# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Henry VI, Part I
[IV, 5]

Lord Talbot/Earl of Shrewsbury

2135

O young John Talbot! I did send for thee
To tutor thee in stratagems of war,
That Talbot's name might be in thee revived
When sapless age and weak unable limbs
Should bring thy father to his drooping chair.
But, O malignant and ill-boding stars!
Now thou art come unto a feast of death,
A terrible and unavoided danger:
Therefore, dear boy, mount on my swiftest horse;
And I'll direct thee how thou shalt escape
By sudden flight: come, dally not, be gone.

2

Henry VI, Part III
[II, 5]

Father

1184

Thou that so stoutly hast resisted me,
Give me thy gold, if thou hast any gold:
For I have bought it with an hundred blows.
But let me see: is this our foeman's face?
Ah, no, no, no, it is mine only son!
Ah, boy, if any life be left in thee,
Throw up thine eye! see, see what showers arise,
Blown with the windy tempest of my heart,
Upon thy words, that kill mine eye and heart!
O, pity, God, this miserable age!
What stratagems, how fell, how butcherly,
Erroneous, mutinous and unnatural,
This deadly quarrel daily doth beget!
O boy, thy father gave thee life too soon,
And hath bereft thee of thy life too late!

3

Merchant of Venice
[V, 1]

Lorenzo

2526

The reason is, your spirits are attentive:
For do but note a wild and wanton herd,
Or race of youthful and unhandled colts,
Fetching mad bounds, bellowing and neighing loud,
Which is the hot condition of their blood;
If they but hear perchance a trumpet sound,
Or any air of music touch their ears,
You shall perceive them make a mutual stand,
Their savage eyes turn'd to a modest gaze
By the sweet power of music: therefore the poet
Did feign that Orpheus drew trees, stones and floods;
Since nought so stockish, hard and full of rage,
But music for the time doth change his nature.
The man that hath no music in himself,
Nor is not moved with concord of sweet sounds,
Is fit for treasons, stratagems and spoils;
The motions of his spirit are dull as night
And his affections dark as Erebus:
Let no such man be trusted. Mark the music.

4

Richard III
[III, 5]

Duke of Buckingham

2073

Tut, I can counterfeit the deep tragedian;
Speak and look back, and pry on every side,
Tremble and start at wagging of a straw,
Intending deep suspicion: ghastly looks
Are at my service, like enforced smiles;
And both are ready in their offices,
At any time, to grace my stratagems.
But what, is Catesby gone?

5

Romeo and Juliet
[III, 5]

Juliet

2320

O God!—O nurse, how shall this be prevented?
My husband is on earth, my faith in heaven;
How shall that faith return again to earth,
Unless that husband send it me from heaven
By leaving earth? comfort me, counsel me.
Alack, alack, that heaven should practise stratagems
Upon so soft a subject as myself!
What say'st thou? hast thou not a word of joy?
Some comfort, nurse.