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I never tempted her with word too large,
But, as a brother to his sister, show'd
Bashful sincerity and comely love.

      — Much Ado about Nothing, Act IV Scene 1

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KEYWORD: comforts

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Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

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The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

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1

All's Well That Ends Well
[I, 3]

Clown

362

You're shallow, madam, in great friends; for the
knaves come to do that for me which I am aweary of.
He that ears my land spares my team and gives me
leave to in the crop; if I be his cuckold, he's my
drudge: he that comforts my wife is the cherisher
of my flesh and blood; he that cherishes my flesh
and blood loves my flesh and blood; he that loves my
flesh and blood is my friend: ergo, he that kisses
my wife is my friend. If men could be contented to
be what they are, there were no fear in marriage;
for young Charbon the Puritan and old Poysam the
Papist, howsome'er their hearts are severed in
religion, their heads are both one; they may jowl
horns together, like any deer i' the herd.

2

All's Well That Ends Well
[IV, 3]

First Lord

2153

How mightily sometimes we make us comforts of our losses!

3

Antony and Cleopatra
[IV, 15]

Cleopatra

3165

No, I will not:
All strange and terrible events are welcome,
But comforts we despise; our size of sorrow,
Proportion'd to our cause, must be as great
As that which makes it.
[Enter, below, DIOMEDES]
How now! is he dead?

4

Antony and Cleopatra
[V, 1]

Octavius

3353

Come hither, Proculeius. Go and say,
We purpose her no shame: give her what comforts
The quality of her passion shall require,
Lest, in her greatness, by some mortal stroke
She do defeat us; for her life in Rome
Would be eternal in our triumph: go,
And with your speediest bring us what she says,
And how you find of her.

5

Coriolanus
[V, 3]

Volumnia

3599

Should we be silent and not speak, our raiment
And state of bodies would bewray what life
We have led since thy exile. Think with thyself
How more unfortunate than all living women
Are we come hither: since that thy sight,
which should
Make our eyes flow with joy, hearts dance
with comforts,
Constrains them weep and shake with fear and sorrow;
Making the mother, wife and child to see
The son, the husband and the father tearing
His country's bowels out. And to poor we
Thine enmity's most capital: thou barr'st us
Our prayers to the gods, which is a comfort
That all but we enjoy; for how can we,
Alas, how can we for our country pray.
Whereto we are bound, together with thy victory,
Whereto we are bound? alack, or we must lose
The country, our dear nurse, or else thy person,
Our comfort in the country. We must find
An evident calamity, though we had
Our wish, which side should win: for either thou
Must, as a foreign recreant, be led
With manacles thorough our streets, or else
triumphantly tread on thy country's ruin,
And bear the palm for having bravely shed
Thy wife and children's blood. For myself, son,
I purpose not to wait on fortune till
These wars determine: if I cannot persuade thee
Rather to show a noble grace to both parts
Than seek the end of one, thou shalt no sooner
March to assault thy country than to tread—
Trust to't, thou shalt not—on thy mother's womb,
That brought thee to this world.

6

Cymbeline
[V, 4]

Jupiter

3243

No more, you petty spirits of region low,
Offend our hearing; hush! How dare you ghosts
Accuse the thunderer, whose bolt, you know,
Sky-planted batters all rebelling coasts?
Poor shadows of Elysium, hence, and rest
Upon your never-withering banks of flowers:
Be not with mortal accidents opprest;
No care of yours it is; you know 'tis ours.
Whom best I love I cross; to make my gift,
The more delay'd, delighted. Be content;
Your low-laid son our godhead will uplift:
His comforts thrive, his trials well are spent.
Our Jovial star reign'd at his birth, and in
Our temple was he married. Rise, and fade.
He shall be lord of lady Imogen,
And happier much by his affliction made.
This tablet lay upon his breast, wherein
Our pleasure his full fortune doth confine:
and so, away: no further with your din
Express impatience, lest you stir up mine.
Mount, eagle, to my palace crystalline.

7

Henry IV, Part II
[Prologue, 1]

Rumour

2

Open your ears; for which of you will stop
The vent of hearing when loud Rumour speaks?
I, from the orient to the drooping west,
Making the wind my post-horse, still unfold
The acts commenced on this ball of earth.
Upon my tongues continual slanders ride,
The which in every language I pronounce,
Stuffing the ears of men with false reports.
I speak of peace while covert emnity,
Under the smile of safety, wounds the world;
And who but Rumour, who but only I,
Make fearful musters and prepar'd defence,
Whiles the big year, swoln with some other grief,
Is thought with child by the stern tyrant war,
And no such matter? Rumour is a pipe
Blown by surmises, jealousies, conjectures,
And of so easy and so plain a stop
That the blunt monster with uncounted heads,
The still-discordant wav'ring multitude,
Can play upon it. But what need I thus
My well-known body to anatomize
Among my household? Why is Rumour here?
I run before King Harry's victory,
Who, in a bloody field by Shrewsbury,
Hath beaten down young Hotspur and his troops,
Quenching the flame of bold rebellion
Even with the rebels' blood. But what mean I
To speak so true at first? My office is
To noise abroad that Harry Monmouth fell
Under the wrath of noble Hotspur's sword,
And that the King before the Douglas' rage
Stoop'd his anointed head as low as death.
This have I rumour'd through the peasant towns
Between that royal field of Shrewsbury
And this worm-eaten hold of ragged stone,
Where Hotspur's father, old Northumberland,
Lies crafty-sick. The posts come tiring on,
And not a man of them brings other news
Than they have learnt of me. From Rumour's tongues
They bring smooth comforts false, worse than true wrongs.

8

Henry VIII
[III, 1]

Cardinal Wolsey

1680

Noble lady,
I am sorry my integrity should breed,
And service to his majesty and you,
So deep suspicion, where all faith was meant.
We come not by the way of accusation,
To taint that honour every good tongue blesses,
Nor to betray you any way to sorrow,
You have too much, good lady; but to know
How you stand minded in the weighty difference
Between the king and you; and to deliver,
Like free and honest men, our just opinions
And comforts to your cause.

9

Henry VIII
[III, 1]

Queen Katharine

1715

In England
But little for my profit: can you think, lords,
That any Englishman dare give me counsel?
Or be a known friend, 'gainst his highness' pleasure,
Though he be grown so desperate to be honest,
And live a subject? Nay, forsooth, my friends,
They that must weigh out my afflictions,
They that my trust must grow to, live not here:
They are, as all my other comforts, far hence
In mine own country, lords.

10

Henry VIII
[IV, 2]

Queen Katharine

2715

O my good lord, that comfort comes too late;
'Tis like a pardon after execution:
That gentle physic, given in time, had cured me;
But now I am past an comforts here, but prayers.
How does his highness?

11

King Lear
[II, 1]

Regan

1061

Thus out of season, threading dark-ey'd night.
Occasions, noble Gloucester, of some poise,
Wherein we must have use of your advice.
Our father he hath writ, so hath our sister,
Of differences, which I best thought it fit
To answer from our home. The several messengers
From hence attend dispatch. Our good old friend,
Lay comforts to your bosom, and bestow
Your needful counsel to our business,
Which craves the instant use.

12

King Lear
[IV, 1]

Earl of Gloucester

2264

Away, get thee away! Good friend, be gone.
Thy comforts can do me no good at all;
Thee they may hurt.

13

Measure for Measure
[III, 1]

Isabella

1279

Why,
As all comforts are; most good, most good indeed.
Lord Angelo, having affairs to heaven,
Intends you for his swift ambassador,
Where you shall be an everlasting leiger:
Therefore your best appointment make with speed;
To-morrow you set on.

14

Measure for Measure
[IV, 3]

Vincentio

2231

The tongue of Isabel. She's come to know
If yet her brother's pardon be come hither:
But I will keep her ignorant of her good,
To make her heavenly comforts of despair,
When it is least expected.

15

Merchant of Venice
[V, 1]

Portia

2760

How now, Lorenzo!
My clerk hath some good comforts too for you.

16

Midsummer Night's Dream
[III, 2]

Helena

1504

O weary night, O long and tedious night,
Abate thy hour! Shine comforts from the east,
That I may back to Athens by daylight,
From these that my poor company detest:
And sleep, that sometimes shuts up sorrow's eye,
Steal me awhile from mine own company.

17

Othello
[II, 1]

Desdemona

985

The heavens forbid
But that our loves and comforts should increase,
Even as our days do grow!

18

Othello
[II, 1]

Othello

997

Come, let us to the castle.
News, friends; our wars are done, the Turks
are drown'd.
How does my old acquaintance of this isle?
Honey, you shall be well desired in Cyprus;
I have found great love amongst them. O my sweet,
I prattle out of fashion, and I dote
In mine own comforts. I prithee, good Iago,
Go to the bay and disembark my coffers:
Bring thou the master to the citadel;
He is a good one, and his worthiness
Does challenge much respect. Come, Desdemona,
Once more, well met at Cyprus.

19

Othello
[IV, 2]

Roderigo

2958

With nought but truth. I have wasted myself out of
my means. The jewels you have had from me to
deliver to Desdemona would half have corrupted a
votarist: you have told me she hath received them
and returned me expectations and comforts of sudden
respect and acquaintance, but I find none.

20

Richard III
[V, 3]

Prince Edward

3593

[To KING RICHARD III]
Let me sit heavy on thy soul to-morrow!
Think, how thou stab'dst me in my prime of youth
At Tewksbury: despair, therefore, and die!
[To RICHMOND]
Be cheerful, Richmond; for the wronged souls
Of butcher'd princes fight in thy behalf
King Henry's issue, Richmond, comforts thee.

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