# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

As You Like It
[II, 6]

Orlando

881

Why, how now, Adam! No greater heart in thee? Live a
little; comfort a little; cheer thyself a little. If this uncouth
forest yield anything savage, I will either be food for it or
bring it for food to thee. Thy conceit is nearer death than thy
powers. For my sake be comfortable; hold death awhile at the
arm's end. I will here be with thee presently; and if I bring thee
not something to eat, I will give thee leave to die; but if thou
diest before I come, thou art a mocker of my labour. Well said!
thou look'st cheerly; and I'll be with thee quickly. Yet thou
liest in the bleak air. Come, I will bear thee to some shelter;
and thou shalt not die for lack of a dinner, if there live
anything in this desert. Cheerly, good Adam! Exeunt

2

As You Like It
[V, 2]

Rosalind

2293

I will weary you, then, no longer with idle talking. Know
of me then- for now I speak to some purpose- that I know you are
a gentleman of good conceit. I speak not this that you should
bear a good opinion of my knowledge, insomuch I say I know you
are; neither do I labour for a greater esteem than may in some
little measure draw a belief from you, to do yourself good, and
not to grace me. Believe then, if you please, that I can do
strange things. I have, since I was three year old, convers'd
with a magician, most profound in his art and yet not damnable.
If you do love Rosalind so near the heart as your gesture cries
it out, when your brother marries Aliena shall you marry her. I
know into what straits of fortune she is driven; and it is not
impossible to me, if it appear not inconvenient to you, to set
her before your eyes to-morrow, human as she is, and without any
danger.

3

Comedy of Errors
[III, 2]

Antipholus of Syracuse

791

Sweet mistress—what your name is else, I know not,
Nor by what wonder you do hit of mine,—
Less in your knowledge and your grace you show not
Than our earth's wonder, more than earth divine.
Teach me, dear creature, how to think and speak;
Lay open to my earthy-gross conceit,
Smother'd in errors, feeble, shallow, weak,
The folded meaning of your words' deceit.
Against my soul's pure truth why labour you
To make it wander in an unknown field?
Are you a god? would you create me new?
Transform me then, and to your power I'll yield.
But if that I am I, then well I know
Your weeping sister is no wife of mine,
Nor to her bed no homage do I owe
Far more, far more to you do I decline.
O, train me not, sweet mermaid, with thy note,
To drown me in thy sister's flood of tears:
Sing, siren, for thyself and I will dote:
Spread o'er the silver waves thy golden hairs,
And as a bed I'll take them and there lie,
And in that glorious supposition think
He gains by death that hath such means to die:
Let Love, being light, be drowned if she sink!

4

Comedy of Errors
[IV, 2]

Adriana

1145

Go, Dromio; there's the money, bear it straight;
And bring thy master home immediately.
Come, sister: I am press'd down with conceit—
Conceit, my comfort and my injury.

5

Hamlet
[II, 2]

Hamlet

1620

Ay, so, God b' wi' ye!
[Exeunt Rosencrantz and Guildenstern]
Now I am alone.
O what a rogue and peasant slave am I!
Is it not monstrous that this player here,
But in a fiction, in a dream of passion,
Could force his soul so to his own conceit
That, from her working, all his visage wann'd,
Tears in his eyes, distraction in's aspect,
A broken voice, and his whole function suiting
With forms to his conceit? And all for nothing!
For Hecuba!
What's Hecuba to him, or he to Hecuba,
That he should weep for her? What would he do,
Had he the motive and the cue for passion
That I have? He would drown the stage with tears
And cleave the general ear with horrid speech;
Make mad the guilty and appal the free,
Confound the ignorant, and amaze indeed
The very faculties of eyes and ears.
Yet I,
A dull and muddy-mettled rascal, peak
Like John-a-dreams, unpregnant of my cause,
And can say nothing! No, not for a king,
Upon whose property and most dear life
A damn'd defeat was made. Am I a coward?
Who calls me villain? breaks my pate across?
Plucks off my beard and blows it in my face?
Tweaks me by th' nose? gives me the lie i' th' throat
As deep as to the lungs? Who does me this, ha?
'Swounds, I should take it! for it cannot be
But I am pigeon-liver'd and lack gall
To make oppression bitter, or ere this
I should have fatted all the region kites
With this slave's offal. Bloody bawdy villain!
Remorseless, treacherous, lecherous, kindless villain!
O, vengeance!
Why, what an ass am I! This is most brave,
That I, the son of a dear father murther'd,
Prompted to my revenge by heaven and hell,
Must (like a whore) unpack my heart with words
And fall a-cursing like a very drab,
A scullion!
Fie upon't! foh! About, my brain! Hum, I have heard
That guilty creatures, sitting at a play,
Have by the very cunning of the scene
Been struck so to the soul that presently
They have proclaim'd their malefactions;
For murther, though it have no tongue, will speak
With most miraculous organ, I'll have these Players
Play something like the murther of my father
Before mine uncle. I'll observe his looks;
I'll tent him to the quick. If he but blench,
I know my course. The spirit that I have seen
May be a devil; and the devil hath power
T' assume a pleasing shape; yea, and perhaps
Out of my weakness and my melancholy,
As he is very potent with such spirits,
Abuses me to damn me. I'll have grounds
More relative than this. The play's the thing
Wherein I'll catch the conscience of the King. Exit.

6

Hamlet
[III, 4]

Father's Ghost

2508

Do not forget. This visitation
Is but to whet thy almost blunted purpose.
But look, amazement on thy mother sits.
O, step between her and her fighting soul
Conceit in weakest bodies strongest works.
Speak to her, Hamlet.

7

Hamlet
[IV, 5]

Claudius

2907

Conceit upon her father.

8

Hamlet
[V, 2]

Osric

3792

The King, sir, hath wager'd with him six Barbary horses;
against the which he has impon'd, as I take it, six French
rapiers and poniards, with their assigns, as girdle, hangers, and
so. Three of the carriages, in faith, are very dear to fancy,
very responsive to the hilts, most delicate carriages, and of
very liberal conceit.

9

Henry IV, Part II
[II, 4]

Falstaff

1521

He a good wit! hang him, baboon! His wit's as thick
Tewksbury mustard; there's no more conceit in him than is in
mallet.

10

Henry VI, Part I
[IV, 1]

Vernon

1866

And that is my petition, noble lord:
For though he seem with forged quaint conceit
To set a gloss upon his bold intent,
Yet know, my lord, I was provoked by him;
And he first took exceptions at this badge,
Pronouncing that the paleness of this flower
Bewray'd the faintness of my master's heart.

11

Henry VI, Part I
[V, 5]

Earl of Suffolk

2863

Tush, my good lord, this superficial tale
Is but a preface of her worthy praise;
The chief perfections of that lovely dame
Had I sufficient skill to utter them,
Would make a volume of enticing lines,
Able to ravish any dull conceit:
And, which is more, she is not so divine,
So full-replete with choice of all delights,
But with as humble lowliness of mind
She is content to be at your command;
Command, I mean, of virtuous chaste intents,
To love and honour Henry as her lord.

12

Henry VIII
[II, 3]

Lord Chamberlain

1289

Lady,
I shall not fail to approve the fair conceit
The king hath of you.
[Aside]
I have perused her well;
Beauty and honour in her are so mingled
That they have caught the king: and who knows yet
But from this lady may proceed a gem
To lighten all this isle? I'll to the king,
And say I spoke with you.

13

Julius Caesar
[III, 1]

Antony

1405

I doubt not of your wisdom.
Let each man render me his bloody hand:
First, Marcus Brutus, will I shake with you;
Next, Caius Cassius, do I take your hand;
Now, Decius Brutus, yours: now yours, Metellus;
Yours, Cinna; and, my valiant Casca, yours;
Though last, not last in love, yours, good Trebonius.
Gentlemen all,—alas, what shall I say?
My credit now stands on such slippery ground,
That one of two bad ways you must conceit me,
Either a coward or a flatterer.
That I did love thee, Caesar, O, 'tis true:
If then thy spirit look upon us now,
Shall it not grieve thee dearer than thy death,
To see thy thy Anthony making his peace,
Shaking the bloody fingers of thy foes,
Most noble! in the presence of thy corse?
Had I as many eyes as thou hast wounds,
Weeping as fast as they stream forth thy blood,
It would become me better than to close
In terms of friendship with thine enemies.
Pardon me, Julius! Here wast thou bay'd, brave hart;
Here didst thou fall; and here thy hunters stand,
Sign'd in thy spoil, and crimson'd in thy lethe.
O world, thou wast the forest to this hart;
And this, indeed, O world, the heart of thee.
How like a deer, strucken by many princes,
Dost thou here lie!

14

King John
[III, 3]

King John

1331

Good friend, thou hast no cause to say so yet,
But thou shalt have; and creep time ne'er so slow,
Yet it shall come from me to do thee good.
I had a thing to say, but let it go:
The sun is in the heaven, and the proud day,
Attended with the pleasures of the world,
Is all too wanton and too full of gawds
To give me audience: if the midnight bell
Did, with his iron tongue and brazen mouth,
Sound on into the drowsy race of night;
If this same were a churchyard where we stand,
And thou possessed with a thousand wrongs,
Or if that surly spirit, melancholy,
Had baked thy blood and made it heavy-thick,Which else runs tickling up and down the veins,
Making that idiot, laughter, keep men's eyes
And strain their cheeks to idle merriment,
A passion hateful to my purposes,
Or if that thou couldst see me without eyes,
Hear me without thine ears, and make reply
Without a tongue, using conceit alone,
Without eyes, ears and harmful sound of words;
Then, in despite of brooded watchful day,
I would into thy bosom pour my thoughts:
But, ah, I will not! yet I love thee well;
And, by my troth, I think thou lovest me well.

15

King Lear
[IV, 6]

Edgar

2647

Gone, sir, farewell.-
And yet I know not how conceit may rob
The treasury of life when life itself
Yields to the theft. Had he been where he thought,
By this had thought been past.- Alive or dead?
Ho you, sir! friend! Hear you, sir? Speak!-
Thus might he pass indeed. Yet he revives.
What are you, sir?

16

Love's Labour's Lost
[IV, 2]

Holofernes

1234

Piercing a hogshead! a good lustre of conceit in a
tuft of earth; fire enough for a flint, pearl enough
for a swine: 'tis pretty; it is well.

17

Love's Labour's Lost
[V, 2]

Biron

2316

Thus pour the stars down plagues for perjury.
Can any face of brass hold longer out?
Here stand I. lady, dart thy skill at me;
Bruise me with scorn, confound me with a flout;
Thrust thy sharp wit quite through my ignorance;
Cut me to pieces with thy keen conceit;
And I will wish thee never more to dance,
Nor never more in Russian habit wait.
O, never will I trust to speeches penn'd,
Nor to the motion of a schoolboy's tongue,
Nor never come in vizard to my friend,
Nor woo in rhyme, like a blind harper's song!
Taffeta phrases, silken terms precise,
Three-piled hyperboles, spruce affectation,
Figures pedantical; these summer-flies
Have blown me full of maggot ostentation:
I do forswear them; and I here protest,
By this white glove;—how white the hand, God knows!—
Henceforth my wooing mind shall be express'd
In russet yeas and honest kersey noes:
And, to begin, wench,—so God help me, la!—
My love to thee is sound, sans crack or flaw.

18

Merchant of Venice
[I, 1]

Gratiano

85

Let me play the fool:
With mirth and laughter let old wrinkles come,
And let my liver rather heat with wine
Than my heart cool with mortifying groans.
Why should a man, whose blood is warm within,
Sit like his grandsire cut in alabaster?
Sleep when he wakes and creep into the jaundice
By being peevish? I tell thee what, Antonio—
I love thee, and it is my love that speaks—
There are a sort of men whose visages
Do cream and mantle like a standing pond,
And do a wilful stillness entertain,
With purpose to be dress'd in an opinion
Of wisdom, gravity, profound conceit,
As who should say 'I am Sir Oracle,
And when I ope my lips let no dog bark!'
O my Antonio, I do know of these
That therefore only are reputed wise
For saying nothing; when, I am very sure,
If they should speak, would almost damn those ears,
Which, hearing them, would call their brothers fools.
I'll tell thee more of this another time:
But fish not, with this melancholy bait,
For this fool gudgeon, this opinion.
Come, good Lorenzo. Fare ye well awhile:
I'll end my exhortation after dinner.

19

Merchant of Venice
[III, 4]

Lorenzo

1750

Madam, although I speak it in your presence,
You have a noble and a true conceit
Of godlike amity; which appears most strongly
In bearing thus the absence of your lord.
But if you knew to whom you show this honour,
How true a gentleman you send relief,
How dear a lover of my lord your husband,
I know you would be prouder of the work
Than customary bounty can enforce you.

20

Much Ado about Nothing
[II, 1]

Don Pedro

674

I' faith, lady, I think your blazon to be true;
though, I'll be sworn, if he be so, his conceit is
false. Here, Claudio, I have wooed in thy name, and
fair Hero is won: I have broke with her father,
and his good will obtained: name the day of
marriage, and God give thee joy!