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Condemn the fault, and not the actor of it?

      — Measure for Measure, Act II Scene 2

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1-8 of 8 total

KEYWORD: ear

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Venus and Adonis

Shakespeare

6

RIGHT HONORABLE,
I KNOW not how I shall offend in dedicating my
unpolished lines to your lordship, nor how the world will
censure me for choosing so strong a prop to support so weak a
burden only, if your honour seem but pleased, I account
myself highly praised, and vow to take advantage of all idle
hours, till I have honoured you with some graver labour. But if
the first heir of my invention prove deformed, I shall be
sorry it had so noble a god-father, and never after ear so
barren a land, for fear it yield me still so bad a harvest.
I leave it to your honourable survey, and your honour to your
heart's content; which I wish may always answer your own wish
and the world's hopeful expectation.

2

Venus and Adonis

Shakespeare

93

Still she entreats, and prettily entreats,
For to a pretty ear she tunes her tale;
Still is he sullen, still he lours and frets,
'Twixt crimson shame and anger ashy-pale:
Being red, she loves him best; and being white,
Her best is better'd with a more delight.

3

Venus and Adonis

Shakespeare

165

'Bid me discourse, I will enchant thine ear,
Or, like a fairy, trip upon the green,
Or, like a nymph, with long dishevell'd hair,
Dance on the sands, and yet no footing seen:
Love is a spirit all compact of fire,
Not gross to sink, but light, and will aspire.

4

Venus and Adonis

Shakespeare

676

'This sour informer, this bate-breeding spy,
This canker that eats up Love's tender spring,
This carry-tale, dissentious Jealousy,
That sometime true news, sometime false doth bring,
Knocks at my heat and whispers in mine ear
That if I love thee, I thy death should fear:

5

Venus and Adonis

Shakespeare

719

'By this, poor Wat, far off upon a hill,
Stands on his hinder legs with listening ear,
To harken if his foes pursue him still:
Anon their loud alarums he doth hear;
And now his grief may be compared well
To one sore sick that hears the passing-bell.

6

Venus and Adonis

Shakespeare

797

'If love have lent you twenty thousand tongues,
And every tongue more moving than your own,
Bewitching like the wanton mermaid's songs,
Yet from mine ear the tempting tune is blown
For know, my heart stands armed in mine ear,
And will not let a false sound enter there;

7

Venus and Adonis

Shakespeare

911

This dismal cry rings sadly in her ear,
Through which it enters to surprise her heart;
Who, overcome by doubt and bloodless fear,
With cold-pale weakness numbs each feeling part:
Like soldiers, when their captain once doth yield,
They basely fly and dare not stay the field.

8

Venus and Adonis

Shakespeare

1043

'Fie, fie, fond love, thou art so full of fear
As one with treasure laden, hemm'd thieves;
Trifles, unwitnessed with eye or ear,
Thy coward heart with false bethinking grieves.'
Even at this word she hears a merry horn,
Whereat she leaps that was but late forlorn.

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