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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
All's Well That Ends Well
[II, 1] |
King of France |
723 |
We thank you, maiden;
But may not be so credulous of cure,
When our most learned doctors leave us and
The congregated college have concluded
That labouring art can never ransom nature
From her inaidible estate; I say we must not
So stain our judgment, or corrupt our hope,
To prostitute our past-cure malady
To empirics, or to dissever so
Our great self and our credit, to esteem
A senseless help when help past sense we deem.
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2 |
All's Well That Ends Well
[V, 3] |
King of France |
2673 |
We lost a jewel of her; and our esteem
Was made much poorer by it: but your son,
As mad in folly, lack'd the sense to know
Her estimation home.
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3 |
As You Like It
[V, 2] |
Rosalind |
2293 |
I will weary you, then, no longer with idle talking. Know
of me then- for now I speak to some purpose- that I know you are
a gentleman of good conceit. I speak not this that you should
bear a good opinion of my knowledge, insomuch I say I know you
are; neither do I labour for a greater esteem than may in some
little measure draw a belief from you, to do yourself good, and
not to grace me. Believe then, if you please, that I can do
strange things. I have, since I was three year old, convers'd
with a magician, most profound in his art and yet not damnable.
If you do love Rosalind so near the heart as your gesture cries
it out, when your brother marries Aliena shall you marry her. I
know into what straits of fortune she is driven; and it is not
impossible to me, if it appear not inconvenient to you, to set
her before your eyes to-morrow, human as she is, and without any
danger.
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4 |
Cymbeline
[I, 4] |
Iachimo |
395 |
What do you esteem it at?
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5 |
Cymbeline
[V, 5] |
Cornelius |
3668 |
The queen, sir, very oft importuned me
To temper poisons for her, still pretending
The satisfaction of her knowledge only
In killing creatures vile, as cats and dogs,
Of no esteem: I, dreading that her purpose
Was of more danger, did compound for her
A certain stuff, which, being ta'en, would cease
The present power of life, but in short time
All offices of nature should again
Do their due functions. Have you ta'en of it?
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6 |
Henry VI, Part I
[III, 4] |
Lord Talbot/Earl of Shrewsbury |
1707 |
My gracious prince, and honourable peers,
Hearing of your arrival in this realm,
I have awhile given truce unto my wars,
To do my duty to my sovereign:
In sign, whereof, this arm, that hath reclaim'd
To your obedience fifty fortresses,
Twelve cities and seven walled towns of strength,
Beside five hundred prisoners of esteem,
Lets fall his sword before your highness' feet,
And with submissive loyalty of heart
Ascribes the glory of his conquest got
First to my God and next unto your grace.
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7 |
Henry VI, Part I
[IV, 1] |
Duke of Gloucester |
1761 |
Now, governor of Paris, take your oath,
That you elect no other king but him;
Esteem none friends but such as are his friends,
And none your foes but such as shall pretend
Malicious practises against his state:
This shall ye do, so help you righteous God!
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8 |
Henry VI, Part I
[V, 5] |
Duke of Gloucester |
2878 |
So should I give consent to flatter sin.
You know, my lord, your highness is betroth'd
Unto another lady of esteem:
How shall we then dispense with that contract,
And not deface your honour with reproach?
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9 |
Henry VI, Part II
[III, 2] |
Henry VI |
1697 |
Lords, take your places; and, I pray you all,
Proceed no straiter 'gainst our uncle Gloucester
Than from true evidence of good esteem
He be approved in practise culpable.
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10 |
Henry VI, Part II
[V, 2] |
Lord Clifford |
3233 |
Nor should thy prowess want praise and esteem,
But that 'tis shown ignobly and in treason.
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11 |
Henry VIII
[IV, 1] |
Third Gentleman |
2543 |
Thomas Cromwell;
A man in much esteem with the king, and truly
A worthy friend. The king has made him master
O' the jewel house,
And one, already, of the privy council.
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12 |
Love's Labour's Lost
[II, 1] |
Boyet |
485 |
Now, madam, summon up your dearest spirits:
Consider who the king your father sends,
To whom he sends, and what's his embassy:
Yourself, held precious in the world's esteem,
To parley with the sole inheritor
Of all perfections that a man may owe,
Matchless Navarre; the plea of no less weight
Than Aquitaine, a dowry for a queen.
Be now as prodigal of all dear grace
As Nature was in making graces dear
When she did starve the general world beside
And prodigally gave them all to you.
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13 |
Macbeth
[I, 7] |
Lady Macbeth |
512 |
Was the hope drunk
Wherein you dress'd yourself? hath it slept since?
And wakes it now, to look so green and pale
At what it did so freely? From this time
Such I account thy love. Art thou afeard
To be the same in thine own act and valour
As thou art in desire? Wouldst thou have that
Which thou esteem'st the ornament of life,
And live a coward in thine own esteem,
Letting 'I dare not' wait upon 'I would,'
Like the poor cat i' the adage?
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14 |
Macbeth
[IV, 3] |
Malcolm |
1901 |
It is myself I mean: in whom I know
All the particulars of vice so grafted
That, when they shall be open'd, black Macbeth
Will seem as pure as snow, and the poor state
Esteem him as a lamb, being compared
With my confineless harms.
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15 |
Midsummer Night's Dream
[III, 2] |
Hermia |
1337 |
Puppet? why so? ay, that way goes the game.
Now I perceive that she hath made compare
Between our statures; she hath urged her height;
And with her personage, her tall personage,
Her height, forsooth, she hath prevail'd with him.
And are you grown so high in his esteem;
Because I am so dwarfish and so low?
How low am I, thou painted maypole? speak;
How low am I? I am not yet so low
But that my nails can reach unto thine eyes.
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16 |
Midsummer Night's Dream
[III, 2] |
Puck |
1404 |
Believe me, king of shadows, I mistook.
Did not you tell me I should know the man
By the Athenian garment be had on?
And so far blameless proves my enterprise,
That I have 'nointed an Athenian's eyes;
And so far am I glad it so did sort
As this their jangling I esteem a sport.
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17 |
Richard II
[I, 3] |
John of Gaunt |
566 |
The sullen passage of thy weary steps
Esteem as foil wherein thou art to set
The precious jewel of thy home return.
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18 |
Romeo and Juliet
[I, 3] |
Lady Capulet |
454 |
Well, think of marriage now; younger than you,
Here in Verona, ladies of esteem,
Are made already mothers: by my count,
I was your mother much upon these years
That you are now a maid. Thus then in brief:
The valiant Paris seeks you for his love.
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19 |
Sonnet 100 |
Shakespeare |
1388 |
Where art thou, Muse, that thou forget'st so long
To speak of that which gives thee all thy might?
Spend'st thou thy fury on some worthless song,
Darkening thy power to lend base subjects light?
Return, forgetful Muse, and straight redeem
In gentle numbers time so idly spent;
Sing to the ear that doth thy lays esteem
And gives thy pen both skill and argument.
Rise, resty Muse, my love's sweet face survey,
If Time have any wrinkle graven there;
If any, be a satire to decay,
And make Time's spoils despised every where.
Give my love fame faster than Time wastes life;
So thou prevent'st his scythe and crooked knife.
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20 |
Sonnet 127 |
Shakespeare |
1766 |
In the old age black was not counted fair,
Or if it were, it bore not beauty's name;
But now is black beauty's successive heir,
And beauty slander'd with a bastard shame:
For since each hand hath put on nature's power,
Fairing the foul with art's false borrow'd face,
Sweet beauty hath no name, no holy bower,
But is profaned, if not lives in disgrace.
Therefore my mistress' brows are raven black,
Her eyes so suited, and they mourners seem
At such who, not born fair, no beauty lack,
Slandering creation with a false esteem:
Yet so they mourn, becoming of their woe,
That every tongue says beauty should look so.
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