# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

As You Like It
[V, 4]

Touchstone

2456

God 'ild you, sir; I desire you of the like. I press in
here, sir, amongst the rest of the country copulatives, to swear
and to forswear, according as marriage binds and blood breaks. A
poor virgin, sir, an ill-favour'd thing, sir, but mine own; a
poor humour of mine, sir, to take that that man else will. Rich
honesty dwells like a miser, sir, in a poor house; as your pearl
in your foul oyster.

2

Coriolanus
[II, 1]

Junius Brutus

1143

All tongues speak of him, and the bleared sights
Are spectacled to see him: your prattling nurse
Into a rapture lets her baby cry
While she chats him: the kitchen malkin pins
Her richest lockram 'bout her reechy neck,
Clambering the walls to eye him: stalls, bulks, windows,
Are smother'd up, leads fill'd, and ridges horsed
With variable complexions, all agreeing
In earnestness to see him: seld-shown flamens
Do press among the popular throngs and puff
To win a vulgar station: or veil'd dames
Commit the war of white and damask in
Their nicely-gawded cheeks to the wanton spoil
Of Phoebus' burning kisses: such a pother
As if that whatsoever god who leads him
Were slily crept into his human powers
And gave him graceful posture.

3

Cymbeline
[II, 2]

Iachimo

933

The crickets sing, and man's o'er-labour'd sense
Repairs itself by rest. Our Tarquin thus
Did softly press the rushes, ere he waken'd
The chastity he wounded. Cytherea,
How bravely thou becomest thy bed, fresh lily,
And whiter than the sheets! That I might touch!
But kiss; one kiss! Rubies unparagon'd,
How dearly they do't! 'Tis her breathing that
Perfumes the chamber thus: the flame o' the taper
Bows toward her, and would under-peep her lids,
To see the enclosed lights, now canopied
Under these windows, white and azure laced
With blue of heaven's own tinct. But my design,
To note the chamber: I will write all down:
Such and such pictures; there the window; such
The adornment of her bed; the arras; figures,
Why, such and such; and the contents o' the story.
Ah, but some natural notes about her body,
Above ten thousand meaner moveables
Would testify, to enrich mine inventory.
O sleep, thou ape of death, lie dull upon her!
And be her sense but as a monument,
Thus in a chapel lying! Come off, come off:
[Taking off her bracelet]
As slippery as the Gordian knot was hard!
'Tis mine; and this will witness outwardly,
As strongly as the conscience does within,
To the madding of her lord. On her left breast
A mole cinque-spotted, like the crimson drops
I' the bottom of a cowslip: here's a voucher,
Stronger than ever law could make: this secret
Will force him think I have pick'd the lock and ta'en
The treasure of her honour. No more. To what end?
Why should I write this down, that's riveted,
Screw'd to my memory? She hath been reading late
The tale of Tereus; here the leaf's turn'd down
Where Philomel gave up. I have enough:
To the trunk again, and shut the spring of it.
Swift, swift, you dragons of the night, that dawning
May bare the raven's eye! I lodge in fear;
Though this a heavenly angel, hell is here.
[Clock strikes]
One, two, three: time, time!

4

Cymbeline
[II, 4]

Iachimo

1255

First, her bedchamber,—
Where, I confess, I slept not, but profess
Had that was well worth watching—it was hang'd
With tapesty of silk and silver; the story
Proud Cleopatra, when she met her Roman,
And Cydnus swell'd above the banks, or for
The press of boats or pride: a piece of work
So bravely done, so rich, that it did strive
In workmanship and value; which I wonder'd
Could be so rarely and exactly wrought,
Since the true life on't was—

5

Henry IV, Part I
[IV, 2]

Falstaff

2378

If I be not ashamed of my soldiers, I am a soused
gurnet. I have misused the king's press damnably.
I have got, in exchange of a hundred and fifty
soldiers, three hundred and odd pounds. I press me
none but good house-holders, yeoman's sons; inquire
me out contracted bachelors, such as had been asked
twice on the banns; such a commodity of warm slaves,
as had as lieve hear the devil as a drum; such as
fear the report of a caliver worse than a struck
fowl or a hurt wild-duck. I pressed me none but such
toasts-and-butter, with hearts in their bellies no
bigger than pins' heads, and they have bought out
their services; and now my whole charge consists of
ancients, corporals, lieutenants, gentlemen of
companies, slaves as ragged as Lazarus in the
painted cloth, where the glutton's dogs licked his
sores; and such as indeed were never soldiers, but
discarded unjust serving-men, younger sons to
younger brothers, revolted tapsters and ostlers
trade-fallen, the cankers of a calm world and a
long peace, ten times more dishonourable ragged than
an old faced ancient: and such have I, to fill up
the rooms of them that have bought out their
services, that you would think that I had a hundred
and fifty tattered prodigals lately come from
swine-keeping, from eating draff and husks. A mad
fellow met me on the way and told me I had unloaded
all the gibbets and pressed the dead bodies. No eye
hath seen such scarecrows. I'll not march through
Coventry with them, that's flat: nay, and the
villains march wide betwixt the legs, as if they had
gyves on; for indeed I had the most of them out of
prison. There's but a shirt and a half in all my
company; and the half shirt is two napkins tacked
together and thrown over the shoulders like an
herald's coat without sleeves; and the shirt, to say
the truth, stolen from my host at Saint Alban's, or
the red-nose innkeeper of Daventry. But that's all
one; they'll find linen enough on every hedge.

6

Henry VI, Part III
[III, 1]

Henry VI

1380

From Scotland am I stol'n, even of pure love,
To greet mine own land with my wishful sight.
No, Harry, Harry, 'tis no land of thine;
Thy place is fill'd, thy sceptre wrung from thee,
Thy balm wash'd off wherewith thou wast anointed:
No bending knee will call thee Caesar now,
No humble suitors press to speak for right,
No, not a man comes for redress of thee;
For how can I help them, and not myself?

7

Henry VIII
[III, 2]

Lord Chamberlain

2234

O my lord,
Press not a falling man too far! 'tis virtue:
His faults lie open to the laws; let them,
Not you, correct him. My heart weeps to see him
So little of his great self.

8

Henry VIII
[IV, 1]

Third Gentleman

2490

As well as I am able. The rich stream
Of lords and ladies, having brought the queen
To a prepared place in the choir, fell off
A distance from her; while her grace sat down
To rest awhile, some half an hour or so,
In a rich chair of state, opposing freely
The beauty of her person to the people.
Believe me, sir, she is the goodliest woman
That ever lay by man: which when the people
Had the full view of, such a noise arose
As the shrouds make at sea in a stiff tempest,
As loud, and to as many tunes: hats, cloaks—
Doublets, I think,—flew up; and had their faces
Been loose, this day they had been lost. Such joy
I never saw before. Great-bellied women,
That had not half a week to go, like rams
In the old time of war, would shake the press,
And make 'em reel before 'em. No man living
Could say 'This is my wife' there; all were woven
So strangely in one piece.

9

Henry VIII
[V, 4]

Lord Chamberlain

3352

As I live,
If the king blame me for't, I'll lay ye all
By the heels, and suddenly; and on your heads
Clap round fines for neglect: ye are lazy knaves;
And here ye lie baiting of bombards, when
Ye should do service. Hark! the trumpets sound;
They're come already from the christening:
Go, break among the press, and find a way out
To let the troop pass fairly; or I'll find
A Marshalsea shall hold ye play these two months.

10

Julius Caesar
[I, 2]

Caesar

100

Who is it in the press that calls on me?
I hear a tongue, shriller than all the music,
Cry 'Caesar!' Speak; Caesar is turn'd to hear.

11

Julius Caesar
[II, 2]

Decius Brutus

1064

This dream is all amiss interpreted;
It was a vision fair and fortunate:
Your statue spouting blood in many pipes,
In which so many smiling Romans bathed,
Signifies that from you great Rome shall suck
Reviving blood, and that great men shall press
For tinctures, stains, relics and cognizance.
This by Calpurnia's dream is signified.

12

Julius Caesar
[II, 4]

Portia

1152

Yes, bring me word, boy, if thy lord look well,
For he went sickly forth: and take good note
What Caesar doth, what suitors press to him.
Hark, boy! what noise is that?

13

Julius Caesar
[III, 1]

Brutus

1231

He is address'd: press near and second him.

14

Julius Caesar
[III, 2]

Antony

1712

Nay, press not so upon me; stand far off.

15

King John
[V, 7]

Prince Henry

2643

O vanity of sickness! fierce extremes
In their continuance will not feel themselves.
Death, having prey'd upon the outward parts,
Leaves them invisible, and his siege is now
Against the mind, the which he pricks and wounds
With many legions of strange fantasies,
Which, in their throng and press to that last hold,
Confound themselves. 'Tis strange that death
should sing.
I am the cygnet to this pale faint swan,
Who chants a doleful hymn to his own death,
And from the organ-pipe of frailty sings
His soul and body to their lasting rest.

16

King Lear
[IV, 6]

Lear

2697

Nature 's above art in that respect. There's your press
money. That fellow handles his bow like a crow-keeper. Draw me
a clothier's yard. Look, look, a mouse! Peace, peace; this piece
of toasted cheese will do't. There's my gauntlet; I'll prove it
on a giant. Bring up the brown bills. O, well flown, bird! i'
th' clout, i' th' clout! Hewgh! Give the word.

17

Merchant of Venice
[IV, 1]

Duke

1948

Make room, and let him stand before our face.
Shylock, the world thinks, and I think so too,
That thou but lead'st this fashion of thy malice
To the last hour of act; and then 'tis thought
Thou'lt show thy mercy and remorse more strange
Than is thy strange apparent cruelty;
And where thou now exact'st the penalty,
Which is a pound of this poor merchant's flesh,
Thou wilt not only loose the forfeiture,
But, touch'd with human gentleness and love,
Forgive a moiety of the principal;
Glancing an eye of pity on his losses,
That have of late so huddled on his back,
Enow to press a royal merchant down
And pluck commiseration of his state
From brassy bosoms and rough hearts of flint,
From stubborn Turks and Tartars, never train'd
To offices of tender courtesy.
We all expect a gentle answer, Jew.

18

Merchant of Venice
[IV, 1]

Portia

2378

You press me far, and therefore I will yield.
[To ANTONIO]
Give me your gloves, I'll wear them for your sake;
[To BASSANIO]
And, for your love, I'll take this ring from you:
Do not draw back your hand; I'll take no more;
And you in love shall not deny me this.

19

Merry Wives of Windsor
[II, 1]

Mistress Page

632

Letter for letter, but that the name of Page and
Ford differs! To thy great comfort in this mystery
of ill opinions, here's the twin-brother of thy
letter: but let thine inherit first; for, I
protest, mine never shall. I warrant he hath a
thousand of these letters, writ with blank space for
different names—sure, more,—and these are of the
second edition: he will print them, out of doubt;
for he cares not what he puts into the press, when
he would put us two. I had rather be a giantess,
and lie under Mount Pelion. Well, I will find you
twenty lascivious turtles ere one chaste man.

20

Merry Wives of Windsor
[II, 2]

Ford

951

I make bold to press with so little preparation upon
you.