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O, how this spring of love resembleth
The uncertain glory of an April day!

      — The Two Gentleman of Verona, Act I Scene 3

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KEYWORD: agate

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Henry IV, Part II
[I, 2]

Falstaff

281

Men of all sorts take a pride to gird at me. The
this foolish-compounded clay, man, is not able to invent
that intends to laughter, more than I invent or is invented
me. I am not only witty in myself, but the cause that wit is
other men. I do here walk before thee like a sow that hath
overwhelm'd all her litter but one. If the Prince put thee
my service for any other reason than to set me off, why then
have no judgment. Thou whoreson mandrake, thou art fitter to
worn in my cap than to wait at my heels. I was never mann'd
an agate till now; but I will inset you neither in gold nor
silver, but in vile apparel, and send you back again to your
master, for a jewel—the juvenal, the Prince your master,
chin is not yet fledge. I will sooner have a beard grow in
palm of my hand than he shall get one off his cheek; and yet
will not stick to say his face is a face-royal. God may
when he will, 'tis not a hair amiss yet. He may keep it still
a face-royal, for a barber shall never earn sixpence out of
and yet he'll be crowing as if he had writ man ever since his
father was a bachelor. He may keep his own grace, but he's
out of mine, I can assure him. What said Master Dommelton
the satin for my short cloak and my slops?

2

Love's Labour's Lost
[II, 1]

Boyet

734

Why, all his behaviors did make their retire
To the court of his eye, peeping thorough desire:
His heart, like an agate, with your print impress'd,
Proud with his form, in his eye pride express'd:
His tongue, all impatient to speak and not see,
Did stumble with haste in his eyesight to be;
All senses to that sense did make their repair,
To feel only looking on fairest of fair:
Methought all his senses were lock'd in his eye,
As jewels in crystal for some prince to buy;
Who, tendering their own worth from where they were glass'd,
Did point you to buy them, along as you pass'd:
His face's own margent did quote such amazes
That all eyes saw his eyes enchanted with gazes.
I'll give you Aquitaine and all that is his,
An you give him for my sake but one loving kiss.

3

Much Ado about Nothing
[III, 1]

Hero

1137

Why, you speak truth. I never yet saw man,
How wise, how noble, young, how rarely featured,
But she would spell him backward: if fair-faced,
She would swear the gentleman should be her sister;
If black, why, Nature, drawing of an antique,
Made a foul blot; if tall, a lance ill-headed;
If low, an agate very vilely cut;
If speaking, why, a vane blown with all winds;
If silent, why, a block moved with none.
So turns she every man the wrong side out
And never gives to truth and virtue that
Which simpleness and merit purchaseth.

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