# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 3]

Clown

408

That man should be at woman's command, and yet no
hurt done! Though honesty be no puritan, yet it
will do no hurt; it will wear the surplice of
humility over the black gown of a big heart. I am
going, forsooth: the business is for Helen to come hither.

2

As You Like It
[II, 1]

First Lord

574

Indeed, my lord,
The melancholy Jaques grieves at that;
And, in that kind, swears you do more usurp
Than doth your brother that hath banish'd you.
To-day my Lord of Amiens and myself
Did steal behind him as he lay along
Under an oak whose antique root peeps out
Upon the brook that brawls along this wood!
To the which place a poor sequest'red stag,
That from the hunter's aim had ta'en a hurt,
Did come to languish; and, indeed, my lord,
The wretched animal heav'd forth such groans
That their discharge did stretch his leathern coat
Almost to bursting; and the big round tears
Cours'd one another down his innocent nose
In piteous chase; and thus the hairy fool,
Much marked of the melancholy Jaques,
Stood on th' extremest verge of the swift brook,
Augmenting it with tears.

3

As You Like It
[II, 7]

Jaques (lord)

1037

All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse's arms;
Then the whining school-boy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths, and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lin'd,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slipper'd pantaloon,
With spectacles on nose and pouch on side,
His youthful hose, well sav'd, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion;
Sans teeth, sans eyes, sans taste, sans every thing.

4

Comedy of Errors
[IV, 1]

Dromio of Syracuse

1065

To Adriana! that is where we dined,
Where Dowsabel did claim me for her husband:
She is too big, I hope, for me to compass.
Thither I must, although against my will,
For servants must their masters' minds fulfil.

5

Coriolanus
[I, 4]

Titus Lartius

555

O noble fellow!
Who sensibly outdares his senseless sword,
And, when it bows, stands up. Thou art left, CORIOLANUS:
A carbuncle entire, as big as thou art,
Were not so rich a jewel. Thou wast a soldier
Even to Cato's wish, not fierce and terrible
Only in strokes; but, with thy grim looks and
The thunder-like percussion of thy sounds,
Thou madst thine enemies shake, as if the world
Were feverous and did tremble.

6

Coriolanus
[III, 2]

Volumnia

2312

At thy choice, then:
To beg of thee, it is my more dishonour
Than thou of them. Come all to ruin; let
Thy mother rather feel thy pride than fear
Thy dangerous stoutness, for I mock at death
With as big heart as thou. Do as thou list
Thy valiantness was mine, thou suck'dst it from me,
But owe thy pride thyself.

7

Cymbeline
[I, 1]

First Gentleman

34

I cannot delve him to the root: his father
Was call'd Sicilius, who did join his honour
Against the Romans with Cassibelan,
But had his titles by Tenantius whom
He served with glory and admired success,
So gain'd the sur-addition Leonatus;
And had, besides this gentleman in question,
Two other sons, who in the wars o' the time
Died with their swords in hand; for which
their father,
Then old and fond of issue, took such sorrow
That he quit being, and his gentle lady,
Big of this gentleman our theme, deceased
As he was born. The king he takes the babe
To his protection, calls him Posthumus Leonatus,
Breeds him and makes him of his bed-chamber,
Puts to him all the learnings that his time
Could make him the receiver of; which he took,
As we do air, fast as 'twas minister'd,
And in's spring became a harvest, lived in court—
Which rare it is to do—most praised, most loved,
A sample to the youngest, to the more mature
A glass that feated them, and to the graver
A child that guided dotards; to his mistress,
For whom he now is banish'd, her own price
Proclaims how she esteem'd him and his virtue;
By her election may be truly read
What kind of man he is.

8

Cymbeline
[II, 4]

Posthumus Leonatus

1349

Ay, and it doth confirm
Another stain, as big as hell can hold,
Were there no more but it.

9

Cymbeline
[IV, 2]

Guiderius

2418

To who? to thee? What art thou? Have not I
An arm as big as thine? a heart as big?
Thy words, I grant, are bigger, for I wear not
My dagger in my mouth. Say what thou art,
Why I should yield to thee?

10

Henry IV, Part I
[IV, 1]

Hotspur (Henry Percy)

2279

A rendezvous, a home to fly unto.
If that the devil and mischance look big
Upon the maidenhead of our affairs.

11

Henry IV, Part II
[Prologue, 1]

Rumour

2

Open your ears; for which of you will stop
The vent of hearing when loud Rumour speaks?
I, from the orient to the drooping west,
Making the wind my post-horse, still unfold
The acts commenced on this ball of earth.
Upon my tongues continual slanders ride,
The which in every language I pronounce,
Stuffing the ears of men with false reports.
I speak of peace while covert emnity,
Under the smile of safety, wounds the world;
And who but Rumour, who but only I,
Make fearful musters and prepar'd defence,
Whiles the big year, swoln with some other grief,
Is thought with child by the stern tyrant war,
And no such matter? Rumour is a pipe
Blown by surmises, jealousies, conjectures,
And of so easy and so plain a stop
That the blunt monster with uncounted heads,
The still-discordant wav'ring multitude,
Can play upon it. But what need I thus
My well-known body to anatomize
Among my household? Why is Rumour here?
I run before King Harry's victory,
Who, in a bloody field by Shrewsbury,
Hath beaten down young Hotspur and his troops,
Quenching the flame of bold rebellion
Even with the rebels' blood. But what mean I
To speak so true at first? My office is
To noise abroad that Harry Monmouth fell
Under the wrath of noble Hotspur's sword,
And that the King before the Douglas' rage
Stoop'd his anointed head as low as death.
This have I rumour'd through the peasant towns
Between that royal field of Shrewsbury
And this worm-eaten hold of ragged stone,
Where Hotspur's father, old Northumberland,
Lies crafty-sick. The posts come tiring on,
And not a man of them brings other news
Than they have learnt of me. From Rumour's tongues
They bring smooth comforts false, worse than true wrongs.

12

Henry IV, Part II
[I, 3]

Lord Mowbray

609

I well allow the occasion of our amis;
But gladly would be better satisfied
How, in our means, we should advance ourselves
To look with forehead bold and big enough
Upon the power and puissance of the King.

13

Henry IV, Part II
[III, 2]

Falstaff

2121

Will you tell me, Master Shallow, how to choose a
Care I for the limb, the thews, the stature, bulk, and big
assemblance of a man! Give me the spirit, Master Shallow.
Wart; you see what a ragged appearance it is. 'A shall charge
and discharge you with the motion of a pewterer's hammer,
off and on swifter than he that gibbets on the brewer's
And this same half-fac'd fellow, Shadow—give me this man. He
presents no mark to the enemy; the foeman may with as great
level at the edge of a penknife. And, for a retreat—how
will this Feeble, the woman's tailor, run off! O, give me the
spare men, and spare me the great ones. Put me a caliver into
Wart's hand, Bardolph.

14

Henry V
[IV, 2]

Grandpre

2203

Why do you stay so long, my lords of France?
Yon island carrions, desperate of their bones,
Ill-favouredly become the morning field:
Their ragged curtains poorly are let loose,
And our air shakes them passing scornfully:
Big Mars seems bankrupt in their beggar'd host
And faintly through a rusty beaver peeps:
The horsemen sit like fixed candlesticks,
With torch-staves in their hand; and their poor jades
Lob down their heads, dropping the hides and hips,
The gum down-roping from their pale-dead eyes
And in their pale dull mouths the gimmal bit
Lies foul with chew'd grass, still and motionless;
And their executors, the knavish crows,
Fly o'er them, all impatient for their hour.
Description cannot suit itself in words
To demonstrate the life of such a battle
In life so lifeless as it shows itself.

15

Henry VIII
[I, 1]

Cardinal Wolsey

179

Well, we shall then know more; and Buckingham
Shall lessen this big look.

16

Julius Caesar
[III, 1]

Antony

1513

Thy heart is big, get thee apart and weep.
Passion, I see, is catching; for mine eyes,
Seeing those beads of sorrow stand in thine,
Began to water. Is thy master coming?

17

King Lear
[V, 3]

Edgar

3365

This would have seem'd a period
To such as love not sorrow; but another,
To amplify too much, would make much more,
And top extremity.
Whilst I was big in clamour, came there a man,
Who, having seen me in my worst estate,
Shunn'd my abhorr'd society; but then, finding
Who 'twas that so endur'd, with his strong arms
He fastened on my neck, and bellowed out
As he'd burst heaven; threw him on my father;
Told the most piteous tale of Lear and him
That ever ear receiv'd; which in recounting
His grief grew puissant, and the strings of life
Began to crack. Twice then the trumpets sounded,
And there I left him tranc'd.

18

Love's Labour's Lost
[V, 1]

Don Adriano de Armado

1857

Pardon, sir; error: he is not quantity enough for
that Worthy's thumb: he is not so big as the end of his club.

19

Love's Labour's Lost
[V, 2]

Longaville

2580

His leg is too big for Hector's.

20

Lover's Complaint

Shakespeare

50

These often bathed she in her fluxive eyes,
And often kiss'd, and often 'gan to tear:
Cried 'O false blood, thou register of lies,
What unapproved witness dost thou bear!
Ink would have seem'd more black and damned here!'
This said, in top of rage the lines she rents,
Big discontent so breaking their contents.