# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Antony and Cleopatra
[V, 2]

Cleopatra

3772

Peace, peace!
Dost thou not see my baby at my breast,
That sucks the nurse asleep?

2

Coriolanus
[III, 2]

Coriolanus

2298

Well, I must do't:
Away, my disposition, and possess me
Some harlot's spirit! my throat of war be turn'd,
Which quired with my drum, into a pipe
Small as an eunuch, or the virgin voice
That babies lulls asleep! the smiles of knaves
Tent in my cheeks, and schoolboys' tears take up
The glasses of my sight! a beggar's tongue
Make motion through my lips, and my arm'd knees,
Who bow'd but in my stirrup, bend like his
That hath received an alms! I will not do't,
Lest I surcease to honour mine own truth
And by my body's action teach my mind
A most inherent baseness.

3

Coriolanus
[IV, 5]

First Servingman

2750

Wine, wine, wine! What service
is here! I think our fellows are asleep.

4

Hamlet
[III, 2]

Hamlet

2009

So long? Nay then, let the devil wear black, for I'll have a
suit of sables. O heavens! die two months ago, and not forgotten
yet? Then there's hope a great man's memory may outlive his life
half a year. But, by'r Lady, he must build churches then; or else
shall he suffer not thinking on, with the hobby-horse, whose
epitaph is 'For O, for O, the hobby-horse is forgot!'
[Hautboys play. The dumb show enters.]
Enter a King and a Queen very lovingly; the Queen embracing
him and he her. She kneels, and makes show of protestation
unto him. He takes her up, and declines his head upon her
neck. He lays him down upon a bank of flowers. She, seeing
him asleep, leaves him. Anon comes in a fellow, takes off his
crown, kisses it, pours poison in the sleeper's ears, and
leaves him. The Queen returns, finds the King dead, and makes
passionate action. The Poisoner with some three or four Mutes,
comes in again, seem to condole with her. The dead body is
carried away. The Poisoner wooes the Queen with gifts; she
seems harsh and unwilling awhile, but in the end accepts
his love.

5

Hamlet
[III, 3]

Hamlet

2356

Now might I do it pat, now he is praying;
And now I'll do't. And so he goes to heaven,
And so am I reveng'd. That would be scann'd.
A villain kills my father; and for that,
I, his sole son, do this same villain send
To heaven.
Why, this is hire and salary, not revenge!
He took my father grossly, full of bread,
With all his crimes broad blown, as flush as May;
And how his audit stands, who knows save heaven?
But in our circumstance and course of thought,
'Tis heavy with him; and am I then reveng'd,
To take him in the purging of his soul,
When he is fit and seasoned for his passage?
No.
Up, sword, and know thou a more horrid hent.
When he is drunk asleep; or in his rage;
Or in th' incestuous pleasure of his bed;
At gaming, swearing, or about some act
That has no relish of salvation in't-
Then trip him, that his heels may kick at heaven,
And that his soul may be as damn'd and black
As hell, whereto it goes. My mother stays.
This physic but prolongs thy sickly days. Exit.

6

Henry IV, Part I
[I, 3]

Hotspur (Henry Percy)

553

Nay, I will; that's flat:
He said he would not ransom Mortimer;
Forbad my tongue to speak of Mortimer;
But I will find him when he lies asleep,
And in his ear I'll holla 'Mortimer!'
Nay,
I'll have a starling shall be taught to speak
Nothing but 'Mortimer,' and give it him
To keep his anger still in motion.

7

Henry IV, Part I
[II, 4]

Peto

1518

Falstaff!—Fast asleep behind the arras, and
snorting like a horse.

8

Henry IV, Part I
[III, 3]

Falstaff

2108

The other night I fell asleep here behind the arras
and had my pocket picked: this house is turned
bawdy-house; they pick pockets.

9

Henry IV, Part I
[IV, 3]

Vernon

2473

Come, come it nay not be. I wonder much,
Being men of such great leading as you are,
That you foresee not what impediments
Drag back our expedition: certain horse
Of my cousin Vernon's are not yet come up:
Your uncle Worcester's horse came but today;
And now their pride and mettle is asleep,
Their courage with hard labour tame and dull,
That not a horse is half the half of himself.

10

Henry IV, Part II
[II, 4]

Pistol

1463

What! shall we have incision? Shall we imbrue?
[Snatching up his sword]
Then death rock me asleep, abridge my doleful days!
Why, then, let grievous, ghastly, gaping wounds
Untwine the Sisters Three! Come, Atropos, I say!

11

Henry IV, Part II
[III, 1]

Henry IV

1705

Go call the Earls of Surrey and of Warwick;
But, ere they come, bid them o'er-read these letters
And well consider of them. Make good speed. Exit page
How many thousands of my poorest subjects
Are at this hour asleep! O sleep, O gentle sleep,
Nature's soft nurse, how have I frightened thee,
That thou no more will weigh my eyelids down,
And steep my senses in forgetfulness?
Why rather, sleep, liest thou in smoky cribs,
Upon uneasy pallets stretching thee,
And hush'd with buzzing night-flies to thy slumber,
Than in the perfum'd chambers of the great,
Under the canopies of costly state,
And lull'd with sound of sweetest melody?
O thou dull god, why liest thou with the vile
In loathsome beds, and leav'st the kingly couch
A watch-case or a common 'larum-bell?
Wilt thou upon the high and giddy mast
Seal up the ship-boy's eyes, and rock his brains
In cradle of the rude imperious surge,
And in the visitation of the winds,
Who take the ruffian billows by the top,
Curling their monstrous heads, and hanging them
With deafing clamour in the slippery clouds,
That with the hurly death itself awakes?
Canst thou, O partial sleep, give thy repose
To the wet sea-boy in an hour so rude;
And in the calmest and most stillest night,
With all appliances and means to boot,
Deny it to a king? Then, happy low, lie down!
Uneasy lies the head that wears a crown.

12

Henry IV, Part II
[IV, 2]

Archbishop Scroop

2472

Good my Lord of Lancaster,
I am not here against your father's peace;
But, as I told my Lord of Westmoreland,
The time misord'red doth, in common sense,
Crowd us and crush us to this monstrous form
To hold our safety up. I sent your Grace
The parcels and particulars of our grief,
The which hath been with scorn shov'd from the court,
Whereon this hydra son of war is born;
Whose dangerous eyes may well be charm'd asleep
With grant of our most just and right desires;
And true obedience, of this madness cur'd,
Stoop tamely to the foot of majesty.

13

Henry IV, Part II
[IV, 4]

Prince Humphrey

2874

The people fear me; for they do observe
Unfather'd heirs and loathly births of nature.
The seasons change their manners, as the year
Had found some months asleep, and leapt them over.

14

Henry VI, Part I
[III, 2]

Lord Talbot/Earl of Shrewsbury

1586

Thanks, gentle duke. But where is Pucelle now?
I think her old familiar is asleep:
Now where's the Bastard's braves, and Charles his gleeks?
What, all amort? Rouen hangs her head for grief
That such a valiant company are fled.
Now will we take some order in the town,
Placing therein some expert officers,
And then depart to Paris to the king,
For there young Henry with his nobles lie.

15

Henry VI, Part II
[I, 1]

Richard Plantagenet (Duke of Gloucester)

226

Anjou and Maine are given to the French;
Paris is lost; the state of Normandy
Stands on a tickle point, now they are gone:
Suffolk concluded on the articles,
The peers agreed, and Henry was well pleased
To change two dukedoms for a duke's fair daughter.
I cannot blame them all: what is't to them?
'Tis thine they give away, and not their own.
Pirates may make cheap pennyworths of their pillage
And purchase friends and give to courtezans,
Still revelling like lords till all be gone;
While as the silly owner of the goods
Weeps over them and wrings his hapless hands
And shakes his head and trembling stands aloof,
While all is shared and all is borne away,
Ready to starve and dare not touch his own:
So York must sit and fret and bite his tongue,
While his own lands are bargain'd for and sold.
Methinks the realms of England, France and Ireland
Bear that proportion to my flesh and blood
As did the fatal brand Althaea burn'd
Unto the prince's heart of Calydon.
Anjou and Maine both given unto the French!
Cold news for me, for I had hope of France,
Even as I have of fertile England's soil.
A day will come when York shall claim his own;
And therefore I will take the Nevils' parts
And make a show of love to proud Duke Humphrey,
And, when I spy advantage, claim the crown,
For that's the golden mark I seek to hit:
Nor shall proud Lancaster usurp my right,
Nor hold the sceptre in his childish fist,
Nor wear the diadem upon his head,
Whose church-like humours fits not for a crown.
Then, York, be still awhile, till time do serve:
Watch thou and wake when others be asleep,
To pry into the secrets of the state;
Till Henry, surfeiting in joys of love,
With his new bride and England's dear-bought queen,
And Humphrey with the peers be fall'n at jars:
Then will I raise aloft the milk-white rose,
With whose sweet smell the air shall be perfumed;
And in my standard bear the arms of York
To grapple with the house of Lancaster;
And, force perforce, I'll make him yield the crown,
Whose bookish rule hath pull'd fair England down.

16

Henry VIII
[III, 1]

Queen Katharine

1620

Take thy lute, wench: my soul grows sad with troubles;
Sing, and disperse 'em, if thou canst: leave working.
[SONG]
Orpheus with his lute made trees,
And the mountain tops that freeze,
Bow themselves when he did sing:
To his music plants and flowers
Ever sprung; as sun and showers
There had made a lasting spring.
Every thing that heard him play,
Even the billows of the sea,
Hung their heads, and then lay by.
In sweet music is such art,
Killing care and grief of heart
Fall asleep, or hearing, die.

17

Henry VIII
[IV, 2]

Griffith

2645

She is asleep: good wench, let's sit down quiet,
For fear we wake her: softly, gentle Patience.
[The vision. Enter, solemnly tripping one after]
another, six personages, clad in white robes,
wearing on their heads garlands of bays, and golden
vizards on their faces; branches of bays or palm in
their hands. They first congee unto her, then
dance; and, at certain changes, the first two hold
a spare garland over her head; at which the other
four make reverent curtsies; then the two that held
the garland deliver the same to the other next two,
who observe the same order in their changes, and
holding the garland over her head: which done,
they deliver the same garland to the last two, who
likewise observe the same order: at which, as it
were by inspiration, she makes in her sleep signs
of rejoicing, and holdeth up her hands to heaven:
and so in their dancing vanish, carrying the
garland with them. The music continues]

18

Julius Caesar
[II, 1]

Brutus

848

Good gentlemen, look fresh and merrily;
Let not our looks put on our purposes,
But bear it as our Roman actors do,
With untired spirits and formal constancy:
And so good morrow to you every one.
[Exeunt all but BRUTUS]
Boy! Lucius! Fast asleep? It is no matter;
Enjoy the honey-heavy dew of slumber:
Thou hast no figures nor no fantasies,
Which busy care draws in the brains of men;
Therefore thou sleep'st so sound.

19

Julius Caesar
[V, 5]

Brutus

2709

Farewell to you; and you; and you, Volumnius.
Strato, thou hast been all this while asleep;
Farewell to thee too, Strato. Countrymen,
My heart doth joy that yet in all my life
I found no man but he was true to me.
I shall have glory by this losing day
More than Octavius and Mark Antony
By this vile conquest shall attain unto.
So fare you well at once; for Brutus' tongue
Hath almost ended his life's history:
Night hangs upon mine eyes; my bones would rest,
That have but labour'd to attain this hour.

20

King Lear
[I, 2]

Edmund

334

Thou, Nature, art my goddess; to thy law
My services are bound. Wherefore should I
Stand in the plague of custom, and permit
The curiosity of nations to deprive me,
For that I am some twelve or fourteen moonshines
Lag of a brother? Why bastard? wherefore base?
When my dimensions are as well compact,
My mind as generous, and my shape as true,
As honest madam's issue? Why brand they us
With base? with baseness? bastardy? base, base?
Who, in the lusty stealth of nature, take
More composition and fierce quality
Than doth, within a dull, stale, tired bed,
Go to th' creating a whole tribe of fops
Got 'tween asleep and wake? Well then,
Legitimate Edgar, I must have your land.
Our father's love is to the bastard Edmund
As to th' legitimate. Fine word- 'legitimate'!
Well, my legitimate, if this letter speed,
And my invention thrive, Edmund the base
Shall top th' legitimate. I grow; I prosper.
Now, gods, stand up for bastards!