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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
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the character name is "Poet."
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Line
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The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
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within it, unless highlighting has been disabled by the user.
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1 |
Henry IV, Part I
[III, 2] |
Henry IV |
1917 |
For all the world
As thou art to this hour was Richard then
When I from France set foot at Ravenspurgh,
And even as I was then is Percy now.
Now, by my sceptre and my soul to boot,
He hath more worthy interest to the state
Than thou the shadow of succession;
For of no right, nor colour like to right,
He doth fill fields with harness in the realm,
Turns head against the lion's armed jaws,
And, being no more in debt to years than thou,
Leads ancient lords and reverend bishops on
To bloody battles and to bruising arms.
What never-dying honour hath he got
Against renowned Douglas! whose high deeds,
Whose hot incursions and great name in arms
Holds from all soldiers chief majority
And military title capital
Through all the kingdoms that acknowledge Christ:
Thrice hath this Hotspur, Mars in swathling clothes,
This infant warrior, in his enterprises
Discomfited great Douglas, ta'en him once,
Enlarged him and made a friend of him,
To fill the mouth of deep defiance up
And shake the peace and safety of our throne.
And what say you to this? Percy, Northumberland,
The Archbishop's grace of York, Douglas, Mortimer,
Capitulate against us and are up.
But wherefore do I tell these news to thee?
Why, Harry, do I tell thee of my foes,
Which art my near'st and dearest enemy?
Thou that art like enough, through vassal fear,
Base inclination and the start of spleen
To fight against me under Percy's pay,
To dog his heels and curtsy at his frowns,
To show how much thou art degenerate.
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2 |
Henry VI, Part II
[I, 1] |
Earl of Suffolk |
5 |
As by your high imperial majesty
I had in charge at my depart for France,
As procurator to your excellence,
To marry Princess Margaret for your grace,
So, in the famous ancient city, Tours,
In presence of the Kings of France and Sicil,
The Dukes of Orleans, Calaber, Bretagne and Alencon,
Seven earls, twelve barons and twenty reverend bishops,
I have perform'd my task and was espoused:
And humbly now upon my bended knee,
In sight of England and her lordly peers,
Deliver up my title in the queen
To your most gracious hands, that are the substance
Of that great shadow I did represent;
The happiest gift that ever marquess gave,
The fairest queen that ever king received.
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3 |
Henry VIII
[II, 4] |
(stage directions) |
1333 |
[Trumpets, sennet, and cornets. Enter two Vergers,]
with short silver wands; next them, two Scribes, in
the habit of doctors; after them, CANTERBURY alone;
after him, LINCOLN, Ely, Rochester, and Saint
Asaph; next them, with some small distance, follows
a Gentleman bearing the purse, with the great seal,
and a cardinal's hat; then two Priests, bearing
each a silver cross; then a Gentleman-usher
bare-headed, accompanied with a Sergeant-at-arms
bearing a silver mace; then two Gentlemen bearing
two great silver pillars; after them, side by side,
CARDINAL WOLSEY and CARDINAL CAMPEIUS; two Noblemen
with the sword and mace. KING HENRY VIII takes
place under the cloth of state; CARDINAL WOLSEY and
CARDINAL CAMPEIUS sit under him as judges. QUEEN
KATHARINE takes place some distance from KING
HENRY VIII. The Bishops place themselves on each
side the court, in manner of a consistory; below
them, the Scribes. The Lords sit next the Bishops.
The rest of the Attendants stand in convenient
order about the stage]
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4 |
Henry VIII
[III, 2] |
Earl of Surrey |
2209 |
I had rather want those than my head. Have at you!
First, that, without the king's assent or knowledge,
You wrought to be a legate; by which power
You maim'd the jurisdiction of all bishops.
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5 |
Henry VIII
[IV, 1] |
Second Gentleman |
2417 |
Alas, good lady!
[Trumpets]
The trumpets sound: stand close, the queen is coming.
[Hautboys]
[THE ORDER OF THE CORONATION]
1. A lively flourish of Trumpets.
2. Then, two Judges.
3. Lord Chancellor, with the purse and mace
before him.
4. Choristers, singing.
[Music]
5. Mayor of London, bearing the mace. Then
Garter, in his coat of arms, and on his
head a gilt copper crown.
6. Marquess Dorset, bearing a sceptre of gold,
on his head a demi-coronal of gold. With
him, SURREY, bearing the rod of silver with
the dove, crowned with an earl's coronet.
Collars of SS.
7. SUFFOLK, in his robe of estate, his coronet
on his head, bearing a long white wand, as
high-steward. With him, NORFOLK, with the
rod of marshalship, a coronet on his head.
Collars of SS.
8. A canopy borne by four of the Cinque-ports;
under it, QUEEN ANNE in her robe; in her hair
richly adorned with pearl, crowned. On each
side her, the Bishops of London and
Winchester.
9. The old Duchess of Norfolk, in a coronal of
gold, wrought with flowers, bearing QUEEN
ANNE's train.
10. Certain Ladies or Countesses, with plain
circlets of gold without flowers.
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6 |
Henry VIII
[IV, 1] |
Second Gentleman |
2531 |
What two reverend bishops
Were those that went on each side of the queen?
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7 |
Richard III
[III, 5] |
Richard III (Duke of Gloucester) |
2169 |
If you thrive well, bring them to Baynard's Castle;
Where you shall find me well accompanied
With reverend fathers and well-learned bishops.
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8 |
Richard III
[III, 7] |
Duke of Buckingham |
2296 |
Sorry I am my noble cousin should
Suspect me, that I mean no good to him:
By heaven, I come in perfect love to him;
And so once more return and tell his grace.
[Exit CATESBY]
When holy and devout religious men
Are at their beads, 'tis hard to draw them thence,
So sweet is zealous contemplation.
[Enter GLOUCESTER aloft, between two Bishops.]
CATESBY returns]
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