# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 2]

King of France

294

Would I were with him! He would always say—
Methinks I hear him now; his plausive words
He scatter'd not in ears, but grafted them,
To grow there and to bear,—'Let me not live,'—
This his good melancholy oft began,
On the catastrophe and heel of pastime,
When it was out,—'Let me not live,' quoth he,
'After my flame lacks oil, to be the snuff
Of younger spirits, whose apprehensive senses
All but new things disdain; whose judgments are
Mere fathers of their garments; whose constancies
Expire before their fashions.' This he wish'd;
I after him do after him wish too,
Since I nor wax nor honey can bring home,
I quickly were dissolved from my hive,
To give some labourers room.

2

All's Well That Ends Well
[IV, 1]

Parolles

1948

I would the cutting of my garments would serve the
turn, or the breaking of my Spanish sword.

3

As You Like It
[III, 2]

Touchstone

1211

For a taste:
If a hart do lack a hind,
Let him seek out Rosalinde.
If the cat will after kind,
So be sure will Rosalinde.
Winter garments must be lin'd,
So must slender Rosalinde.
They that reap must sheaf and bind,
Then to cart with Rosalinde.
Sweetest nut hath sourest rind,
Such a nut is Rosalinde.
He that sweetest rose will find
Must find love's prick and Rosalinde.
This is the very false gallop of verses; why do you infect
yourself with them?

4

As You Like It
[IV, 3]

Oliver

2085

If that an eye may profit by a tongue,
Then should I know you by description-
Such garments, and such years: 'The boy is fair,
Of female favour, and bestows himself
Like a ripe sister; the woman low,
And browner than her brother.' Are not you
The owner of the house I did inquire for?

5

Comedy of Errors
[III, 1]

Dromio of Ephesus

702

You would say so, master, if your garments were thin.
Your cake there is warm within; you stand here in the cold:
It would make a man mad as a buck, to be so bought and sold.

6

Coriolanus
[II, 3]

Coriolanus

1584

May I change these garments?

7

Coriolanus
[III, 1]

Coriolanus

1949

Hence, rotten thing! or I shall shake thy bones
Out of thy garments.

8

Cymbeline
[III, 5]

Cloten

2099

Give me thy hand; here's my purse. Hast any of thy
late master's garments in thy possession?

9

Cymbeline
[III, 5]

Cloten

2107

Meet thee at Milford-Haven!—I forgot to ask him one
thing; I'll remember't anon:—even there, thou
villain Posthumus, will I kill thee. I would these
garments were come. She said upon a time—the
bitterness of it I now belch from my heart—that she
held the very garment of Posthumus in more respect
than my noble and natural person together with the
adornment of my qualities. With that suit upon my
back, will I ravish her: first kill him, and in her
eyes; there shall she see my valour, which will then
be a torment to her contempt. He on the ground, my
speech of insultment ended on his dead body, and
when my lust hath dined,—which, as I say, to vex
her I will execute in the clothes that she so
praised,—to the court I'll knock her back, foot
her home again. She hath despised me rejoicingly,
and I'll be merry in my revenge.
[Re-enter PISANIO, with the clothes]
Be those the garments?

10

Cymbeline
[IV, 1]

Cloten

2287

I am near to the place where they should meet, if
Pisanio have mapped it truly. How fit his garments
serve me! Why should his mistress, who was made by
him that made the tailor, not be fit too? the
rather—saving reverence of the word—for 'tis said
a woman's fitness comes by fits. Therein I must
play the workman. I dare speak it to myself—for it
is not vain-glory for a man and his glass to confer
in his own chamber—I mean, the lines of my body are
as well drawn as his; no less young, more strong,
not beneath him in fortunes, beyond him in the
advantage of the time, above him in birth, alike
conversant in general services, and more remarkable
in single oppositions: yet this imperceiverant
thing loves him in my despite. What mortality is!
Posthumus, thy head, which now is growing upon thy
shoulders, shall within this hour be off; thy
mistress enforced; thy garments cut to pieces before
thy face: and all this done, spurn her home to her
father; who may haply be a little angry for my so
rough usage; but my mother, having power of his
testiness, shall turn all into my commendations. My
horse is tied up safe: out, sword, and to a sore
purpose! Fortune, put them into my hand! This is
the very description of their meeting-place; and
the fellow dares not deceive me.

11

Cymbeline
[IV, 2]

Imogen

2692

[Awaking] Yes, sir, to Milford-Haven; which is
the way?—
I thank you.—By yond bush?—Pray, how far thither?
'Ods pittikins! can it be six mile yet?—
I have gone all night. 'Faith, I'll lie down and sleep.
But, soft! no bedfellow!—O gods and goddesses!
[Seeing the body of CLOTEN]
These flowers are like the pleasures of the world;
This bloody man, the care on't. I hope I dream;
For so I thought I was a cave-keeper,
And cook to honest creatures: but 'tis not so;
'Twas but a bolt of nothing, shot at nothing,
Which the brain makes of fumes: our very eyes
Are sometimes like our judgments, blind. Good faith,
I tremble stiff with fear: but if there be
Yet left in heaven as small a drop of pity
As a wren's eye, fear'd gods, a part of it!
The dream's here still: even when I wake, it is
Without me, as within me; not imagined, felt.
A headless man! The garments of Posthumus!
I know the shape of's leg: this is his hand;
His foot Mercurial; his Martial thigh;
The brawns of Hercules: but his Jovial face
Murder in heaven?—How!—'Tis gone. Pisanio,
All curses madded Hecuba gave the Greeks,
And mine to boot, be darted on thee! Thou,
Conspired with that irregulous devil, Cloten,
Hast here cut off my lord. To write and read
Be henceforth treacherous! Damn'd Pisanio
Hath with his forged letters,—damn'd Pisanio—
From this most bravest vessel of the world
Struck the main-top! O Posthumus! alas,
Where is thy head? where's that? Ay me!
where's that?
Pisanio might have kill'd thee at the heart,
And left this head on. How should this be? Pisanio?
'Tis he and Cloten: malice and lucre in them
Have laid this woe here. O, 'tis pregnant, pregnant!
The drug he gave me, which he said was precious
And cordial to me, have I not found it
Murderous to the senses? That confirms it home:
This is Pisanio's deed, and Cloten's: O!
Give colour to my pale cheek with thy blood,
That we the horrider may seem to those
Which chance to find us: O, my lord, my lord!
[Falls on the body]
[Enter LUCIUS, a Captain and other Officers,]
and a Soothsayer]

12

Cymbeline
[V, 5]

Pisanio

3702

My lord,
Now fear is from me, I'll speak troth. Lord Cloten,
Upon my lady's missing, came to me
With his sword drawn; foam'd at the mouth, and swore,
If I discover'd not which way she was gone,
It was my instant death. By accident,
had a feigned letter of my master's
Then in my pocket; which directed him
To seek her on the mountains near to Milford;
Where, in a frenzy, in my master's garments,
Which he enforced from me, away he posts
With unchaste purpose and with oath to violate
My lady's honour: what became of him
I further know not.

13

Hamlet
[IV, 7]

Gertrude

3315

There is a willow grows aslant a brook,
That shows his hoar leaves in the glassy stream.
There with fantastic garlands did she come
Of crowflowers, nettles, daisies, and long purples,
That liberal shepherds give a grosser name,
But our cold maids do dead men's fingers call them.
There on the pendant boughs her coronet weeds
Clamb'ring to hang, an envious sliver broke,
When down her weedy trophies and herself
Fell in the weeping brook. Her clothes spread wide
And, mermaid-like, awhile they bore her up;
Which time she chaunted snatches of old tunes,
As one incapable of her own distress,
Or like a creature native and indued
Unto that element; but long it could not be
Till that her garments, heavy with their drink,
Pull'd the poor wretch from her melodious lay
To muddy death.

14

Henry IV, Part I
[I, 2]

Edward Poins

279

Tut! our horses they shall not see: I'll tie them
in the wood; our vizards we will change after we
leave them: and, sirrah, I have cases of buckram
for the nonce, to immask our noted outward garments.

15

Henry IV, Part I
[II, 4]

Lord Bardolph

1294

Yea, and to tickle our noses with spear-grass to
make them bleed, and then to beslubber our garments
with it and swear it was the blood of true men. I
did that I did not this seven year before, I blushed
to hear his monstrous devices.

16

Henry V
[IV, 3]

Henry V

2253

What's he that wishes so?
My cousin Westmoreland? No, my fair cousin:
If we are mark'd to die, we are enow
To do our country loss; and if to live,
The fewer men, the greater share of honour.
God's will! I pray thee, wish not one man more.
By Jove, I am not covetous for gold,
Nor care I who doth feed upon my cost;
It yearns me not if men my garments wear;
Such outward things dwell not in my desires:
But if it be a sin to covet honour,
I am the most offending soul alive.
No, faith, my coz, wish not a man from England:
God's peace! I would not lose so great an honour
As one man more, methinks, would share from me
For the best hope I have. O, do not wish one more!
Rather proclaim it, Westmoreland, through my host,
That he which hath no stomach to this fight,
Let him depart; his passport shall be made
And crowns for convoy put into his purse:
We would not die in that man's company
That fears his fellowship to die with us.
This day is called the feast of Crispian:
He that outlives this day, and comes safe home,
Will stand a tip-toe when the day is named,
And rouse him at the name of Crispian.
He that shall live this day, and see old age,
Will yearly on the vigil feast his neighbours,
And say 'To-morrow is Saint Crispian:'
Then will he strip his sleeve and show his scars.
And say 'These wounds I had on Crispin's day.'
Old men forget: yet all shall be forgot,
But he'll remember with advantages
What feats he did that day: then shall our names.
Familiar in his mouth as household words
Harry the king, Bedford and Exeter,
Warwick and Talbot, Salisbury and Gloucester,
Be in their flowing cups freshly remember'd.
This story shall the good man teach his son;
And Crispin Crispian shall ne'er go by,
From this day to the ending of the world,
But we in it shall be remember'd;
We few, we happy few, we band of brothers;
For he to-day that sheds his blood with me
Shall be my brother; be he ne'er so vile,
This day shall gentle his condition:
And gentlemen in England now a-bed
Shall think themselves accursed they were not here,
And hold their manhoods cheap whiles any speaks
That fought with us upon Saint Crispin's day.

17

Henry V
[IV, 8]

Williams

2758

Your majesty came not like yourself: you appeared to
me but as a common man; witness the night, your
garments, your lowliness; and what your highness
suffered under that shape, I beseech you take it for
your own fault and not mine: for had you been as I
took you for, I made no offence; therefore, I
beseech your highness, pardon me.

18

King John
[III, 4]

Constance

1479

Grief fills the room up of my absent child,
Lies in his bed, walks up and down with me,
Puts on his pretty looks, repeats his words,
Remembers me of all his gracious parts,
Stuffs out his vacant garments with his form;
Then, have I reason to be fond of grief?
Fare you well: had you such a loss as I,
I could give better comfort than you do.
I will not keep this form upon my head,
When there is such disorder in my wit.
O Lord! my boy, my Arthur, my fair son!
My life, my joy, my food, my all the world!
My widow-comfort, and my sorrows' cure!

19

King Lear
[III, 6]

Lear

2077

Then let them anatomize Regan. See what breeds about her
heart. Is there any cause in nature that makes these hard
hearts? [To Edgar] You, sir- I entertain you for one of my
hundred; only I do not like the fashion of your garments. You'll
say they are Persian attire; but let them be chang'd.

20

King Lear
[IV, 6]

Edgar

2608

Y'are much deceiv'd. In nothing am I chang'd
But in my garments.