Please wait

We are searching the Open Source Shakespeare database
for your request. Searches usually take 1-30 seconds.

progress graphic

My meaning in saying he is a good man, is to have you understand me that he is sufficient.

      — The Merchant of Venice, Act I Scene 3

SEARCH TEXTS  

Plays  +  Sonnets  +  Poems  +  Concordance  +  Advanced Search  +  About OSS

Search results

1-9 of 9 total

KEYWORD: guiltiness

---

For an explanation of each column,
tap or hover over the column's title.

# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Julius Caesar
[I, 1]

Flavius

56

Go, go, good countrymen, and, for this fault,
Assemble all the poor men of your sort;
Draw them to Tiber banks, and weep your tears
Into the channel, till the lowest stream
Do kiss the most exalted shores of all.
[Exeunt all the Commoners]
See whether their basest metal be not moved;
They vanish tongue-tied in their guiltiness.
Go you down that way towards the Capitol;
This way will I disrobe the images,
If you do find them deck'd with ceremonies.

2

Love's Labour's Lost
[V, 2]

Princess of France

2730

A time, methinks, too short
To make a world-without-end bargain in.
No, no, my lord, your grace is perjured much,
Full of dear guiltiness; and therefore this:
If for my love, as there is no such cause,
You will do aught, this shall you do for me:
Your oath I will not trust; but go with speed
To some forlorn and naked hermitage,
Remote from all the pleasures of the world;
There stay until the twelve celestial signs
Have brought about the annual reckoning.
If this austere insociable life
Change not your offer made in heat of blood;
If frosts and fasts, hard lodging and thin weeds
Nip not the gaudy blossoms of your love,
But that it bear this trial and last love;
Then, at the expiration of the year,
Come challenge me, challenge me by these deserts,
And, by this virgin palm now kissing thine
I will be thine; and till that instant shut
My woeful self up in a mourning house,
Raining the tears of lamentation
For the remembrance of my father's death.
If this thou do deny, let our hands part,
Neither entitled in the other's heart.

3

Measure for Measure
[II, 2]

Isabella

901

Because authority, though it err like others,
Hath yet a kind of medicine in itself,
That skins the vice o' the top. Go to your bosom;
Knock there, and ask your heart what it doth know
That's like my brother's fault: if it confess
A natural guiltiness such as is his,
Let it not sound a thought upon your tongue
Against my brother's life.

4

Measure for Measure
[V, 1]

Angelo

2786

O my dread lord,
I should be guiltier than my guiltiness,
To think I can be undiscernible,
When I perceive your grace, like power divine,. Hath look'd upon my passes. Then, good prince,
No longer session hold upon my shame,
But let my trial be mine own confession:
Immediate sentence then and sequent death
Is all the grace I beg.

5

Merry Wives of Windsor
[V, 5]

Falstaff

2696

And these are not fairies? I was three or four
times in the thought they were not fairies: and yet
the guiltiness of my mind, the sudden surprise of my
powers, drove the grossness of the foppery into a
received belief, in despite of the teeth of all
rhyme and reason, that they were fairies. See now
how wit may be made a Jack-a-Lent, when 'tis upon
ill employment!

6

Much Ado about Nothing
[IV, 1]

Claudio

1670

Sweet prince, you learn me noble thankfulness.
There, Leonato, take her back again:
Give not this rotten orange to your friend;
She's but the sign and semblance of her honour.
Behold how like a maid she blushes here!
O, what authority and show of truth
Can cunning sin cover itself withal!
Comes not that blood as modest evidence
To witness simple virtue? Would you not swear,
All you that see her, that she were a maid,
By these exterior shows? But she is none:
She knows the heat of a luxurious bed;
Her blush is guiltiness, not modesty.

7

Othello
[V, 1]

Iago

3266

[To BIANCA] What, look you pale? O, bear him out
o' the air.
[CASSIO and RODERIGO are borne off]
Stay you, good gentlemen. Look you pale, mistress?
Do you perceive the gastness of her eye?
Nay, if you stare, we shall hear more anon.
Behold her well; I pray you, look upon her:
Do you see, gentlemen? nay, guiltiness will speak,
Though tongues were out of use.

8

Othello
[V, 2]

Desdemona

3344

And yet I fear you; for you are fatal then
When your eyes roll so: why I should fear I know not,
Since guiltiness I know not; but yet I feel I fear.

9

Richard III
[V, 3]

Duke of Buckingham

3665

[To KING RICHARD III]
The last was I that helped thee to the crown;
The last was I that felt thy tyranny:
O, in the battle think on Buckingham,
And die in terror of thy guiltiness!
Dream on, dream on, of bloody deeds and death:
Fainting, despair; despairing, yield thy breath!
[To RICHMOND]
I died for hope ere I could lend thee aid:
But cheer thy heart, and be thou not dismay'd:
God and good angel fight on Richmond's side;
And Richard falls in height of all his pride.

] Back to the concordance menu