# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Cymbeline
[II, 3]

Cloten

987

I would this music would come: I am advised to give
her music o' mornings; they say it will penetrate.
[Enter Musicians]
Come on; tune: if you can penetrate her with your
fingering, so; we'll try with tongue too: if none
will do, let her remain; but I'll never give o'er.
First, a very excellent good-conceited thing;
after, a wonderful sweet air, with admirable rich
words to it: and then let her consider.
[SONG]
Hark, hark! the lark at heaven's gate sings,
And Phoebus 'gins arise,
His steeds to water at those springs
On chaliced flowers that lies;
And winking Mary-buds begin
To ope their golden eyes:
With every thing that pretty is,
My lady sweet, arise:
Arise, arise.

2

Cymbeline
[II, 3]

(stage directions)

1011

[Exeunt Musicians]

3

Henry IV, Part I
[III, 1]

Glendower

1774

Do so;
And those musicians that shall play to you
Hang in the air a thousand leagues from hence,
And straight they shall be here: sit, and attend.

4

Henry IV, Part II
[II, 4]

(stage directions)

1501

Enter musicians

5

Henry IV, Part II
[II, 4]

Falstaff

1685

[To the PAGE]. Pay the musicians, sirrah.—Farewell,
hostess; farewell, Doll. You see, my good wenches, how men of
merit are sought after; the undeserver may sleep, when the
action is call'd on. Farewell, good wenches. If I be not sent
away post, I will see you again ere I go.

6

Henry VIII
[IV, 2]

Queen Katharine

2632

After my death I wish no other herald,
No other speaker of my living actions,
To keep mine honour from corruption,
But such an honest chronicler as Griffith.
Whom I most hated living, thou hast made me,
With thy religious truth and modesty,
Now in his ashes honour: peace be with him!
Patience, be near me still; and set me lower:
I have not long to trouble thee. Good Griffith,
Cause the musicians play me that sad note
I named my knell, whilst I sit meditating
On that celestial harmony I go to.

7

Merchant of Venice
[V, 1]

Lorenzo

2502

Sweet soul, let's in, and there expect their coming.
And yet no matter: why should we go in?
My friend Stephano, signify, I pray you,
Within the house, your mistress is at hand;
And bring your music forth into the air.
[Exit Stephano]
How sweet the moonlight sleeps upon this bank!
Here will we sit and let the sounds of music
Creep in our ears: soft stillness and the night
Become the touches of sweet harmony.
Sit, Jessica. Look how the floor of heaven
Is thick inlaid with patines of bright gold:
There's not the smallest orb which thou behold'st
But in his motion like an angel sings,
Still quiring to the young-eyed cherubins;
Such harmony is in immortal souls;
But whilst this muddy vesture of decay
Doth grossly close it in, we cannot hear it.
[Enter Musicians]
Come, ho! and wake Diana with a hymn!
With sweetest touches pierce your mistress' ear,
And draw her home with music.

8

Othello
[III, 1]

(stage directions)

1545

[Enter CASSIO and some Musicians]

9

Othello
[III, 1]

(stage directions)

1568

[Exeunt Musicians]

10

Richard II
[I, 3]

John of Gaunt

576

All places that the eye of heaven visits
Are to a wise man ports and happy havens.
Teach thy necessity to reason thus;
There is no virtue like necessity.
Think not the king did banish thee,
But thou the king. Woe doth the heavier sit,
Where it perceives it is but faintly borne.
Go, say I sent thee forth to purchase honour
And not the king exiled thee; or suppose
Devouring pestilence hangs in our air
And thou art flying to a fresher clime:
Look, what thy soul holds dear, imagine it
To lie that way thou go'st, not whence thou comest:
Suppose the singing birds musicians,
The grass whereon thou tread'st the presence strew'd,
The flowers fair ladies, and thy steps no more
Than a delightful measure or a dance;
For gnarling sorrow hath less power to bite
The man that mocks at it and sets it light.

11

Romeo and Juliet
[I, 5]

(stage directions)

618

[Musicians waiting. Enter Servingmen with napkins]

12

Romeo and Juliet
[I, 5]

Capulet

634

Welcome, gentlemen! ladies that have their toes
Unplagued with corns will have a bout with you.
Ah ha, my mistresses! which of you all
Will now deny to dance? she that makes dainty,
She, I'll swear, hath corns; am I come near ye now?
Welcome, gentlemen! I have seen the day
That I have worn a visor and could tell
A whispering tale in a fair lady's ear,
Such as would please: 'tis gone, 'tis gone, 'tis gone:
You are welcome, gentlemen! come, musicians, play.
A hall, a hall! give room! and foot it, girls.
[Music plays, and they dance]
More light, you knaves; and turn the tables up,
And quench the fire, the room is grown too hot.
Ah, sirrah, this unlook'd-for sport comes well.
Nay, sit, nay, sit, good cousin Capulet;
For you and I are past our dancing days:
How long is't now since last yourself and I
Were in a mask?

13

Romeo and Juliet
[IV, 5]

(stage directions)

2691

[Enter FRIAR LAURENCE and PARIS, with Musicians]

14

Romeo and Juliet
[IV, 5]

Peter

2762

Musicians, O, musicians, 'Heart's ease, Heart's
ease:' O, an you will have me live, play 'Heart's ease.'

15

Romeo and Juliet
[IV, 5]

Peter

2765

O, musicians, because my heart itself plays 'My
heart is full of woe:' O, play me some merry dump,
to comfort me.

16

Romeo and Juliet
[IV, 5]

Second Musician

2791

I say 'silver sound,' because musicians sound for silver.

17

Romeo and Juliet
[IV, 5]

Peter

2794

O, I cry you mercy; you are the singer: I will say
for you. It is 'music with her silver sound,'
because musicians have no gold for sounding:
'Then music with her silver sound
With speedy help doth lend redress.'

18

Troilus and Cressida
[III, 1]

Pandarus

1511

Know you the musicians?

19

Twelfth Night
[I, 1]

(stage directions)

1

[Enter DUKE ORSINO, CURIO, and other Lords; Musicians attending]

20

Two Gentlemen of Verona
[IV, 2]

(stage directions)

1648

[Enter THURIO and Musicians]