# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Cymbeline
[V, 5]

Cymbeline

3441

Mine eyes
Were not in fault, for she was beautiful;
Mine ears, that heard her flattery; nor my heart,
That thought her like her seeming; it had
been vicious
To have mistrusted her: yet, O my daughter!
That it was folly in me, thou mayst say,
And prove it in thy feeling. Heaven mend all!
[Enter LUCIUS, IACHIMO, the Soothsayer, and other]
Roman Prisoners, guarded; POSTHUMUS LEONATUS
behind, and IMOGEN]
Thou comest not, Caius, now for tribute that
The Britons have razed out, though with the loss
Of many a bold one; whose kinsmen have made suit
That their good souls may be appeased with slaughter
Of you their captives, which ourself have granted:
So think of your estate.

2

Henry VI, Part I
[V, 3]

Earl of Suffolk

2538

She's beautiful, and therefore to be woo'd;
She is a woman, therefore to be won.

3

Love's Labour's Lost
[IV, 1]

Boyet

1034

'By heaven, that thou art fair, is most infallible;
true, that thou art beauteous; truth itself, that
thou art lovely. More fairer than fair, beautiful
than beauteous, truer than truth itself, have
commiseration on thy heroical vassal! The
magnanimous and most illustrate king Cophetua set
eye upon the pernicious and indubitate beggar
Zenelophon; and he it was that might rightly say,
Veni, vidi, vici; which to annothanize in the
vulgar,—O base and obscure vulgar!—videlicet, He
came, saw, and overcame: he came, one; saw two;
overcame, three. Who came? the king: why did he
come? to see: why did he see? to overcome: to
whom came he? to the beggar: what saw he? the
beggar: who overcame he? the beggar. The
conclusion is victory: on whose side? the king's.
The captive is enriched: on whose side? the
beggar's. The catastrophe is a nuptial: on whose
side? the king's: no, on both in one, or one in
both. I am the king; for so stands the comparison:
thou the beggar; for so witnesseth thy lowliness.
Shall I command thy love? I may: shall I enforce
thy love? I could: shall I entreat thy love? I
will. What shalt thou exchange for rags? robes;
for tittles? titles; for thyself? me. Thus,
expecting thy reply, I profane my lips on thy foot,
my eyes on thy picture. and my heart on thy every
part. Thine, in the dearest design of industry,
DON ADRIANO DE ARMADO.'
Thus dost thou hear the Nemean lion roar
'Gainst thee, thou lamb, that standest as his prey.
Submissive fall his princely feet before,
And he from forage will incline to play:
But if thou strive, poor soul, what art thou then?
Food for his rage, repasture for his den.

4

Lover's Complaint

Shakespeare

212

'The diamond,—why, 'twas beautiful and hard,
Whereto his invised properties did tend;
The deep-green emerald, in whose fresh regard
Weak sights their sickly radiance do amend;
The heaven-hued sapphire and the opal blend
With objects manifold: each several stone,
With wit well blazon'd, smiled or made some moan.

5

Merchant of Venice
[II, 3]

Launcelot Gobbo

785

Adieu! tears exhibit my tongue. Most beautiful
pagan, most sweet Jew! if a Christian did not play
the knave and get thee, I am much deceived. But,
adieu: these foolish drops do something drown my
manly spirit: adieu.

6

Midsummer Night's Dream
[III, 1]

Titania

969

Thou art as wise as thou art beautiful.

7

Romeo and Juliet
[III, 2]

Juliet

1795

O serpent heart, hid with a flowering face!
Did ever dragon keep so fair a cave?
Beautiful tyrant! fiend angelical!
Dove-feather'd raven! wolvish-ravening lamb!
Despised substance of divinest show!
Just opposite to what thou justly seem'st,
A damned saint, an honourable villain!
O nature, what hadst thou to do in hell,
When thou didst bower the spirit of a fiend
In moral paradise of such sweet flesh?
Was ever book containing such vile matter
So fairly bound? O that deceit should dwell
In such a gorgeous palace!

8

Sonnet 106

Shakespeare

1472

When in the chronicle of wasted time
I see descriptions of the fairest wights,
And beauty making beautiful old rhyme
In praise of ladies dead and lovely knights,
Then, in the blazon of sweet beauty's best,
Of hand, of foot, of lip, of eye, of brow,
I see their antique pen would have express'd
Even such a beauty as you master now.
So all their praises are but prophecies
Of this our time, all you prefiguring;
And, for they look'd but with divining eyes,
They had not skill enough your worth to sing:
For we, which now behold these present days,
Had eyes to wonder, but lack tongues to praise.

9

Taming of the Shrew
[Prologue, 2]

Lord

206

Thou art a lord, and nothing but a lord.
Thou hast a lady far more beautiful
Than any woman in this waning age.

10

Taming of the Shrew
[I, 2]

Hortensio

663

Tarry, Petruchio, I must go with thee,
For in Baptista's keep my treasure is.
He hath the jewel of my life in hold,
His youngest daughter, beautiful Bianca;
And her withholds from me, and other more,
Suitors to her and rivals in my love;
Supposing it a thing impossible-
For those defects I have before rehears'd-
That ever Katherina will be woo'd.
Therefore this order hath Baptista ta'en,
That none shall have access unto Bianca
Till Katherine the curst have got a husband.

11

Taming of the Shrew
[IV, 3]

Petruchio

2128

Well, come, my Kate; we will unto your father's
Even in these honest mean habiliments;
Our purses shall be proud, our garments poor;
For 'tis the mind that makes the body rich;
And as the sun breaks through the darkest clouds,
So honour peereth in the meanest habit.
What, is the jay more precious than the lark
Because his feathers are more beautiful?
Or is the adder better than the eel
Because his painted skin contents the eye?
O no, good Kate; neither art thou the worse
For this poor furniture and mean array.
If thou account'st it shame, lay it on me;
And therefore frolic; we will hence forthwith
To feast and sport us at thy father's house.
Go call my men, and let us straight to him;
And bring our horses unto Long-lane end;
There will we mount, and thither walk on foot.
Let's see; I think 'tis now some seven o'clock,
And well we may come there by dinner-time.

12

Timon of Athens
[I, 2]

Timon

495

You have done our pleasures much grace, fair ladies,
Set a fair fashion on our entertainment,
Which was not half so beautiful and kind;
You have added worth unto 't and lustre,
And entertain'd me with mine own device;
I am to thank you for 't.

13

Twelfth Night
[II, 1]

Sebastian

633

A lady, sir, though it was said she much resembled
me, was yet of many accounted beautiful: but,
though I could not with such estimable wonder
overfar believe that, yet thus far I will boldly
publish her; she bore a mind that envy could not but
call fair. She is drowned already, sir, with salt
water, though I seem to drown her remembrance again with more.

14

Twelfth Night
[III, 1]

Olivia

1384

O, what a deal of scorn looks beautiful
In the contempt and anger of his lip!
A murderous guilt shows not itself more soon
Than love that would seem hid: love's night is noon.
Cesario, by the roses of the spring,
By maidhood, honour, truth and every thing,
I love thee so, that, maugre all thy pride,
Nor wit nor reason can my passion hide.
Do not extort thy reasons from this clause,
For that I woo, thou therefore hast no cause,
But rather reason thus with reason fetter,
Love sought is good, but given unsought better.

15

Two Gentlemen of Verona
[II, 1]

Valentine

461

I have loved her ever since I saw her; and still I
see her beautiful.

16

Two Gentlemen of Verona
[IV, 4]

Julia

2020

And she shall thank you for't, if e'er you know her.
A virtuous gentlewoman, mild and beautiful
I hope my master's suit will be but cold,
Since she respects my mistress' love so much.
Alas, how love can trifle with itself!
Here is her picture: let me see; I think,
If I had such a tire, this face of mine
Were full as lovely as is this of hers:
And yet the painter flatter'd her a little,
Unless I flatter with myself too much.
Her hair is auburn, mine is perfect yellow:
If that be all the difference in his love,
I'll get me such a colour'd periwig.
Her eyes are grey as glass, and so are mine:
Ay, but her forehead's low, and mine's as high.
What should it be that he respects in her
But I can make respective in myself,
If this fond Love were not a blinded god?
Come, shadow, come and take this shadow up,
For 'tis thy rival. O thou senseless form,
Thou shalt be worshipp'd, kiss'd, loved and adored!
And, were there sense in his idolatry,
My substance should be statue in thy stead.
I'll use thee kindly for thy mistress' sake,
That used me so; or else, by Jove I vow,
I should have scratch'd out your unseeing eyes
To make my master out of love with thee!