# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Henry VI, Part II
[III, 2]

Queen Margaret

1754

Be woe for me, more wretched than he is.
What, dost thou turn away and hide thy face?
I am no loathsome leper; look on me.
What! art thou, like the adder, waxen deaf?
Be poisonous too and kill thy forlorn queen.
Is all thy comfort shut in Gloucester's tomb?
Why, then, dame Margaret was ne'er thy joy.
Erect his statue and worship it,
And make my image but an alehouse sign.
Was I for this nigh wreck'd upon the sea
And twice by awkward wind from England's bank
Drove back again unto my native clime?
What boded this, but well forewarning wind
Did seem to say 'Seek not a scorpion's nest,
Nor set no footing on this unkind shore'?
What did I then, but cursed the gentle gusts
And he that loosed them forth their brazen caves:
And bid them blow towards England's blessed shore,
Or turn our stern upon a dreadful rock
Yet AEolus would not be a murderer,
But left that hateful office unto thee:
The pretty-vaulting sea refused to drown me,
Knowing that thou wouldst have me drown'd on shore,
With tears as salt as sea, through thy unkindness:
The splitting rocks cower'd in the sinking sands
And would not dash me with their ragged sides,
Because thy flinty heart, more hard than they,
Might in thy palace perish Margaret.
As far as I could ken thy chalky cliffs,
When from thy shore the tempest beat us back,
I stood upon the hatches in the storm,
And when the dusky sky began to rob
My earnest-gaping sight of thy land's view,
I took a costly jewel from my neck,
A heart it was, bound in with diamonds,
And threw it towards thy land: the sea received it,
And so I wish'd thy body might my heart:
And even with this I lost fair England's view
And bid mine eyes be packing with my heart
And call'd them blind and dusky spectacles,
For losing ken of Albion's wished coast.
How often have I tempted Suffolk's tongue,
The agent of thy foul inconstancy,
To sit and witch me, as Ascanius did
When he to madding Dido would unfold
His father's acts commenced in burning Troy!
Am I not witch'd like her? or thou not false like him?
Ay me, I can no more! die, Margaret!
For Henry weeps that thou dost live so long.

2

King John
[III, 1]

Queen Elinor

1250

O foul revolt of French inconstancy!

3

Love's Labour's Lost
[IV, 3]

Biron

1508

Not you to me, but I betray'd by you:
I, that am honest; I, that hold it sin
To break the vow I am engaged in;
I am betray'd, by keeping company
With men like men of inconstancy.
When shall you see me write a thing in rhyme?
Or groan for love? or spend a minute's time
In pruning me? When shall you hear that I
Will praise a hand, a foot, a face, an eye,
A gait, a state, a brow, a breast, a waist,
A leg, a limb?

4

Merry Wives of Windsor
[IV, 5]

Falstaff

2399

The devil take one party and his dam the other! and
so they shall be both bestowed. I have suffered more
for their sakes, more than the villanous inconstancy
of man's disposition is able to bear.

5

Passionate Pilgrim

Shakespeare

246

My flocks feed not,
My ewes breed not,
My rams speed not,
All is amiss:
Love's denying,
Faith's defying,
Heart's renying,
Causer of this.
All my merry jigs are quite forgot,
All my lady's love is lost, God wot:
Where her faith was firmly fix'd in love,
There a nay is placed without remove.
One silly cross
Wrought all my loss;
O frowning Fortune, cursed, fickle dame!
For now I see
Inconstancy
More in women than in men remain.
In black mourn I,
All fears scorn I,
Love hath forlorn me,
Living in thrall:
Heart is bleeding,
All help needing,
O cruel speeding,
Fraughted with gall.
My shepherd's pipe can sound no deal;
My wether's bell rings doleful knell;
My curtail dog, that wont to have play'd
Plays not at all, but seems afraid;
My sighs so deep
Procure to weep,
In howling wise, to see my doleful plight.
How sighs resound
Through heartless ground,
Like a thousand vanquish'd men in bloody fight!
Clear wells spring not,
Sweet birds sing not,
Green plants bring not
Forth their dye;
Herds stand weeping,
Flocks all sleeping,
Nymphs back peeping
Fearfully:
All our pleasure known to us poor swains,
All our merry meetings on the plains,
All our evening sport from us is fled,
All our love is lost, for Love is dead
Farewell, sweet lass,
Thy like ne'er was
For a sweet content, the cause of all my moan:
Poor Corydon
Must live alone;
Other help for him I see that there is none.

6

Two Gentlemen of Verona
[V, 4]

Proteus

2265

Than men their minds! 'tis true.
O heaven! were man
But constant, he were perfect. That one error
Fills him with faults; makes him run through all the sins:
Inconstancy falls off ere it begins.
What is in Silvia's face, but I may spy
More fresh in Julia's with a constant eye?