# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[IV, 1]

Parolles

1948

I would the cutting of my garments would serve the
turn, or the breaking of my Spanish sword.

2

Henry VI, Part II
[III, 1]

Queen Margaret

1352

Ah, what's more dangerous than this fond affiance!
Seems he a dove? his feathers are but borrowed,
For he's disposed as the hateful raven:
Is he a lamb? his skin is surely lent him,
For he's inclined as is the ravenous wolf.
Who cannot steal a shape that means deceit?
Take heed, my lord; the welfare of us all
Hangs on the cutting short that fraudful man.

3

King John
[V, 4]

Melun

2498

Fly, noble English, you are bought and sold;
Unthread the rude eye of rebellion
And welcome home again discarded faith.
Seek out King John and fall before his feet;
For if the French be lords of this loud day,
He means to recompense the pains you take
By cutting off your heads: thus hath he sworn
And I with him, and many moe with me,
Upon the altar at Saint Edmundsbury;
Even on that altar where we swore to you
Dear amity and everlasting love.

4

Love's Labour's Lost
[V, 2]

Boyet

2166

The tongues of mocking wenches are as keen
As is the razor's edge invisible,
Cutting a smaller hair than may be seen,
Above the sense of sense; so sensible
Seemeth their conference; their conceits have wings
Fleeter than arrows, bullets, wind, thought, swifter things.

5

Merchant of Venice
[IV, 1]

Portia

2251

Tarry a little; there is something else.
This bond doth give thee here no jot of blood;
The words expressly are 'a pound of flesh:'
Take then thy bond, take thou thy pound of flesh;
But, in the cutting it, if thou dost shed
One drop of Christian blood, thy lands and goods
Are, by the laws of Venice, confiscate
Unto the state of Venice.

6

Romeo and Juliet
[I, 4]

Mercutio

553

O, then, I see Queen Mab hath been with you.
She is the fairies' midwife, and she comes
In shape no bigger than an agate-stone
On the fore-finger of an alderman,
Drawn with a team of little atomies
Athwart men's noses as they lie asleep;
Her wagon-spokes made of long spiders' legs,
The cover of the wings of grasshoppers,
The traces of the smallest spider's web,
The collars of the moonshine's watery beams,
Her whip of cricket's bone, the lash of film,
Her wagoner a small grey-coated gnat,
Not so big as a round little worm
Prick'd from the lazy finger of a maid;
Her chariot is an empty hazel-nut
Made by the joiner squirrel or old grub,
Time out o' mind the fairies' coachmakers.
And in this state she gallops night by night
Through lovers' brains, and then they dream of love;
O'er courtiers' knees, that dream on court'sies straight,
O'er lawyers' fingers, who straight dream on fees,
O'er ladies ' lips, who straight on kisses dream,
Which oft the angry Mab with blisters plagues,
Because their breaths with sweetmeats tainted are:
Sometime she gallops o'er a courtier's nose,
And then dreams he of smelling out a suit;
And sometime comes she with a tithe-pig's tail
Tickling a parson's nose as a' lies asleep,
Then dreams, he of another benefice:
Sometime she driveth o'er a soldier's neck,
And then dreams he of cutting foreign throats,
Of breaches, ambuscadoes, Spanish blades,
Of healths five-fathom deep; and then anon
Drums in his ear, at which he starts and wakes,
And being thus frighted swears a prayer or two
And sleeps again. This is that very Mab
That plats the manes of horses in the night,
And bakes the elflocks in foul sluttish hairs,
Which once untangled, much misfortune bodes:
This is the hag, when maids lie on their backs,
That presses them and learns them first to bear,
Making them women of good carriage:
This is she—

7

Tempest
[IV, 1]

Iris

1804

Of her society
Be not afraid: I met her deity
Cutting the clouds towards Paphos and her son
Dove-drawn with her. Here thought they to have done
Some wanton charm upon this man and maid,
Whose vows are, that no bed-right shall be paid
Till Hymen's torch be lighted: but vain;
Mars's hot minion is returned again;
Her waspish-headed son has broke his arrows,
Swears he will shoot no more but play with sparrows
And be a boy right out.

8

Troilus and Cressida
[II, 3]

Thersites

1215

How now, Thersites! what lost in the labyrinth of
thy fury! Shall the elephant Ajax carry it thus? He
beats me, and I rail at him: O, worthy satisfaction!
would it were otherwise; that I could beat him,
whilst he railed at me. 'Sfoot, I'll learn to
conjure and raise devils, but I'll see some issue of
my spiteful execrations. Then there's Achilles, a
rare enginer! If Troy be not taken till these two
undermine it, the walls will stand till they fall of
themselves. O thou great thunder-darter of Olympus,
forget that thou art Jove, the king of gods and,
Mercury, lose all the serpentine craft of thy
caduceus, if ye take not that little, little less
than little wit from them that they have! which
short-armed ignorance itself knows is so abundant
scarce, it will not in circumvention deliver a fly
from a spider, without drawing their massy irons and
cutting the web. After this, the vengeance on the
whole camp! or rather, the bone-ache! for that,
methinks, is the curse dependent on those that war
for a placket. I have said my prayers and devil Envy
say Amen. What ho! my Lord Achilles!