# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[V, 3]

Lafeu

2755

Come on, my son, in whom my house's name
Must be digested, give a favour from you
To sparkle in the spirits of my daughter,
That she may quickly come.
[BERTRAM gives a ring]
By my old beard,
And every hair that's on't, Helen, that's dead,
Was a sweet creature: such a ring as this,
The last that e'er I took her at court,
I saw upon her finger.

2

Antony and Cleopatra
[I, 2]

Antony

271

No more light answers. Let our officers
Have notice what we purpose. I shall break
The cause of our expedience to the queen,
And get her leave to part. For not alone
The death of Fulvia, with more urgent touches,
Do strongly speak to us; but the letters too
Of many our contriving friends in Rome
Petition us at home: Sextus Pompeius
Hath given the dare to Caesar, and commands
The empire of the sea: our slippery people,
Whose love is never link'd to the deserver
Till his deserts are past, begin to throw
Pompey the Great and all his dignities
Upon his son; who, high in name and power,
Higher than both in blood and life, stands up
For the main soldier: whose quality, going on,
The sides o' the world may danger: much is breeding,
Which, like the courser's hair, hath yet but life,
And not a serpent's poison. Say, our pleasure,
To such whose place is under us, requires
Our quick remove from hence.

3

Antony and Cleopatra
[II, 5]

Cleopatra

1193

I am paid for't now.
Lead me from hence:
I faint: O Iras, Charmian! 'tis no matter.
Go to the fellow, good Alexas; bid him
Report the feature of Octavia, her years,
Her inclination, let him not leave out
The colour of her hair: bring me word quickly.
[Exit ALEXAS]
Let him for ever go:—let him not—Charmian,
Though he be painted one way like a Gorgon,
The other way's a Mars. Bid you Alexas
[To MARDIAN]
Bring me word how tall she is. Pity me, Charmian,
But do not speak to me. Lead me to my chamber.

4

Antony and Cleopatra
[III, 3]

Cleopatra

1728

For the most part, too, they are foolish that are so.
Her hair, what colour?

5

As You Like It
[III, 4]

Rosalind

1600

His very hair is of the dissembling colour.

6

As You Like It
[III, 4]

Rosalind

1603

I' faith, his hair is of a good colour.

7

As You Like It
[III, 5]

Rosalind

1688

[Advancing] And why, I pray you? Who might be your
mother,
That you insult, exult, and all at once,
Over the wretched? What though you have no beauty-
As, by my faith, I see no more in you
Than without candle may go dark to bed-
Must you be therefore proud and pitiless?
Why, what means this? Why do you look on me?
I see no more in you than in the ordinary
Of nature's sale-work. 'Od's my little life,
I think she means to tangle my eyes too!
No faith, proud mistress, hope not after it;
'Tis not your inky brows, your black silk hair,
Your bugle eyeballs, nor your cheek of cream,
That can entame my spirits to your worship.
You foolish shepherd, wherefore do you follow her,
Like foggy south, puffing with wind and rain?
You are a thousand times a properer man
Than she a woman. 'Tis such fools as you
That makes the world full of ill-favour'd children.
'Tis not her glass, but you, that flatters her;
And out of you she sees herself more proper
Than any of her lineaments can show her.
But, mistress, know yourself. Down on your knees,
And thank heaven, fasting, for a good man's love;
For I must tell you friendly in your ear:
Sell when you can; you are not for all markets.
Cry the man mercy, love him, take his offer;
Foul is most foul, being foul to be a scoffer.
So take her to thee, shepherd. Fare you well.

8

As You Like It
[III, 5]

Phebe

1764

Think not I love him, though I ask for him;
'Tis but a peevish boy; yet he talks well.
But what care I for words? Yet words do well
When he that speaks them pleases those that hear.
It is a pretty youth- not very pretty;
But, sure, he's proud; and yet his pride becomes him.
He'll make a proper man. The best thing in him
Is his complexion; and faster than his tongue
Did make offence, his eye did heal it up.
He is not very tall; yet for his years he's tall;
His leg is but so-so; and yet 'tis well.
There was a pretty redness in his lip,
A little riper and more lusty red
Than that mix'd in his cheek; 'twas just the difference
Betwixt the constant red and mingled damask.
There be some women, Silvius, had they mark'd him
In parcels as I did, would have gone near
To fall in love with him; but, for my part,
I love him not, nor hate him not; and yet
I have more cause to hate him than to love him;
For what had he to do to chide at me?
He said mine eyes were black, and my hair black,
And, now I am rememb'red, scorn'd at me.
I marvel why I answer'd not again;
But that's all one: omittance is no quittance.
I'll write to him a very taunting letter,
And thou shalt bear it; wilt thou, Silvius?

9

As You Like It
[IV, 3]

Oliver

2101

When last the young Orlando parted from you,
He left a promise to return again
Within an hour; and, pacing through the forest,
Chewing the food of sweet and bitter fancy,
Lo, what befell! He threw his eye aside,
And mark what object did present itself.
Under an oak, whose boughs were moss'd with age,
And high top bald with dry antiquity,
A wretched ragged man, o'ergrown with hair,
Lay sleeping on his back. About his neck
A green and gilded snake had wreath'd itself,
Who with her head nimble in threats approach'd
The opening of his mouth; but suddenly,
Seeing Orlando, it unlink'd itself,
And with indented glides did slip away
Into a bush; under which bush's shade
A lioness, with udders all drawn dry,
Lay couching, head on ground, with catlike watch,
When that the sleeping man should stir; for 'tis
The royal disposition of that beast
To prey on nothing that doth seem as dead.
This seen, Orlando did approach the man,
And found it was his brother, his elder brother.

10

Comedy of Errors
[II, 2]

Dromio of Syracuse

464

There's no time for a man to recover his hair that
grows bald by nature.

11

Comedy of Errors
[II, 2]

Dromio of Syracuse

467

Yes, to pay a fine for a periwig and recover the
lost hair of another man.

12

Comedy of Errors
[II, 2]

Antipholus of Syracuse

469

Why is Time such a niggard of hair, being, as it is,
so plentiful an excrement?

13

Comedy of Errors
[II, 2]

Dromio of Syracuse

471

Because it is a blessing that he bestows on beasts;
and what he hath scanted men in hair he hath given them in wit.

14

Comedy of Errors
[II, 2]

Antipholus of Syracuse

473

Why, but there's many a man hath more hair than wit.

15

Comedy of Errors
[II, 2]

Dromio of Syracuse

474

Not a man of those but he hath the wit to lose his hair.

16

Comedy of Errors
[II, 2]

Dromio of Syracuse

490

Marry, and did, sir; namely, no time to recover hair
lost by nature.

17

Comedy of Errors
[IV, 3]

Dromio of Syracuse

1220

Some devils ask but the parings of one's nail,
A rush, a hair, a drop of blood, a pin,
A nut, a cherry-stone;
But she, more covetous, would have a chain.
Master, be wise: an if you give it her,
The devil will shake her chain and fright us with it.

18

Comedy of Errors
[V, 1]

Servant

1603

O mistress, mistress, shift and save yourself!
My master and his man are both broke loose,
Beaten the maids a-row and bound the doctor
Whose beard they have singed off with brands of fire;
And ever, as it blazed, they threw on him
Great pails of puddled mire to quench the hair:
My master preaches patience to him and the while
His man with scissors nicks him like a fool,
And sure, unless you send some present help,
Between them they will kill the conjurer.

19

Coriolanus
[I, 3]

Volumnia

391

Indeed, you shall not.
Methinks I hear hither your husband's drum,
See him pluck Aufidius down by the hair,
As children from a bear, the Volsces shunning him:
Methinks I see him stamp thus, and call thus:
'Come on, you cowards! you were got in fear,
Though you were born in Rome:' his bloody brow
With his mail'd hand then wiping, forth he goes,
Like to a harvest-man that's task'd to mow
Or all or lose his hire.

20

Coriolanus
[IV, 6]

Menenius Agrippa

3177

Here come the clusters.
And is Aufidius with him? You are they
That made the air unwholesome, when you cast
Your stinking greasy caps in hooting at
Coriolanus' exile. Now he's coming;
And not a hair upon a soldier's head
Which will not prove a whip: as many coxcombs
As you threw caps up will he tumble down,
And pay you for your voices. 'Tis no matter;
if he could burn us all into one coal,
We have deserved it.