# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 1]

Helena

80

O, were that all! I think not on my father;
And these great tears grace his remembrance more
Than those I shed for him. What was he like?
I have forgot him: my imagination
Carries no favour in't but Bertram's.
I am undone: there is no living, none,
If Bertram be away. 'Twere all one
That I should love a bright particular star
And think to wed it, he is so above me:
In his bright radiance and collateral light
Must I be comforted, not in his sphere.
The ambition in my love thus plagues itself:
The hind that would be mated by the lion
Must die for love. 'Twas pretty, though plague,
To see him every hour; to sit and draw
His arched brows, his hawking eye, his curls,
In our heart's table; heart too capable
Of every line and trick of his sweet favour:
But now he's gone, and my idolatrous fancy
Must sanctify his reliques. Who comes here?
[Enter PAROLLES]
[Aside]
One that goes with him: I love him for his sake;
And yet I know him a notorious liar,
Think him a great way fool, solely a coward;
Yet these fixed evils sit so fit in him,
That they take place, when virtue's steely bones
Look bleak i' the cold wind: withal, full oft we see
Cold wisdom waiting on superfluous folly.

2

As You Like It
[III, 5]

Rosalind

1688

[Advancing] And why, I pray you? Who might be your
mother,
That you insult, exult, and all at once,
Over the wretched? What though you have no beauty-
As, by my faith, I see no more in you
Than without candle may go dark to bed-
Must you be therefore proud and pitiless?
Why, what means this? Why do you look on me?
I see no more in you than in the ordinary
Of nature's sale-work. 'Od's my little life,
I think she means to tangle my eyes too!
No faith, proud mistress, hope not after it;
'Tis not your inky brows, your black silk hair,
Your bugle eyeballs, nor your cheek of cream,
That can entame my spirits to your worship.
You foolish shepherd, wherefore do you follow her,
Like foggy south, puffing with wind and rain?
You are a thousand times a properer man
Than she a woman. 'Tis such fools as you
That makes the world full of ill-favour'd children.
'Tis not her glass, but you, that flatters her;
And out of you she sees herself more proper
Than any of her lineaments can show her.
But, mistress, know yourself. Down on your knees,
And thank heaven, fasting, for a good man's love;
For I must tell you friendly in your ear:
Sell when you can; you are not for all markets.
Cry the man mercy, love him, take his offer;
Foul is most foul, being foul to be a scoffer.
So take her to thee, shepherd. Fare you well.

3

Coriolanus
[I, 3]

Volumnia

363

I pray you, daughter, sing; or express yourself in a
more comfortable sort: if my son were my husband, I
should freelier rejoice in that absence wherein he
won honour than in the embracements of his bed where
he would show most love. When yet he was but
tender-bodied and the only son of my womb, when
youth with comeliness plucked all gaze his way, when
for a day of kings' entreaties a mother should not
sell him an hour from her beholding, I, considering
how honour would become such a person. that it was
no better than picture-like to hang by the wall, if
renown made it not stir, was pleased to let him seek
danger where he was like to find fame. To a cruel
war I sent him; from whence he returned, his brows
bound with oak. I tell thee, daughter, I sprang not
more in joy at first hearing he was a man-child
than now in first seeing he had proved himself a
man.

4

Coriolanus
[II, 1]

Volumnia

1042

On's brows: Menenius, he comes the third time home
with the oaken garland.

5

Cymbeline
[III, 1]

Cymbeline

1468

Say, then, to Caesar,
Our ancestor was that Mulmutius which
Ordain'd our laws, whose use the sword of Caesar
Hath too much mangled; whose repair and franchise
Shall, by the power we hold, be our good deed,
Though Rome be therefore angry: Mulmutius made our laws,
Who was the first of Britain which did put
His brows within a golden crown and call'd
Himself a king.

6

Hamlet
[IV, 5]

Laertes

2986

That drop of blood that's calm proclaims me bastard;
Cries cuckold to my father; brands the harlot
Even here between the chaste unsmirched brows
Of my true mother.

7

Hamlet
[V, 2]

Gertrude

3938

He's fat, and scant of breath.
Here, Hamlet, take my napkin, rub thy brows.
The Queen carouses to thy fortune, Hamlet.

8

Henry IV, Part II
[I, 1]

Earl of Northumberland

194

For this I shall have time enough to mourn.
In poison there is physic; and these news,
Having been well, that would have made me sick,
Being sick, have in some measure made me well;
And as the wretch whose fever-weak'ned joints,
Like strengthless hinges, buckle under life,
Impatient of his fit, breaks like a fire
Out of his keeper's arms, even so my limbs,
Weak'ned with grief, being now enrag'd with grief,
Are thrice themselves. Hence, therefore, thou nice crutch!
A scaly gauntlet now with joints of steel
Must glove this hand; and hence, thou sickly coif!
Thou art a guard too wanton for the head
Which princes, flesh'd with conquest, aim to hit.
Now bind my brows with iron; and approach
The ragged'st hour that time and spite dare bring
To frown upon th' enrag'd Northumberland!
Let heaven kiss earth! Now let not Nature's hand
Keep the wild flood confin'd! Let order die!
And let this world no longer be a stage
To feed contention in a ling'ring act;
But let one spirit of the first-born Cain
Reign in all bosoms, that, each heart being set
On bloody courses, the rude scene may end
And darkness be the burier of the dead!

9

Henry VI, Part I
[III, 1]

Earl of Warwick

1353

Behold, my Lord of Winchester, the duke
Hath banish'd moody discontented fury,
As by his smoothed brows it doth appear:
Why look you still so stern and tragical?

10

Henry VI, Part I
[V, 3]

Richard Plantagenet (Duke of Gloucester)

2486

Damsel of France, I think I have you fast:
Unchain your spirits now with spelling charms
And try if they can gain your liberty.
A goodly prize, fit for the devil's grace!
See, how the ugly wench doth bend her brows,
As if with Circe she would change my shape!

11

Henry VI, Part II
[I, 2]

Eleanor

274

Why droops my lord, like over-ripen'd corn,
Hanging the head at Ceres' plenteous load?
Why doth the great Duke Humphrey knit his brows,
As frowning at the favours of the world?
Why are thine eyes fixed to the sullen earth,
Gazing on that which seems to dim thy sight?
What seest thou there? King Henry's diadem,
Enchased with all the honours of the world?
If so, gaze on, and grovel on thy face,
Until thy head be circled with the same.
Put forth thy hand, reach at the glorious gold.
What, is't too short? I'll lengthen it with mine:
And, having both together heaved it up,
We'll both together lift our heads to heaven,
And never more abase our sight so low
As to vouchsafe one glance unto the ground.

12

Henry VI, Part II
[V, 1]

Richard Plantagenet (Duke of Gloucester)

3070

How now! is Somerset at liberty?
Then, York, unloose thy long-imprison'd thoughts,
And let thy tongue be equal with thy heart.
Shall I endure the sight of Somerset?
False king! why hast thou broken faith with me,
Knowing how hardly I can brook abuse?
King did I call thee? no, thou art not king,
Not fit to govern and rule multitudes,
Which darest not, no, nor canst not rule a traitor.
That head of thine doth not become a crown;
Thy hand is made to grasp a palmer's staff,
And not to grace an awful princely sceptre.
That gold must round engirt these brows of mine,
Whose smile and frown, like to Achilles' spear,
Is able with the change to kill and cure.
Here is a hand to hold a sceptre up
And with the same to act controlling laws.
Give place: by heaven, thou shalt rule no more
O'er him whom heaven created for thy ruler.

13

Henry VI, Part III
[II, 2]

Lord Clifford

851

My gracious liege, this too much lenity
And harmful pity must be laid aside.
To whom do lions cast their gentle looks?
Not to the beast that would usurp their den.
Whose hand is that the forest bear doth lick?
Not his that spoils her young before her face.
Who 'scapes the lurking serpent's mortal sting?
Not he that sets his foot upon her back.
The smallest worm will turn being trodden on,
And doves will peck in safeguard of their brood.
Ambitious York doth level at thy crown,
Thou smiling while he knit his angry brows:
He, but a duke, would have his son a king,
And raise his issue, like a loving sire;
Thou, being a king, blest with a goodly son,
Didst yield consent to disinherit him,
Which argued thee a most unloving father.
Unreasonable creatures feed their young;
And though man's face be fearful to their eyes,
Yet, in protection of their tender ones,
Who hath not seen them, even with those wings
Which sometime they have used with fearful flight,
Make war with him that climb'd unto their nest,
Offer their own lives in their young's defence?
For shame, my liege, make them your precedent!
Were it not pity that this goodly boy
Should lose his birthright by his father's fault,
And long hereafter say unto his child,
'What my great-grandfather and his grandsire got
My careless father fondly gave away'?
Ah, what a shame were this! Look on the boy;
And let his manly face, which promiseth
Successful fortune, steel thy melting heart
To hold thine own and leave thine own with him.

14

Henry VI, Part III
[III, 2]

Richard III (Duke of Gloucester)

1564

[Aside to CLARENCE] The widow likes him not, she
knits her brows.

15

Henry VI, Part III
[V, 2]

Earl of Warwick

2727

Ah, who is nigh? come to me, friend or foe,
And tell me who is victor, York or Warwick?
Why ask I that? my mangled body shows,
My blood, my want of strength, my sick heart shows.
That I must yield my body to the earth
And, by my fall, the conquest to my foe.
Thus yields the cedar to the axe's edge,
Whose arms gave shelter to the princely eagle,
Under whose shade the ramping lion slept,
Whose top-branch overpeer'd Jove's spreading tree
And kept low shrubs from winter's powerful wind.
These eyes, that now are dimm'd with death's black veil,
Have been as piercing as the mid-day sun,
To search the secret treasons of the world:
The wrinkles in my brows, now filled with blood,
Were liken'd oft to kingly sepulchres;
For who lived king, but I could dig his grave?
And who durst mine when Warwick bent his brow?
Lo, now my glory smear'd in dust and blood!
My parks, my walks, my manors that I had.
Even now forsake me, and of all my lands
Is nothing left me but my body's length.
Why, what is pomp, rule, reign, but earth and dust?
And, live we how we can, yet die we must.

16

Julius Caesar
[II, 1]

Brutus

931

O ye gods,
Render me worthy of this noble wife!
[Knocking within]
Hark, hark! one knocks: Portia, go in awhile;
And by and by thy bosom shall partake
The secrets of my heart.
All my engagements I will construe to thee,
All the charactery of my sad brows:
Leave me with haste.
[Exit PORTIA]
Lucius, who's that knocks?

17

Julius Caesar
[V, 3]

Tintinius

2589

Hie you, Messala,
And I will seek for Pindarus the while.
[Exit MESSALA]
Why didst thou send me forth, brave Cassius?
Did I not meet thy friends? and did not they
Put on my brows this wreath of victory,
And bid me give it thee? Didst thou not hear their shouts?
Alas, thou hast misconstrued every thing!
But, hold thee, take this garland on thy brow;
Thy Brutus bid me give it thee, and I
Will do his bidding. Brutus, come apace,
And see how I regarded Caius Cassius.
By your leave, gods:—this is a Roman's part
Come, Cassius' sword, and find Tintinius' heart.
[Kills himself]
[Alarum. Re-enter MESSALA, with BRUTUS, CATO,
STRATO, VOLUMNIUS, and LUCILIUS]

18

King John
[II, 1]

King Phillip

327

Well then, to work: our cannon shall be bent
Against the brows of this resisting town.
Call for our chiefest men of discipline,
To cull the plots of best advantages:
We'll lay before this town our royal bones,
Wade to the market-place in Frenchmen's blood,
But we will make it subject to this boy.

19

King John
[II, 1]

King Phillip

383

Peace be to England, if that war return
From France to England, there to live in peace.
England we love; and for that England's sake
With burden of our armour here we sweat.
This toil of ours should be a work of thine;
But thou from loving England art so far,
That thou hast under-wrought his lawful king
Cut off the sequence of posterity,
Out-faced infant state and done a rape
Upon the maiden virtue of the crown.
Look here upon thy brother Geffrey's face;
These eyes, these brows, were moulded out of his:
This little abstract doth contain that large
Which died in Geffrey, and the hand of time
Shall draw this brief into as huge a volume.
That Geffrey was thy elder brother born,
And this his son; England was Geffrey's right
And this is Geffrey's: in the name of God
How comes it then that thou art call'd a king,
When living blood doth in these temples beat,
Which owe the crown that thou o'ermasterest?

20

King John
[III, 4]

Constance

1407

No, I defy all counsel, all redress,
But that which ends all counsel, true redress,
Death, death; O amiable lovely death!
Thou odouriferous stench! sound rottenness!
Arise forth from the couch of lasting night,
Thou hate and terror to prosperity,
And I will kiss thy detestable bones
And put my eyeballs in thy vaulty brows
And ring these fingers with thy household worms
And stop this gap of breath with fulsome dust
And be a carrion monster like thyself:
Come, grin on me, and I will think thou smilest
And buss thee as thy wife. Misery's love,
O, come to me!