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God made him, and therefore let him pass for a man.

      — The Merchant of Venice, Act I Scene 2

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KEYWORD: applause

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Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

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1

As You Like It
[I, 2]

Le Beau

377

Good sir, I do in friendship counsel you
To leave this place. Albeit you have deserv'd
High commendation, true applause, and love,
Yet such is now the Duke's condition
That he misconstrues all that you have done.
The Duke is humorous; what he is, indeed,
More suits you to conceive than I to speak of.

2

Coriolanus
[I, 9]

Cominius

827

Too modest are you;
More cruel to your good report than grateful
To us that give you truly: by your patience,
If 'gainst yourself you be incensed, we'll put you,
Like one that means his proper harm, in manacles,
Then reason safely with you. Therefore, be it known,
As to us, to all the world, that Caius CORIOLANUS
Wears this war's garland: in token of the which,
My noble steed, known to the camp, I give him,
With all his trim belonging; and from this time,
For what he did before Corioli, call him,
With all the applause and clamour of the host,
CAIUS CORIOLANUS CORIOLANUS! Bear
The addition nobly ever!

3

Henry IV, Part II
[I, 3]

Archbishop Scroop

692

Let us on,
And publish the occasion of our arms.
The commonwealth is sick of their own choice;
Their over-greedy love hath surfeited.
An habitation giddy and unsure
Hath he that buildeth on the vulgar heart.
O thou fond many, with what loud applause
Didst thou beat heaven with blessing Bolingbroke
Before he was what thou wouldst have him be!
And being now trimm'd in thine own desires,
Thou, beastly feeder, art so full of him
That thou provok'st thyself to cast him up.
So, so, thou common dog, didst thou disgorge
Thy glutton bosom of the royal Richard;
And now thou wouldst eat thy dead vomit up,
And howl'st to find it. What trust is in these times?
They that, when Richard liv'd, would have him die
Are now become enamour'd on his grave.
Thou that threw'st dust upon his goodly head,
When through proud London he came sighing on
After th' admired heels of Bolingbroke,
Criest now 'O earth, yield us that king again,
And take thou this!' O thoughts of men accurs'd!
Past and to come seems best; things present, worst.

4

Measure for Measure
[I, 1]

Vincentio

72

My haste may not admit it;
Nor need you, on mine honour, have to do
With any scruple; your scope is as mine own
So to enforce or qualify the laws
As to your soul seems good. Give me your hand:
I'll privily away. I love the people,
But do not like to stage me to their eyes:
Through it do well, I do not relish well
Their loud applause and Aves vehement;
Nor do I think the man of safe discretion
That does affect it. Once more, fare you well.

5

Merchant of Venice
[III, 2]

Bassanio

1482

What find I here?
[Opening the leaden casket]
Fair Portia's counterfeit! What demi-god
Hath come so near creation? Move these eyes?
Or whether, riding on the balls of mine,
Seem they in motion? Here are sever'd lips,
Parted with sugar breath: so sweet a bar
Should sunder such sweet friends. Here in her hairs
The painter plays the spider and hath woven
A golden mesh to entrap the hearts of men,
Faster than gnats in cobwebs; but her eyes,—
How could he see to do them? having made one,
Methinks it should have power to steal both his
And leave itself unfurnish'd. Yet look, how far
The substance of my praise doth wrong this shadow
In underprizing it, so far this shadow
Doth limp behind the substance. Here's the scroll,
The continent and summary of my fortune.
[Reads]
You that choose not by the view,
Chance as fair and choose as true!
Since this fortune falls to you,
Be content and seek no new,
If you be well pleased with this
And hold your fortune for your bliss,
Turn you where your lady is
And claim her with a loving kiss.
A gentle scroll. Fair lady, by your leave;
I come by note, to give and to receive.
Like one of two contending in a prize,
That thinks he hath done well in people's eyes,
Hearing applause and universal shout,
Giddy in spirit, still gazing in a doubt
Whether these pearls of praise be his or no;
So, thrice fair lady, stand I, even so;
As doubtful whether what I see be true,
Until confirm'd, sign'd, ratified by you.

6

Othello
[II, 3]

Cassio

1442

I remember a mass of things, but nothing distinctly;
a quarrel, but nothing wherefore. O God, that men
should put an enemy in their mouths to steal away
their brains! that we should, with joy, pleasance
revel and applause, transform ourselves into beasts!

7

Richard III
[III, 7]

Duke of Buckingham

2225

No, so God help me, they spake not a word;
But, like dumb statues or breathing stones,
Gazed each on other, and look'd deadly pale.
Which when I saw, I reprehended them;
And ask'd the mayor what meant this wilful silence:
His answer was, the people were not wont
To be spoke to but by the recorder.
Then he was urged to tell my tale again,
'Thus saith the duke, thus hath the duke inferr'd;'
But nothing spake in warrant from himself.
When he had done, some followers of mine own,
At the lower end of the hall, hurl'd up their caps,
And some ten voices cried 'God save King Richard!'
And thus I took the vantage of those few,
'Thanks, gentle citizens and friends,' quoth I;
'This general applause and loving shout
Argues your wisdoms and your love to Richard:'
And even here brake off, and came away.

8

Titus Andronicus
[I, 1]

Marcus Andronicus

255

With voices and applause of every sort,
Patricians and plebeians, we create
Lord Saturninus Rome's great emperor,
And say 'Long live our Emperor Saturnine!'

9

Troilus and Cressida
[I, 3]

Ulysses

505

Agamemnon,
Thou great commander, nerve and bone of Greece,
Heart of our numbers, soul and only spirit.
In whom the tempers and the minds of all
Should be shut up, hear what Ulysses speaks.
Besides the applause and approbation To which,
[To AGAMEMNON]
most mighty for thy place and sway,
[To NESTOR]
And thou most reverend for thy stretch'd-out life
I give to both your speeches, which were such
As Agamemnon and the hand of Greece
Should hold up high in brass, and such again
As venerable Nestor, hatch'd in silver,
Should with a bond of air, strong as the axle-tree
On which heaven rides, knit all the Greekish ears
To his experienced tongue, yet let it please both,
Thou great, and wise, to hear Ulysses speak.

10

Troilus and Cressida
[I, 3]

Ulysses

595

The great Achilles, whom opinion crowns
The sinew and the forehand of our host,
Having his ear full of his airy fame,
Grows dainty of his worth, and in his tent
Lies mocking our designs: with him Patroclus
Upon a lazy bed the livelong day
Breaks scurril jests;
And with ridiculous and awkward action,
Which, slanderer, he imitation calls,
He pageants us. Sometime, great Agamemnon,
Thy topless deputation he puts on,
And, like a strutting player, whose conceit
Lies in his hamstring, and doth think it rich
To hear the wooden dialogue and sound
'Twixt his stretch'd footing and the scaffoldage,—
Such to-be-pitied and o'er-wrested seeming
He acts thy greatness in: and when he speaks,
'Tis like a chime a-mending; with terms unsquared,
Which, from the tongue of roaring Typhon dropp'd
Would seem hyperboles. At this fusty stuff
The large Achilles, on his press'd bed lolling,
From his deep chest laughs out a loud applause;
Cries 'Excellent! 'tis Agamemnon just.
Now play me Nestor; hem, and stroke thy beard,
As he being drest to some oration.'
That's done, as near as the extremest ends
Of parallels, as like as Vulcan and his wife:
Yet god Achilles still cries 'Excellent!
'Tis Nestor right. Now play him me, Patroclus,
Arming to answer in a night alarm.'
And then, forsooth, the faint defects of age
Must be the scene of mirth; to cough and spit,
And, with a palsy-fumbling on his gorget,
Shake in and out the rivet: and at this sport
Sir Valour dies; cries 'O, enough, Patroclus;
Or give me ribs of steel! I shall split all
In pleasure of my spleen.' And in this fashion,
All our abilities, gifts, natures, shapes,
Severals and generals of grace exact,
Achievements, plots, orders, preventions,
Excitements to the field, or speech for truce,
Success or loss, what is or is not, serves
As stuff for these two to make paradoxes.

11

Troilus and Cressida
[I, 3]

Ulysses

830

What glory our Achilles shares from Hector,
Were he not proud, we all should share with him:
But he already is too insolent;
And we were better parch in Afric sun
Than in the pride and salt scorn of his eyes,
Should he 'scape Hector fair: if he were foil'd,
Why then, we did our main opinion crush
In taint of our best man. No, make a lottery;
And, by device, let blockish Ajax draw
The sort to fight with Hector: among ourselves
Give him allowance for the better man;
For that will physic the great Myrmidon
Who broils in loud applause, and make him fall
His crest that prouder than blue Iris bends.
If the dull brainless Ajax come safe off,
We'll dress him up in voices: if he fail,
Yet go we under our opinion still
That we have better men. But, hit or miss,
Our project's life this shape of sense assumes:
Ajax employ'd plucks down Achilles' plumes.

12

Troilus and Cressida
[II, 3]

Diomedes

1424

[Aside to NESTOR] And how his silence drinks up
this applause!

13

Troilus and Cressida
[III, 3]

Ulysses

1987

I do not strain at the position,—
It is familiar,—but at the author's drift;
Who, in his circumstance, expressly proves
That no man is the lord of any thing,
Though in and of him there be much consisting,
Till he communicate his parts to others:
Nor doth he of himself know them for aught
Till he behold them form'd in the applause
Where they're extended; who, like an arch,
reverberates
The voice again, or, like a gate of steel
Fronting the sun, receives and renders back
His figure and his heat. I was much wrapt in this;
And apprehended here immediately
The unknown Ajax.
Heavens, what a man is there! a very horse,
That has he knows not what. Nature, what things there are
Most abject in regard and dear in use!
What things again most dear in the esteem
And poor in worth! Now shall we see to-morrow—
An act that very chance doth throw upon him—
Ajax renown'd. O heavens, what some men do,
While some men leave to do!
How some men creep in skittish fortune's hall,
Whiles others play the idiots in her eyes!
How one man eats into another's pride,
While pride is fasting in his wantonness!
To see these Grecian lords!—why, even already
They clap the lubber Ajax on the shoulder,
As if his foot were on brave Hector's breast
And great Troy shrieking.

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