Search results

1-20 of 35 total

KEYWORD: costard

For an explanation of each column,
tap or hover over the column's title.

# Result number	Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.	Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."	Line Shows where the line falls within the work. The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.	Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.
1	King Lear [IV, 6]	Edgar	2858	Good gentleman, go your gait, and let poor voke pass. An chud ha' bin zwagger'd out of my life, 'twould not ha' bin zo long as 'tis by a vortnight. Nay, come not near th' old man. Keep out, che vore ye, or Ise try whether your costard or my ballow be the harder. Chill be plain with you.
2	Love's Labour's Lost [I, 1]	Longaville	184	Costard the swain and he shall be our sport; And so to study, three years is but short.
3	Love's Labour's Lost [I, 1]	(stage directions)	186	[Enter DULL with a letter, and COSTARD]
4	Love's Labour's Lost [I, 1]	Costard	223	Not a word of Costard yet.
5	Love's Labour's Lost [I, 1]	Ferdinand	253	[Reads] 'which, as I remember, hight Costard,'—
6	Love's Labour's Lost [I, 2]	Don Adriano de Armado	413	I will have that subject newly writ o'er, that I may example my digression by some mighty precedent. Boy, I do love that country girl that I took in the park with the rational hind Costard: she deserves well.
7	Love's Labour's Lost [I, 2]	(stage directions)	423	[Enter DULL, COSTARD, and JAQUENETTA]
8	Love's Labour's Lost [I, 2]	Dull	424	Sir, the duke's pleasure is, that you keep Costard safe: and you must suffer him to take no delight nor no penance; but a' must fast three days a week. For this damsel, I must keep her at the park: she is allowed for the day-woman. Fare you well.
9	Love's Labour's Lost [I, 2]	(stage directions)	462	[Exeunt MOTH and COSTARD]
10	Love's Labour's Lost [III, 1]	(stage directions)	832	[Re-enter MOTH with COSTARD]
11	Love's Labour's Lost [III, 1]	Moth	833	A wonder, master! here's a costard broken in a shin.
12	Love's Labour's Lost [III, 1]	Moth	868	By saying that a costard was broken in a shin. Then call'd you for the l'envoy.
13	Love's Labour's Lost [III, 1]	Don Adriano de Armado	874	But tell me; how was there a costard broken in a shin?
14	Love's Labour's Lost [III, 1]	Costard	876	Thou hast no feeling of it, Moth: I will speak that l'envoy: I Costard, running out, that was safely within, Fell over the threshold and broke my shin.
15	Love's Labour's Lost [III, 1]	Don Adriano de Armado	881	Sirrah Costard, I will enfranchise thee.
16	Love's Labour's Lost [III, 1]	Moth	896	Like the sequel, I. Signior Costard, adieu.
17	Love's Labour's Lost [III, 1]	Biron	907	O, my good knave Costard! exceedingly well met.
18	Love's Labour's Lost [IV, 1]	(stage directions)	1014	[Enter COSTARD]
19	Love's Labour's Lost [IV, 1]	(stage directions)	1140	[Exit COSTARD, running]
20	Love's Labour's Lost [IV, 2]	(stage directions)	1229	[Enter JAQUENETTA and COSTARD]

Please wait

Search results

1-20 of 35 total

Back to the concordance menu