# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 1]

Helena

80

O, were that all! I think not on my father;
And these great tears grace his remembrance more
Than those I shed for him. What was he like?
I have forgot him: my imagination
Carries no favour in't but Bertram's.
I am undone: there is no living, none,
If Bertram be away. 'Twere all one
That I should love a bright particular star
And think to wed it, he is so above me:
In his bright radiance and collateral light
Must I be comforted, not in his sphere.
The ambition in my love thus plagues itself:
The hind that would be mated by the lion
Must die for love. 'Twas pretty, though plague,
To see him every hour; to sit and draw
His arched brows, his hawking eye, his curls,
In our heart's table; heart too capable
Of every line and trick of his sweet favour:
But now he's gone, and my idolatrous fancy
Must sanctify his reliques. Who comes here?
[Enter PAROLLES]
[Aside]
One that goes with him: I love him for his sake;
And yet I know him a notorious liar,
Think him a great way fool, solely a coward;
Yet these fixed evils sit so fit in him,
That they take place, when virtue's steely bones
Look bleak i' the cold wind: withal, full oft we see
Cold wisdom waiting on superfluous folly.

2

All's Well That Ends Well
[I, 3]

Steward

421

Madam, I was very late more near her than I think
she wished me: alone she was, and did communicate
to herself her own words to her own ears; she
thought, I dare vow for her, they touched not any
stranger sense. Her matter was, she loved your son:
Fortune, she said, was no goddess, that had put
such difference betwixt their two estates; Love no
god, that would not extend his might, only where
qualities were level; Dian no queen of virgins, that
would suffer her poor knight surprised, without
rescue in the first assault or ransom afterward.
This she delivered in the most bitter touch of
sorrow that e'er I heard virgin exclaim in: which I
held my duty speedily to acquaint you withal;
sithence, in the loss that may happen, it concerns
you something to know it.

3

All's Well That Ends Well
[V, 2]

Clown

2629

Foh! prithee, stand away: a paper from fortune's
close-stool to give to a nobleman! Look, here he
comes himself.
[Enter LAFEU]
Here is a purr of fortune's, sir, or of fortune's
cat,—but not a musk-cat,—that has fallen into the
unclean fishpond of her displeasure, and, as he
says, is muddied withal: pray you, sir, use the
carp as you may; for he looks like a poor, decayed,
ingenious, foolish, rascally knave. I do pity his
distress in my similes of comfort and leave him to
your lordship.