's more manifest?
In that thou laid'st a trap to take my life,
As well at London bridge as at the Tower.
Beside, I fear me, if thy thoughts were sifted,
The king, thy sovereign, is not quite exempt
From envious malice of thy swelling heart.

8

Henry VI, Part I
[V, 3]

Earl of Suffolk

2512

An earl I am, and Suffolk am I call'd.
Be not offended, nature's miracle,
Thou art allotted to be ta'en by me:
So doth the swan her downy cygnets save,
Keeping them prisoner underneath her wings.
Yet, if this servile usage once offend.
Go, and be free again, as Suffolk's friend.
[She is going]
O, stay! I have no power to let her pass;
My hand would free her, but my heart says no
As plays the sun upon the glassy streams,
Twinkling another counterfeited beam,
So seems this gorgeous beauty to mine eyes.
Fain would I woo her, yet I dare not speak:
I'll call for pen and ink, and write my mind.
Fie, de la Pole! disable not thyself;
Hast not a tongue? is she not here?
Wilt thou be daunted at a woman's sight?
Ay, beauty's princely majesty is such,
Confounds the tongue and makes the senses rough.

9

Henry VI, Part II
[IV, 2]

Jack Cade

2409

Away with him, I say! hang him with his pen and
ink-horn about his neck.

10

King John
[V, 7]

King John

2660

Ay, marry, now my soul hath elbow-room;
It would not out at windows nor at doors.
There is so hot a summer in my bosom,
That all my bowels crumble up to dust:
I am a scribbled form, drawn with a pen
Upon a parchment, and against this fire
Do I shrink up.

11

King Lear
[III, 4]

Edgar

1881

A servingman, proud in heart and mind; that curl'd my hair,
wore gloves in my cap; serv'd the lust of my mistress' heart and
did the act of darkness with her; swore as many oaths as I spake
words, and broke them in the sweet face of heaven; one that
slept in the contriving of lust, and wak'd to do it. Wine lov'd
I deeply, dice dearly; and in woman out-paramour'd the Turk.
False of heart, light of ear, bloody of hand; hog in sloth, fox
in stealth, wolf in greediness, dog in madness, lion in prey.
Let not the creaking of shoes nor the rustling of silks betray
thy poor heart to woman. Keep thy foot out of brothel, thy hand
out of placket, thy pen from lender's book, and defy the foul
fiend. Still through the hawthorn blows the cold wind; says
suum, mun, hey, no, nonny. Dolphin my boy, my boy, sessa! let
him trot by.

12

Love's Labour's Lost
[I, 1]

Ferdinand

231

[Reads] 'So it is, besieged with sable-coloured
melancholy, I did commend the black-oppressing humour
to the most wholesome physic of thy health-giving
air; and, as I am a gentleman, betook myself to
walk. The time when. About the sixth hour; when
beasts most graze, birds best peck, and men sit down
to that nourishment which is called supper: so much
for the time when. Now for the ground which; which,
I mean, I walked upon: it is y-cleped thy park. Then
for the place where; where, I mean, I did encounter
that obscene and preposterous event, that draweth
from my snow-white pen the ebon-coloured ink, which
here thou viewest, beholdest, surveyest, or seest;
but to the place where; it standeth north-north-east
and by east from the west corner of thy curious-
knotted garden: there did I see that low-spirited
swain, that base minnow of thy mirth,'—

13

Love's Labour's Lost
[I, 2]

Don Adriano de Armado

463

I do affect the very ground, which is base, where
her shoe, which is baser, guided by her foot, which
is basest, doth tread. I shall be forsworn, which
is a great argument of falsehood, if I love. And
how can that be true love which is falsely
attempted? Love is a familiar; Love is a devil:
there is no evil angel but Love. Yet was Samson so
tempted, and he had an excellent strength; yet was
Solomon so seduced, and he had a very good wit.
Cupid's butt-shaft is too hard for Hercules' club;
and therefore too much odds for a Spaniard's rapier.
The first and second cause will not serve my turn;
the passado he respects not, the duello he regards
not: his disgrace is to be called boy; but his
glory is to subdue men. Adieu, valour! rust rapier!
be still, drum! for your manager is in love; yea,
he loveth. Assist me, some extemporal god of rhyme,
for I am sure I shall turn sonnet. Devise, wit;
write, pen; for I am for whole volumes in folio.

14

Love's Labour's Lost
[IV, 2]

Sir Nathaniel

1301

Marvellous well for the pen.

15

Love's Labour's Lost
[IV, 3]

Biron

1634

'Tis more than need.
Have at you, then, affection's men at arms.
Consider what you first did swear unto,
To fast, to study, and to see no woman;
Flat treason 'gainst the kingly state of youth.
Say, can you fast? your stomachs are too young;
And abstinence engenders maladies.
And where that you have vow'd to study, lords,
In that each of you have forsworn his book,
Can you still dream and pore and thereon look?
For when would you, my lord, or you, or you,
Have found the ground of study's excellence
Without the beauty of a woman's face?
[From women's eyes this doctrine I derive;]
They are the ground, the books, the academes
From whence doth spring the true Promethean fire]
Why, universal plodding poisons up
The nimble spirits in the arteries,
As motion and long-during action tires
The sinewy vigour of the traveller.
Now, for not looking on a woman's face,
You have in that forsworn the use of eyes
And study too, the causer of your vow;
For where is any author in the world
Teaches such beauty as a woman's eye?
Learning is but an adjunct to ourself
And where we are our learning likewise is:
Then when ourselves we see in ladies' eyes,
Do we not likewise see our learning there?
O, we have made a vow to study, lords,
And in that vow we have forsworn our books.
For when would you, my liege, or you, or you,
In leaden contemplation have found out
Such fiery numbers as the prompting eyes
Of beauty's tutors have enrich'd you with?
Other slow arts entirely keep the brain;
And therefore, finding barren practisers,
Scarce show a harvest of their heavy toil:
But love, first learned in a lady's eyes,
Lives not alone immured in the brain;
But, with the motion of all elements,
Courses as swift as thought in every power,
And gives to every power a double power,
Above their functions and their offices.
It adds a precious seeing to the eye;
A lover's eyes will gaze an eagle blind;
A lover's ear will hear the lowest sound,
When the suspicious head of theft is stopp'd:
Love's feeling is more soft and sensible
Than are the tender horns of cockl'd snails;
Love's tongue proves dainty Bacchus gross in taste:
For valour, is not Love a Hercules,
Still climbing trees in the Hesperides?
Subtle as Sphinx; as sweet and musical
As bright Apollo's lute, strung with his hair:
And when Love speaks, the voice of all the gods
Makes heaven drowsy with the harmony.
Never durst poet touch a pen to write
Until his ink were temper'd with Love's sighs;
O, then his lines would ravish savage ears
And plant in tyrants mild humility.
From women's eyes this doctrine I derive:
They sparkle still the right Promethean fire;
They are the books, the arts, the academes,
That show, contain and nourish all the world:
Else none at all in ought proves excellent.
Then fools you were these women to forswear,
Or keeping what is sworn, you will prove fools.
For wisdom's sake, a word that all men love,
Or for love's sake, a word that loves all men,
Or for men's sake, the authors of these women,
Or women's sake, by whom we men are men,
Let us once lose our oaths to find ourselves,
Or else we lose ourselves to keep our oaths.
It is religion to be thus forsworn,
For charity itself fulfills the law,
And who can sever love from charity?

16

Merchant of Venice
[V, 1]

Gratiano

2704

Well, do you so; let not me take him, then;
For if I do, I'll mar the young clerk's pen.

17

Merry Wives of Windsor
[III, 4]

Slender

1670

I had a father, Mistress Anne; my uncle can tell you
good jests of him. Pray you, uncle, tell Mistress
Anne the jest, how my father stole two geese out of
a pen, good uncle.

18

Midsummer Night's Dream
[V, 1]

Theseus

1832

More strange than true: I never may believe
These antique fables, nor these fairy toys.
Lovers and madmen have such seething brains,
Such shaping fantasies, that apprehend
More than cool reason ever comprehends.
The lunatic, the lover and the poet
Are of imagination all compact:
One sees more devils than vast hell can hold,
That is, the madman: the lover, all as frantic,
Sees Helen's beauty in a brow of Egypt:
The poet's eye, in fine frenzy rolling,
Doth glance from heaven to earth, from earth to heaven;
And as imagination bodies forth
The forms of things unknown, the poet's pen
Turns them to shapes and gives to airy nothing
A local habitation and a name.
Such tricks hath strong imagination,
That if it would but apprehend some joy,
It comprehends some bringer of that joy;
Or in the night, imagining some fear,
How easy is a bush supposed a bear!

19

Much Ado about Nothing
[I, 1]

Benedick

223

With anger, with sickness, or with hunger, my lord,
not with love: prove that ever I lose more blood
with love than I will get again with drinking, pick
out mine eyes with a ballad-maker's pen and hang me
up at the door of a brothel-house for the sign of
blind Cupid.

20

Much Ado about Nothing
[III, 5]

Dogberry

1633

Go, good partner, go, get you to Francis Seacole;
bid him bring his pen and inkhorn to the gaol: we
are now to examination these men.