# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Antony and Cleopatra
[I, 3]

Charmian

302

Madam, methinks, if you did love him dearly,
You do not hold the method to enforce
The like from him.

2

Comedy of Errors
[II, 2]

Antipholus of Syracuse

420

Because that I familiarly sometimes
Do use you for my fool and chat with you,
Your sauciness will jest upon my love
And make a common of my serious hours.
When the sun shines let foolish gnats make sport,
But creep in crannies when he hides his beams.
If you will jest with me, know my aspect,
And fashion your demeanor to my looks,
Or I will beat this method in your sconce.

3

Hamlet
[II, 2]

Polonius

1307

[aside] Though this be madness, yet there is a method in't.-
Will You walk out of the air, my lord?

4

Hamlet
[II, 2]

Hamlet

1512

I heard thee speak me a speech once, but it was never acted;
or if it was, not above once; for the play, I remember, pleas'd
not the million, 'twas caviary to the general; but it was (as I
receiv'd it, and others, whose judgments in such matters cried in
the top of mine) an excellent play, well digested in the scenes,
set down with as much modesty as cunning. I remember one said
there were no sallets in the lines to make the matter savoury,
nor no matter in the phrase that might indict the author of
affectation; but call'd it an honest method, as wholesome as
sweet, and by very much more handsome than fine. One speech in't
I chiefly lov'd. 'Twas AEneas' tale to Dido, and thereabout of it
especially where he speaks of Priam's slaughter. If it live in
your memory, begin at this line- let me see, let me see:
'The rugged Pyrrhus, like th' Hyrcanian beast-'
'Tis not so; it begins with Pyrrhus:
'The rugged Pyrrhus, he whose sable arms,
Black as his purpose, did the night resemble
When he lay couched in the ominous horse,
Hath now this dread and black complexion smear'd
With heraldry more dismal. Head to foot
Now is be total gules, horridly trick'd
With blood of fathers, mothers, daughters, sons,
Bak'd and impasted with the parching streets,
That lend a tyrannous and a damned light
To their lord's murther. Roasted in wrath and fire,
And thus o'ersized with coagulate gore,
With eyes like carbuncles, the hellish Pyrrhus
Old grandsire Priam seeks.'
So, proceed you.

5

Henry VI, Part I
[III, 1]

Duke of Gloucester

1228

Presumptuous priest! this place commands my patience,
Or thou shouldst find thou hast dishonour'd me.
Think not, although in writing I preferr'd
The manner of thy vile outrageous crimes,
That therefore I have forged, or am not able
Verbatim to rehearse the method of my pen:
No, prelate; such is thy audacious wickedness,
Thy lewd, pestiferous and dissentious pranks,
As very infants prattle of thy pride.
Thou art a most pernicious usurer,
Forward by nature, enemy to peace;
Lascivious, wanton, more than well beseems
A man of thy profession and degree;
And for thy treachery, what's more manifest?
In that thou laid'st a trap to take my life,
As well at London bridge as at the Tower.
Beside, I fear me, if thy thoughts were sifted,
The king, thy sovereign, is not quite exempt
From envious malice of thy swelling heart.

6

Measure for Measure
[III, 2]

Lucio

1555

How now, noble Pompey! What, at the wheels of
Caesar? art thou led in triumph? What, is there
none of Pygmalion's images, newly made woman, to be
had now, for putting the hand in the pocket and
extracting it clutch'd? What reply, ha? What
sayest thou to this tune, matter and method? Is't
not drowned i' the last rain, ha? What sayest
thou, Trot? Is the world as it was, man? Which is
the way? Is it sad, and few words? or how? The
trick of it?

7

Richard III
[I, 2]

Richard III (Duke of Gloucester)

294

I know so. But, gentle Lady Anne,
To leave this keen encounter of our wits,
And fall somewhat into a slower method,
Is not the causer of the timeless deaths
Of these Plantagenets, Henry and Edward,
As blameful as the executioner?

8

Twelfth Night
[I, 5]

Viola

516

To answer by the method, in the first of his heart.