# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Antony and Cleopatra
[II, 2]

Octavius

739

You may be pleased to catch at mine intent
By what did here befal me. Your wife and brother
Made wars upon me; and their contestation
Was theme for you, you were the word of war.

2

Comedy of Errors
[II, 2]

Antipholus of Syracuse

570

To me she speaks; she moves me for her theme:
What, was I married to her in my dream?
Or sleep I now and think I hear all this?
What error drives our eyes and ears amiss?
Until I know this sure uncertainty,
I'll entertain the offer'd fallacy.

3

Comedy of Errors
[V, 1]

Adriana

1493

It was the copy of our conference:
In bed he slept not for my urging it;
At board he fed not for my urging it;
Alone, it was the subject of my theme;
In company I often glanced it;
Still did I tell him it was vile and bad.

4

Coriolanus
[II, 2]

Sicinius Velutus

1288

We are convented
Upon a pleasing treaty, and have hearts
Inclinable to honour and advance
The theme of our assembly.

5

Cymbeline
[I, 1]

First Gentleman

34

I cannot delve him to the root: his father
Was call'd Sicilius, who did join his honour
Against the Romans with Cassibelan,
But had his titles by Tenantius whom
He served with glory and admired success,
So gain'd the sur-addition Leonatus;
And had, besides this gentleman in question,
Two other sons, who in the wars o' the time
Died with their swords in hand; for which
their father,
Then old and fond of issue, took such sorrow
That he quit being, and his gentle lady,
Big of this gentleman our theme, deceased
As he was born. The king he takes the babe
To his protection, calls him Posthumus Leonatus,
Breeds him and makes him of his bed-chamber,
Puts to him all the learnings that his time
Could make him the receiver of; which he took,
As we do air, fast as 'twas minister'd,
And in's spring became a harvest, lived in court—
Which rare it is to do—most praised, most loved,
A sample to the youngest, to the more mature
A glass that feated them, and to the graver
A child that guided dotards; to his mistress,
For whom he now is banish'd, her own price
Proclaims how she esteem'd him and his virtue;
By her election may be truly read
What kind of man he is.

6

Cymbeline
[III, 1]

Caius Lucius

1412

When Julius Caesar, whose remembrance yet
Lives in men's eyes and will to ears and tongues
Be theme and hearing ever, was in this Britain
And conquer'd it, Cassibelan, thine uncle,—
Famous in Caesar's praises, no whit less
Than in his feats deserving it—for him
And his succession granted Rome a tribute,
Yearly three thousand pounds, which by thee lately
Is left untender'd.

7

Cymbeline
[III, 3]

Belarius

1649

How you speak!
Did you but know the city's usuries
And felt them knowingly; the art o' the court
As hard to leave as keep; whose top to climb
Is certain falling, or so slippery that
The fear's as bad as falling; the toil o' the war,
A pain that only seems to seek out danger
I' the name of fame and honour; which dies i'
the search,
And hath as oft a slanderous epitaph
As record of fair act; nay, many times,
Doth ill deserve by doing well; what's worse,
Must court'sy at the censure:—O boys, this story
The world may read in me: my body's mark'd
With Roman swords, and my report was once
First with the best of note: Cymbeline loved me,
And when a soldier was the theme, my name
Was not far off: then was I as a tree
Whose boughs did bend with fruit: but in one night,
A storm or robbery, call it what you will,
Shook down my mellow hangings, nay, my leaves,
And left me bare to weather.

8

Hamlet
[I, 2]

Claudius

290

'Tis sweet and commendable in your nature, Hamlet,
To give these mourning duties to your father;
But you must know, your father lost a father;
That father lost, lost his, and the survivor bound
In filial obligation for some term
To do obsequious sorrow. But to persever
In obstinate condolement is a course
Of impious stubbornness. 'Tis unmanly grief;
It shows a will most incorrect to heaven,
A heart unfortified, a mind impatient,
An understanding simple and unschool'd;
For what we know must be, and is as common
As any the most vulgar thing to sense,
Why should we in our peevish opposition
Take it to heart? Fie! 'tis a fault to heaven,
A fault against the dead, a fault to nature,
To reason most absurd, whose common theme
Is death of fathers, and who still hath cried,
From the first corse till he that died to-day,
'This must be so.' We pray you throw to earth
This unprevailing woe, and think of us
As of a father; for let the world take note
You are the most immediate to our throne,
And with no less nobility of love
Than that which dearest father bears his son
Do I impart toward you. For your intent
In going back to school in Wittenberg,
It is most retrograde to our desire;
And we beseech you, bend you to remain
Here in the cheer and comfort of our eye,
Our chiefest courtier, cousin, and our son.

9

Hamlet
[V, 1]

Hamlet

3610

Why, I will fight with him upon this theme
Until my eyelids will no longer wag.

10

Hamlet
[V, 1]

Gertrude

3612

O my son, what theme?

11

Henry IV, Part I
[I, 1]

Henry IV

79

Yea, there thou makest me sad and makest me sin
In envy that my Lord Northumberland
Should be the father to so blest a son,
A son who is the theme of honour's tongue;
Amongst a grove, the very straightest plant;
Who is sweet Fortune's minion and her pride:
Whilst I, by looking on the praise of him,
See riot and dishonour stain the brow
Of my young Harry. O that it could be proved
That some night-tripping fairy had exchanged
In cradle-clothes our children where they lay,
And call'd mine Percy, his Plantagenet!
Then would I have his Harry, and he mine.
But let him from my thoughts. What think you, coz,
Of this young Percy's pride? the prisoners,
Which he in this adventure hath surprised,
To his own use he keeps; and sends me word,
I shall have none but Mordake Earl of Fife.

12

Henry IV, Part II
[I, 3]

Lord Bardolph

623

Yea, marry, there's the point;
But if without him we be thought too feeble,
My judgment is we should not step too far
Till we had his assistance by the hand;
For, in a theme so bloody-fac'd as this,
Conjecture, expectation, and surmise
Of aids incertain, should not be admitted.

13

Henry V
[III, 7]

Lewis the Dauphin

1670

Nay, the man hath no wit that cannot, from the
rising of the lark to the lodging of the lamb, vary
deserved praise on my palfrey: it is a theme as
fluent as the sea: turn the sands into eloquent
tongues, and my horse is argument for them all:
'tis a subject for a sovereign to reason on, and for
a sovereign's sovereign to ride on; and for the
world, familiar to us and unknown to lay apart
their particular functions and wonder at him. I
once writ a sonnet in his praise and began thus:
'Wonder of nature,'—

14

Henry VIII
[II, 3]

Old Lady

1315

With your theme, I could
O'ermount the lark. The Marchioness of Pembroke!
A thousand pounds a year for pure respect!
No other obligation! By my life,
That promises moe thousands: honour's train
Is longer than his foreskirt. By this time
I know your back will bear a duchess: say,
Are you not stronger than you were?

15

Macbeth
[I, 3]

Macbeth

240

[Aside]. Two truths are told,
As happy prologues to the swelling act
Of the imperial theme.—I thank you, gentlemen.
[Aside] This supernatural soliciting]
Cannot be ill, cannot be good: if ill,
Why hath it given me earnest of success,
Commencing in a truth? I am thane of Cawdor:
If good, why do I yield to that suggestion
Whose horrid image doth unfix my hair
And make my seated heart knock at my ribs,
Against the use of nature? Present fears
Are less than horrible imaginings:
My thought, whose murder yet is but fantastical,
Shakes so my single state of man that function
Is smother'd in surmise, and nothing is
But what is not.

16

Merry Wives of Windsor
[V, 5]

Falstaff

2733

Well, I am your theme: you have the start of me; I
am dejected; I am not able to answer the Welsh
flannel; ignorance itself is a plummet o'er me: use
me as you will.

17

Midsummer Night's Dream
[V, 1]

Puck

2275

If we shadows have offended,
Think but this, and all is mended,
That you have but slumber'd here
While these visions did appear.
And this weak and idle theme,
No more yielding but a dream,
Gentles, do not reprehend:
if you pardon, we will mend:
And, as I am an honest Puck,
If we have unearned luck
Now to 'scape the serpent's tongue,
We will make amends ere long;
Else the Puck a liar call;
So, good night unto you all.
Give me your hands, if we be friends,
And Robin shall restore amends.

18

Rape of Lucrece

Shakespeare

871

'Let my good name, that senseless reputation,
For Collatine's dear love be kept unspotted:
If that be made a theme for disputation,
The branches of another root are rotted,
And undeserved reproach to him allotted
That is as clear from this attaint of mine
As I, ere this, was pure to Collatine.

19

Romeo and Juliet
[I, 3]

Lady Capulet

448

Marry, that 'marry' is the very theme
I came to talk of. Tell me, daughter Juliet,
How stands your disposition to be married?

20

Tempest
[II, 1]

Gonzalo

706

Beseech you, sir, be merry; you have cause,
So have we all, of joy; for our escape
Is much beyond our loss. Our hint of woe
Is common; every day some sailor's wife,
The masters of some merchant and the merchant
Have just our theme of woe; but for the miracle,
I mean our preservation, few in millions
Can speak like us: then wisely, good sir, weigh
Our sorrow with our comfort.