# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[III, 6]

First Lord

1745

None better than to let him fetch off his drum,
which you hear him so confidently undertake to do.

2

All's Well That Ends Well
[III, 6]

First Lord

1759

O, for the love of laughter, let him fetch his drum;
he says he has a stratagem for't: when your
lordship sees the bottom of his success in't, and to
what metal this counterfeit lump of ore will be
melted, if you give him not John Drum's
entertainment, your inclining cannot be removed.
Here he comes.

3

All's Well That Ends Well
[III, 6]

Second Lord

1767

[Aside to BERTRAM] O, for the love of laughter,
hinder not the honour of his design: let him fetch
off his drum in any hand.

4

All's Well That Ends Well
[V, 3]

Diana

3011

Good mother, fetch my bail. Stay, royal sir:
[Exit Widow]
The jeweller that owes the ring is sent for,
And he shall surety me. But for this lord,
Who hath abused me, as he knows himself,
Though yet he never harm'd me, here I quit him:
He knows himself my bed he hath defiled;
And at that time he got his wife with child:
Dead though she be, she feels her young one kick:
So there's my riddle: one that's dead is quick:
And now behold the meaning.