# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

As You Like It
[II, 7]

Jaques (lord)

1037

All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse's arms;
Then the whining school-boy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths, and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lin'd,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slipper'd pantaloon,
With spectacles on nose and pouch on side,
His youthful hose, well sav'd, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion;
Sans teeth, sans eyes, sans taste, sans every thing.

2

As You Like It
[III, 2]

Rosalind

1283

I was seven of the nine days out of the wonder before you
came; for look here what I found on a palm-tree. I was never so
berhym'd since Pythagoras' time that I was an Irish rat, which I
can hardly remember.

3

As You Like It
[III, 2]

Rosalind

1408

Marry, he trots hard with a young maid between the
contract of her marriage and the day it is solemniz'd; if the
interim be but a se'nnight, Time's pace is so hard that it seems
the length of seven year.

4

As You Like It
[V, 4]

Touchstone

2468

Upon a lie seven times removed- bear your body more
seeming, Audrey- as thus, sir. I did dislike the cut of a certain
courtier's beard; he sent me word, if I said his beard was not
cut well, he was in the mind it was. This is call'd the Retort
Courteous. If I sent him word again it was not well cut, he would
send me word he cut it to please himself. This is call'd the Quip
Modest. If again it was not well cut, he disabled my judgment.
This is call'd the Reply Churlish. If again it was not well cut,
he would answer I spake not true. This is call'd the Reproof
Valiant. If again it was not well cut, he would say I lie. This
is call'd the Countercheck Quarrelsome. And so to the Lie
Circumstantial and the Lie Direct.

5

As You Like It
[V, 4]

Touchstone

2485

O, sir, we quarrel in print by the book, as you have
books for good manners. I will name you the degrees. The first,
the Retort Courteous; the second, the Quip Modest; the third, the
Reply Churlish; the fourth, the Reproof Valiant; the fifth, the
Countercheck Quarrelsome; the sixth, the Lie with Circumstance;
the seventh, the Lie Direct. All these you may avoid but the Lie
Direct; and you may avoid that too with an If. I knew when seven
justices could not take up a quarrel; but when the parties were
met themselves, one of them thought but of an If, as: 'If you
said so, then I said so.' And they shook hands, and swore
brothers. Your If is the only peace-maker; much virtue in If.

6

Comedy of Errors
[V, 1]

Aegeon

1746

Not know my voice! O time's extremity,
Hast thou so crack'd and splitted my poor tongue
In seven short years, that here my only son
Knows not my feeble key of untuned cares?
Though now this grained face of mine be hid
In sap-consuming winter's drizzled snow,
And all the conduits of my blood froze up,
Yet hath my night of life some memory,
My wasting lamps some fading glimmer left,
My dull deaf ears a little use to hear:
All these old witnesses—I cannot err—
Tell me thou art my son Antipholus.

7

Comedy of Errors
[V, 1]

Aegeon

1759

But seven years since, in Syracusa, boy,
Thou know'st we parted: but perhaps, my son,
Thou shamest to acknowledge me in misery.

8

Coriolanus
[II, 1]

Menenius Agrippa

1032

A letter for me! it gives me an estate of seven
years' health; in which time I will make a lip at
the physician: the most sovereign prescription in
Galen is but empiricutic, and, to this preservative,
of no better report than a horse-drench. Is he
not wounded? he was wont to come home wounded.

9

Coriolanus
[II, 1]

Volumnia

1065

I' the shoulder and i' the left arm there will be
large cicatrices to show the people, when he shall
stand for his place. He received in the repulse of
Tarquin seven hurts i' the body.

10

Coriolanus
[II, 3]

(stage directions)

1424

[Enter seven or eight Citizens]

11

Coriolanus
[IV, 3]

Menenius Agrippa

2580

That's worthily
As any ear can hear. Come, let's not weep.
If I could shake off but one seven years
From these old arms and legs, by the good gods,
I'ld with thee every foot.

12

Hamlet
[IV, 5]

Laertes

3030

How now? What noise is that?
[Enter Ophelia. ]
O heat, dry up my brains! Tears seven times salt
Burn out the sense and virtue of mine eye!
By heaven, thy madness shall be paid by weight
Till our scale turn the beam. O rose of May!
Dear maid, kind sister, sweet Ophelia!
O heavens! is't possible a young maid's wits
Should be as mortal as an old man's life?
Nature is fine in love, and where 'tis fine,
It sends some precious instance of itself
After the thing it loves.

13

Henry IV, Part I
[I, 2]

Falstaff

124

Indeed, you come near me now, Hal; for we that take
purses go by the moon and the seven stars, and not
by Phoebus, he,'that wandering knight so fair.' And,
I prithee, sweet wag, when thou art king, as, God
save thy grace,—majesty I should say, for grace
thou wilt have none,—

14

Henry IV, Part I
[II, 4]

Henry V

1089

That ever this fellow should have fewer words than a
parrot, and yet the son of a woman! His industry is
upstairs and downstairs; his eloquence the parcel of
a reckoning. I am not yet of Percy's mind, the
Hotspur of the north; he that kills me some six or
seven dozen of Scots at a breakfast, washes his
hands, and says to his wife 'Fie upon this quiet
life! I want work.' 'O my sweet Harry,' says she,
'how many hast thou killed to-day?' 'Give my roan
horse a drench,' says he; and answers 'Some
fourteen,' an hour after; 'a trifle, a trifle.' I
prithee, call in Falstaff: I'll play Percy, and
that damned brawn shall play Dame Mortimer his
wife. 'Rivo!' says the drunkard. Call in ribs, call in tallow.

15

Henry IV, Part I
[II, 4]

Gadshill

1170

As we were sharing, some six or seven fresh men set upon us—

16

Henry IV, Part I
[II, 4]

Falstaff

1187

These four came all a-front, and mainly thrust at
me. I made me no more ado but took all their seven
points in my target, thus.

17

Henry IV, Part I
[II, 4]

Henry V

1190

Seven? why, there were but four even now.

18

Henry IV, Part I
[II, 4]

Falstaff

1193

Seven, by these hilts, or I am a villain else.

19

Henry IV, Part I
[II, 4]

Falstaff

1202

Began to give me ground: but I followed me close,
came in foot and hand; and with a thought seven of
the eleven I paid.

20

Henry IV, Part I
[II, 4]

Lord Bardolph

1294

Yea, and to tickle our noses with spear-grass to
make them bleed, and then to beslubber our garments
with it and swear it was the blood of true men. I
did that I did not this seven year before, I blushed
to hear his monstrous devices.