# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Comedy of Errors
[V, 1]

Servant

1603

O mistress, mistress, shift and save yourself!
My master and his man are both broke loose,
Beaten the maids a-row and bound the doctor
Whose beard they have singed off with brands of fire;
And ever, as it blazed, they threw on him
Great pails of puddled mire to quench the hair:
My master preaches patience to him and the while
His man with scissors nicks him like a fool,
And sure, unless you send some present help,
Between them they will kill the conjurer.

2

Cymbeline
[II, 4]

Iachimo

1282

The roof o' the chamber
With golden cherubins is fretted: her andirons—
I had forgot them—were two winking Cupids
Of silver, each on one foot standing, nicely
Depending on their brands.

3

Hamlet
[IV, 5]

Laertes

2986

That drop of blood that's calm proclaims me bastard;
Cries cuckold to my father; brands the harlot
Even here between the chaste unsmirched brows
Of my true mother.

4

Julius Caesar
[III, 2]

First Citizen

1798

Never, never. Come, away, away!
We'll burn his body in the holy place,
And with the brands fire the traitors' houses.
Take up the body.

5

Julius Caesar
[III, 3]

Third Citizen

1855

Tear him, tear him! Come, brands ho! fire-brands:
to Brutus', to Cassius'; burn all: some to Decius'
house, and some to Casca's; some to Ligarius': away, go!

6

Midsummer Night's Dream
[V, 1]

Puck

2220

Now the hungry lion roars,
And the wolf behowls the moon;
Whilst the heavy ploughman snores,
All with weary task fordone.
Now the wasted brands do glow,
Whilst the screech-owl, screeching loud,
Puts the wretch that lies in woe
In remembrance of a shroud.
Now it is the time of night
That the graves all gaping wide,
Every one lets forth his sprite,
In the church-way paths to glide:
And we fairies, that do run
By the triple Hecate's team,
From the presence of the sun,
Following darkness like a dream,
Now are frolic: not a mouse
Shall disturb this hallow'd house:
I am sent with broom before,
To sweep the dust behind the door.

7

Richard II
[V, 1]

King Richard II

2369

A king of beasts, indeed; if aught but beasts,
I had been still a happy king of men.
Good sometime queen, prepare thee hence for France:
Think I am dead and that even here thou takest,
As from my death-bed, thy last living leave.
In winter's tedious nights sit by the fire
With good old folks and let them tell thee tales
Of woeful ages long ago betid;
And ere thou bid good night, to quit their griefs,
Tell thou the lamentable tale of me
And send the hearers weeping to their beds:
For why, the senseless brands will sympathize
The heavy accent of thy moving tongue
And in compassion weep the fire out;
And some will mourn in ashes, some coal-black,
For the deposing of a rightful king.

8

Winter's Tale
[II, 1]

Leontes

679

You, my lords,
Look on her, mark her well; be but about
To say 'she is a goodly lady,' and
The justice of your bearts will thereto add
'Tis pity she's not honest, honourable:'
Praise her but for this her without-door form,
Which on my faith deserves high speech, and straight
The shrug, the hum or ha, these petty brands
That calumny doth use—O, I am out—
That mercy does, for calumny will sear
Virtue itself: these shrugs, these hums and ha's,
When you have said 'she's goodly,' come between
Ere you can say 'she's honest:' but be 't known,
From him that has most cause to grieve it should be,
She's an adulteress.