# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Henry IV, Part I
[IV, 1]

Earl of Worcester

2282

But yet I would your father had been here.
The quality and hair of our attempt
Brooks no division: it will be thought
By some, that know not why he is away,
That wisdom, loyalty and mere dislike
Of our proceedings kept the earl from hence:
And think how such an apprehension
May turn the tide of fearful faction
And breed a kind of question in our cause;
For well you know we of the offering side
Must keep aloof from strict arbitrement,
And stop all sight-holes, every loop from whence
The eye of reason may pry in upon us:
This absence of your father's draws a curtain,
That shows the ignorant a kind of fear
Before not dreamt of.

2

Henry IV, Part II
[I, 1]

Earl of Northumberland

124

How doth my son and brother?
Thou tremblest; and the whiteness in thy cheek
Is apter than thy tongue to tell thy errand.
Even such a man, so faint, so spiritless,
So dull, so dread in look, so woe-begone,
Drew Priam's curtain in the dead of night
And would have told him half his Troy was burnt;
But Priam found the fire ere he his tongue,
And I my Percy's death ere thou report'st it.
This thou wouldst say: 'Your son did thus and thus;
Your brother thus; so fought the noble Douglas'—
Stopping my greedy ear with their bold deeds;
But in the end, to stop my ear indeed,
Thou hast a sigh to blow away this praise,
Ending with 'Brother, son, and all, are dead.'

3

Henry VI, Part II
[III, 3]

Henry VI

2145

Forbear to judge, for we are sinners all.
Close up his eyes and draw the curtain close;
And let us all to meditation.

4

Henry VIII
[II, 2]

Duke of Norfolk

1087

Thanks, my good lord chamberlain.
[Exit Chamberlain; and KING HENRY VIII draws the]
curtain, and sits reading pensively]

5

Henry VIII
[V, 2]

Henry VIII

3034

Ha! 'tis he, indeed:
Is this the honour they do one another?
'Tis well there's one above 'em yet. I had thought
They had parted so much honesty among 'em
At least, good manners, as not thus to suffer
A man of his place, and so near our favour,
To dance attendance on their lordships' pleasures,
And at the door too, like a post with packets.
By holy Mary, Butts, there's knavery:
Let 'em alone, and draw the curtain close:
We shall hear more anon.

6

Merchant of Venice
[II, 9]

Nerissa

1129

Quick, quick, I pray thee; draw the curtain straight:
The Prince of Arragon hath ta'en his oath,
And comes to his election presently.
[Flourish of cornets. Enter the PRINCE OF ARRAGON,]
PORTIA, and their trains]

7

Merchant of Venice
[II, 9]

Portia

1217

Come, draw the curtain, Nerissa.

8

Pericles
[V, 1]

(stage directions)

2169

pavilion on deck, with a curtain before it; PERICLES
within it, reclined on a couch. A barge lying
beside the Tyrian vessel.
[Enter two Sailors, one belonging to the Tyrian]
vessel, the other to the barge; to them HELICANUS]

9

Rape of Lucrece

Shakespeare

423

Look, as the fair and fiery-pointed sun,
Rushing from forth a cloud, bereaves our sight;
Even so, the curtain drawn, his eyes begun
To wink, being blinded with a greater light:
Whether it is that she reflects so bright,
That dazzleth them, or else some shame supposed;
But blind they are, and keep themselves enclosed.

10

Romeo and Juliet
[III, 2]

Juliet

1719

Gallop apace, you fiery-footed steeds,
Towards Phoebus' lodging: such a wagoner
As Phaethon would whip you to the west,
And bring in cloudy night immediately.
Spread thy close curtain, love-performing night,
That runaway's eyes may wink and Romeo
Leap to these arms, untalk'd of and unseen.
Lovers can see to do their amorous rites
By their own beauties; or, if love be blind,
It best agrees with night. Come, civil night,
Thou sober-suited matron, all in black,
And learn me how to lose a winning match,
Play'd for a pair of stainless maidenhoods:
Hood my unmann'd blood, bating in my cheeks,
With thy black mantle; till strange love, grown bold,
Think true love acted simple modesty.
Come, night; come, Romeo; come, thou day in night;
For thou wilt lie upon the wings of night
Whiter than new snow on a raven's back.
Come, gentle night, come, loving, black-brow'd night,
Give me my Romeo; and, when he shall die,
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night
And pay no worship to the garish sun.
O, I have bought the mansion of a love,
But not possess'd it, and, though I am sold,
Not yet enjoy'd: so tedious is this day
As is the night before some festival
To an impatient child that hath new robes
And may not wear them. O, here comes my nurse,
And she brings news; and every tongue that speaks
But Romeo's name speaks heavenly eloquence.
[Enter Nurse, with cords]
Now, nurse, what news? What hast thou there? the cords
That Romeo bid thee fetch?

11

Troilus and Cressida
[III, 2]

Pandarus

1693

Come, come, what need you blush? shame's a baby.
Here she is now: swear the oaths now to her that
you have sworn to me. What, are you gone again?
you must be watched ere you be made tame, must you?
Come your ways, come your ways; an you draw backward,
we'll put you i' the fills. Why do you not speak to
her? Come, draw this curtain, and let's see your
picture. Alas the day, how loath you are to offend
daylight! an 'twere dark, you'ld close sooner.
So, so; rub on, and kiss the mistress. How now!
a kiss in fee-farm! build there, carpenter; the air
is sweet. Nay, you shall fight your hearts out ere
I part you. The falcon as the tercel, for all the
ducks i' the river: go to, go to.

12

Twelfth Night
[I, 3]

Sir Toby Belch

230

Wherefore are these things hid? wherefore have
these gifts a curtain before 'em? are they like to
take dust, like Mistress Mall's picture? why dost
thou not go to church in a galliard and come home in
a coranto? My very walk should be a jig; I would not
so much as make water but in a sink-a-pace. What
dost thou mean? Is it a world to hide virtues in?
I did think, by the excellent constitution of thy
leg, it was formed under the star of a galliard.

13

Twelfth Night
[I, 5]

Olivia

519

Have you any commission from your lord to negotiate
with my face? You are now out of your text: but
we will draw the curtain and show you the picture.
Look you, sir, such a one I was this present: is't
not well done?

14

Winter's Tale
[V, 3]

Paulina

3303

As she lived peerless,
So her dead likeness, I do well believe,
Excels whatever yet you look'd upon
Or hand of man hath done; therefore I keep it
Lonely, apart. But here it is: prepare
To see the life as lively mock'd as ever
Still sleep mock'd death: behold, and say 'tis well.
[PAULINA draws a curtain, and discovers HERMIONE]
standing like a statue]
I like your silence, it the more shows off
Your wonder: but yet speak; first, you, my liege,
Comes it not something near?

15

Winter's Tale
[V, 3]

Leontes

3357

Do not draw the curtain.

16

Winter's Tale
[V, 3]

Paulina

3369

I'll draw the curtain:
My lord's almost so far transported that
He'll think anon it lives.

17

Winter's Tale
[V, 3]

Paulina

3384

Good my lord, forbear:
The ruddiness upon her lip is wet;
You'll mar it if you kiss it, stain your own
With oily painting. Shall I draw the curtain?