# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 2]

(stage directions)

233

Flourish of cornets. Enter the KING of France,]
with letters, and divers Attendants]

2

All's Well That Ends Well
[I, 2]

(stage directions)

322

[Exeunt. Flourish]

3

All's Well That Ends Well
[II, 1]

(stage directions)

590

[Flourish of cornets. Enter the KING, attended]
with divers young Lords taking leave for the
Florentine war; BERTRAM, and PAROLLES]

4

All's Well That Ends Well
[II, 1]

(stage directions)

823

[Flourish. Exeunt]

5

All's Well That Ends Well
[III, 1]

(stage directions)

1367

[Flourish. Enter the DUKE of Florence attended;]
the two Frenchmen, with a troop of soldiers.

6

All's Well That Ends Well
[III, 1]

(stage directions)

1396

[Flourish. Exeunt]

7

All's Well That Ends Well
[III, 3]

(stage directions)

1541

[Flourish. Enter the DUKE of Florence, BERTRAM,]
PAROLLES, Soldiers, Drum, and Trumpets]

8

All's Well That Ends Well
[V, 3]

(stage directions)

2671

[Flourish. Enter KING, COUNTESS, LAFEU, the two]
French Lords, with Attendants]

9

All's Well That Ends Well
[V, 3]

King of France

3046

Let us from point to point this story know,
To make the even truth in pleasure flow.
[To DIANA]
If thou be'st yet a fresh uncropped flower,
Choose thou thy husband, and I'll pay thy dower;
For I can guess that by thy honest aid
Thou keep'st a wife herself, thyself a maid.
Of that and all the progress, more or less,
Resolvedly more leisure shall express:
All yet seems well; and if it end so meet,
The bitter past, more welcome is the sweet.
[Flourish]
EPILOGUE

10

Antony and Cleopatra
[I, 1]

Philo

2

Nay, but this dotage of our general's
O'erflows the measure: those his goodly eyes,
That o'er the files and musters of the war
Have glow'd like plated Mars, now bend, now turn,
The office and devotion of their view
Upon a tawny front: his captain's heart,
Which in the scuffles of great fights hath burst
The buckles on his breast, reneges all temper,
And is become the bellows and the fan
To cool a gipsy's lust.
[Flourish. Enter ANTONY, CLEOPATRA, her Ladies,]
the Train, with Eunuchs fanning her]
Look, where they come:
Take but good note, and you shall see in him.
The triple pillar of the world transform'd
Into a strumpet's fool: behold and see.

11

Antony and Cleopatra
[II, 2]

(stage directions)

718

[Flourish]

12

Antony and Cleopatra
[II, 2]

Lepidus

892

Noble Antony,
Not sickness should detain me.
[Flourish. Exeunt OCTAVIUS CAESAR, MARK ANTONY,]
and LEPIDUS]

13

Antony and Cleopatra
[II, 6]

(stage directions)

1208

[Flourish. Enter POMPEY and MENAS at one door,]
with drum and trumpet: at another, OCTAVIUS CAESAR,
MARK ANTONY, LEPIDUS, DOMITIUS ENOBARBUS, MECAENAS,
with Soldiers marching]

14

Antony and Cleopatra
[II, 7]

(stage directions)

1541

[Sound a flourish, with drums]

15

Antony and Cleopatra
[IV, 4]

(stage directions)

2652

[Shout. Trumpets flourish]

16

Antony and Cleopatra
[IV, 6]

(stage directions)

2702

[Flourish. Enter OCTAVIUS CAESAR, AGRIPPA, with]
DOMITIUS ENOBARBUS, and others]

17

Antony and Cleopatra
[V, 2]

Dolabella

3523

Madam, he will; I know't.
[Flourish, and shout within, 'Make way there:]
Octavius Caesar!']
[Enter OCTAVIUS CAESAR, GALLUS, PROCULEIUS,]
MECAENAS, SELEUCUS, and others of his Train]

18

Antony and Cleopatra
[V, 2]

(stage directions)

3621

[Flourish. Exeunt OCTAVIUS CAESAR and his train]

19

As You Like It
[I, 2]

(stage directions)

266

Flourish. Enter DUKE FREDERICK, LORDS, ORLANDO,

20

Coriolanus
[I, 9]

(stage directions)

760

[Flourish. Alarum. A retreat is sounded. Flourish.]
Enter, from one side, COMINIUS with the Romans; from
the other side, CORIOLANUS, with his arm in a scarf]