# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Antony and Cleopatra
[V, 2]

(stage directions)

3624

[Whispers CHARMIAN]

2

Hamlet
[IV, 5]

Claudius

2935

Follow her close; give her good watch, I pray you.
[Exit Horatio.]
O, this is the poison of deep grief; it springs
All from her father's death. O Gertrude, Gertrude,
When sorrows come, they come not single spies.
But in battalions! First, her father slain;
Next, your son gone, and he most violent author
Of his own just remove; the people muddied,
Thick and and unwholesome in their thoughts and whispers
For good Polonius' death, and we have done but greenly
In hugger-mugger to inter him; poor Ophelia
Divided from herself and her fair judgment,
Without the which we are pictures or mere beasts;
Last, and as much containing as all these,
Her brother is in secret come from France;
Feeds on his wonder, keeps, himself in clouds,
And wants not buzzers to infect his ear
With pestilent speeches of his father's death,
Wherein necessity, of matter beggar'd,
Will nothing stick our person to arraign
In ear and ear. O my dear Gertrude, this,
Like to a murd'ring piece, in many places
Give me superfluous death. A noise within.

3

Henry V
[IV, 0]

Chorus

1788

Now entertain conjecture of a time
When creeping murmur and the poring dark
Fills the wide vessel of the universe.
From camp to camp through the foul womb of night
The hum of either army stilly sounds,
That the fixed sentinels almost receive
The secret whispers of each other's watch:
Fire answers fire, and through their paly flames
Each battle sees the other's umber'd face;
Steed threatens steed, in high and boastful neighs
Piercing the night's dull ear, and from the tents
The armourers, accomplishing the knights,
With busy hammers closing rivets up,
Give dreadful note of preparation:
The country cocks do crow, the clocks do toll,
And the third hour of drowsy morning name.
Proud of their numbers and secure in soul,
The confident and over-lusty French
Do the low-rated English play at dice;
And chide the cripple tardy-gaited night
Who, like a foul and ugly witch, doth limp
So tediously away. The poor condemned English,
Like sacrifices, by their watchful fires
Sit patiently and inly ruminate
The morning's danger, and their gesture sad
Investing lank-lean; cheeks and war-worn coats
Presenteth them unto the gazing moon
So many horrid ghosts. O now, who will behold
The royal captain of this ruin'd band
Walking from watch to watch, from tent to tent,
Let him cry 'Praise and glory on his head!'
For forth he goes and visits all his host.
Bids them good morrow with a modest smile
And calls them brothers, friends and countrymen.
Upon his royal face there is no note
How dread an army hath enrounded him;
Nor doth he dedicate one jot of colour
Unto the weary and all-watched night,
But freshly looks and over-bears attaint
With cheerful semblance and sweet majesty;
That every wretch, pining and pale before,
Beholding him, plucks comfort from his looks:
A largess universal like the sun
His liberal eye doth give to every one,
Thawing cold fear, that mean and gentle all,
Behold, as may unworthiness define,
A little touch of Harry in the night.
And so our scene must to the battle fly;
Where—O for pity!—we shall much disgrace
With four or five most vile and ragged foils,
Right ill-disposed in brawl ridiculous,
The name of Agincourt. Yet sit and see,
Minding true things by what their mockeries be.

4

Henry VI, Part I
[II, 2]

Lord Talbot/Earl of Shrewsbury

818

Well then, alone, since there's no remedy,
I mean to prove this lady's courtesy.
Come hither, captain.
[Whispers]
You perceive my mind?

5

Henry VI, Part II
[III, 2]

Vaux

2063

To signify unto his majesty
That Cardinal Beaufort is at point of death;
For suddenly a grievous sickness took him,
That makes him gasp and stare and catch the air,
Blaspheming God and cursing men on earth.
Sometimes he talks as if Duke Humphrey's ghost
Were by his side; sometime he calls the king,
And whispers to his pillow, as to him,
The secrets of his overcharged soul;
And I am sent to tell his majesty
That even now he cries aloud for him.

6

Henry VIII
[I, 4]

(stage directions)

776

[Whispers the Masquers]

7

Henry VIII
[II, 2]

(stage directions)

1170

[Walks and whispers]

8

Henry VIII
[III, 2]

Henry VIII

1999

If we did think
His contemplation were above the earth,
And fix'd on spiritual object, he should still
Dwell in his musings: but I am afraid
His thinkings are below the moon, not worth
His serious considering.
[King HENRY VIII takes his seat; whispers LOVELL,]
who goes to CARDINAL WOLSEY]

9

Julius Caesar
[V, 5]

(stage directions)

2676

Whispers

10

Julius Caesar
[V, 5]

(stage directions)

2681

Whispers

11

King John
[I, 1]

Queen Elinor

43

Your strong possession much more than your right,
Or else it must go wrong with you and me:
So much my conscience whispers in your ear,
Which none but heaven and you and I shall hear.

12

King John
[II, 1]

(stage directions)

816

[Whispers with BLANCH]

13

Macbeth
[IV, 3]

Malcolm

2086

Merciful heaven!
What, man! ne'er pull your hat upon your brows;
Give sorrow words: the grief that does not speak
Whispers the o'er-fraught heart and bids it break.

14

Pericles
[V, 1]

(stage directions)

2235

[Whispers a Lord, who goes off in the barge of LYSIMACHUS]

15

Pericles
[V, 1]

Marina

2277

I am a maid,
My lord, that ne'er before invited eyes,
But have been gazed on like a comet: she speaks,
My lord, that, may be, hath endured a grief
Might equal yours, if both were justly weigh'd.
Though wayward fortune did malign my state,
My derivation was from ancestors
Who stood equivalent with mighty kings:
But time hath rooted out my parentage,
And to the world and awkward casualties
Bound me in servitude.
[Aside]
I will desist;
But there is something glows upon my cheek,
And whispers in mine ear, 'Go not till he speak.'

16

Richard III
[III, 2]

(stage directions)

1902

[He whispers in his ear]

17

Richard III
[IV, 2]

Richard III (Duke of Gloucester)

2672

Thou sing'st sweet music. Hark, come hither, Tyrrel
Go, by this token: rise, and lend thine ear:
[Whispers]
There is no more but so: say it is done,
And I will love thee, and prefer thee too.

18

Troilus and Cressida
[V, 2]

(stage directions)

3057

[Whispers]

19

Venus and Adonis

Shakespeare

676

'This sour informer, this bate-breeding spy,
This canker that eats up Love's tender spring,
This carry-tale, dissentious Jealousy,
That sometime true news, sometime false doth bring,
Knocks at my heat and whispers in mine ear
That if I love thee, I thy death should fear:

20

Venus and Adonis

Shakespeare

1145

She looks upon his lips, and they are pale;
She takes him by the hand, and that is cold;
She whispers in his ears a heavy tale,
As if they heard the woeful words she told;
She lifts the coffer-lids that close his eyes,
Where, lo, two lamps, burnt out, in darkness lies;