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Let's do it after the high Roman fashion.

      — Antony and Cleopatra, Act IV Scene 15

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KEYWORD: makes

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Two Gentlemen of Verona
[I, 2]

Lucetta

260

She makes it strange; but she would be best pleased
To be so anger'd with another letter.

2

Two Gentlemen of Verona
[II, 1]

Speed

475

True, sir; I was in love with my bed: I thank you,
you swinged me for my love, which makes me the
bolder to chide you for yours.

3

Two Gentlemen of Verona
[II, 3]

Launce

593

Nay, 'twill be this hour ere I have done weeping;
all the kind of the Launces have this very fault. I
have received my proportion, like the prodigious
son, and am going with Sir Proteus to the Imperial's
court. I think Crab, my dog, be the sourest-natured
dog that lives: my mother weeping, my father
wailing, my sister crying, our maid howling, our cat
wringing her hands, and all our house in a great
perplexity, yet did not this cruel-hearted cur shed
one tear: he is a stone, a very pebble stone, and
has no more pity in him than a dog: a Jew would have
wept to have seen our parting; why, my grandam,
having no eyes, look you, wept herself blind at my
parting. Nay, I'll show you the manner of it. This
shoe is my father: no, this left shoe is my father:
no, no, this left shoe is my mother: nay, that
cannot be so neither: yes, it is so, it is so, it
hath the worser sole. This shoe, with the hole in
it, is my mother, and this my father; a vengeance
on't! there 'tis: now, sit, this staff is my
sister, for, look you, she is as white as a lily and
as small as a wand: this hat is Nan, our maid: I
am the dog: no, the dog is himself, and I am the
dog—Oh! the dog is me, and I am myself; ay, so,
so. Now come I to my father; Father, your blessing:
now should not the shoe speak a word for weeping:
now should I kiss my father; well, he weeps on. Now
come I to my mother: O, that she could speak now
like a wood woman! Well, I kiss her; why, there
'tis; here's my mother's breath up and down. Now
come I to my sister; mark the moan she makes. Now
the dog all this while sheds not a tear nor speaks a
word; but see how I lay the dust with my tears.

4

Two Gentlemen of Verona
[II, 4]

Valentine

824

Pardon me, Proteus: all I can is nothing
To her whose worth makes other worthies nothing;
She is alone.

5

Two Gentlemen of Verona
[II, 4]

Proteus

852

I will.
[Exit VALENTINE]
Even as one heat another heat expels,
Or as one nail by strength drives out another,
So the remembrance of my former love
Is by a newer object quite forgotten.
Is it mine, or Valentine's praise,
Her true perfection, or my false transgression,
That makes me reasonless to reason thus?
She is fair; and so is Julia that I love—
That I did love, for now my love is thaw'd;
Which, like a waxen image, 'gainst a fire,
Bears no impression of the thing it was.
Methinks my zeal to Valentine is cold,
And that I love him not as I was wont.
O, but I love his lady too too much,
And that's the reason I love him so little.
How shall I dote on her with more advice,
That thus without advice begin to love her!
'Tis but her picture I have yet beheld,
And that hath dazzled my reason's light;
But when I look on her perfections,
There is no reason but I shall be blind.
If I can cheque my erring love, I will;
If not, to compass her I'll use my skill.

6

Two Gentlemen of Verona
[II, 7]

Julia

999

The more thou damm'st it up, the more it burns.
The current that with gentle murmur glides,
Thou know'st, being stopp'd, impatiently doth rage;
But when his fair course is not hindered,
He makes sweet music with the enamell'ed stones,
Giving a gentle kiss to every sedge
He overtaketh in his pilgrimage,
And so by many winding nooks he strays
With willing sport to the wild ocean.
Then let me go and hinder not my course
I'll be as patient as a gentle stream
And make a pastime of each weary step,
Till the last step have brought me to my love;
And there I'll rest, as after much turmoil
A blessed soul doth in Elysium.

7

Two Gentlemen of Verona
[III, 1]

Valentine

1163

A woman sometimes scorns what best contents her.
Send her another; never give her o'er;
For scorn at first makes after-love the more.
If she do frown, 'tis not in hate of you,
But rather to beget more love in you:
If she do chide, 'tis not to have you gone;
For why, the fools are mad, if left alone.
Take no repulse, whatever she doth say;
For 'get you gone,' she doth not mean 'away!'
Flatter and praise, commend, extol their graces;
Though ne'er so black, say they have angels' faces.
That man that hath a tongue, I say, is no man,
If with his tongue he cannot win a woman.

8

Two Gentlemen of Verona
[III, 1]

Launce

1397

That makes amends for her sour breath.

9

Two Gentlemen of Verona
[III, 1]

Launce

1433

Why, that word makes the faults gracious. Well,
I'll have her; and if it be a match, as nothing is
impossible,—

10

Two Gentlemen of Verona
[III, 2]

Duke of Milan

1468

So I believe; but Thurio thinks not so.
Proteus, the good conceit I hold of thee—
For thou hast shown some sign of good desert—
Makes me the better to confer with thee.

11

Two Gentlemen of Verona
[IV, 2]

Julia

1696

Ay, I would I were deaf; it makes me have a slow heart.

12

Two Gentlemen of Verona
[IV, 3]

Silvia

1794

O Eglamour, thou art a gentleman—
Think not I flatter, for I swear I do not—
Valiant, wise, remorseful, well accomplish'd:
Thou art not ignorant what dear good will
I bear unto the banish'd Valentine,
Nor how my father would enforce me marry
Vain Thurio, whom my very soul abhors.
Thyself hast loved; and I have heard thee say
No grief did ever come so near thy heart
As when thy lady and thy true love died,
Upon whose grave thou vow'dst pure chastity.
Sir Eglamour, I would to Valentine,
To Mantua, where I hear he makes abode;
And, for the ways are dangerous to pass,
I do desire thy worthy company,
Upon whose faith and honour I repose.
Urge not my father's anger, Eglamour,
But think upon my grief, a lady's grief,
And on the justice of my flying hence,
To keep me from a most unholy match,
Which heaven and fortune still rewards with plagues.
I do desire thee, even from a heart
As full of sorrows as the sea of sands,
To bear me company and go with me:
If not, to hide what I have said to thee,
That I may venture to depart alone.

13

Two Gentlemen of Verona
[IV, 4]

Launce

1834

When a man's servant shall play the cur with him,
look you, it goes hard: one that I brought up of a
puppy; one that I saved from drowning, when three or
four of his blind brothers and sisters went to it.
I have taught him, even as one would say precisely,
'thus I would teach a dog.' I was sent to deliver
him as a present to Mistress Silvia from my master;
and I came no sooner into the dining-chamber but he
steps me to her trencher and steals her capon's leg:
O, 'tis a foul thing when a cur cannot keep himself
in all companies! I would have, as one should say,
one that takes upon him to be a dog indeed, to be,
as it were, a dog at all things. If I had not had
more wit than he, to take a fault upon me that he did,
I think verily he had been hanged for't; sure as I
live, he had suffered for't; you shall judge. He
thrusts me himself into the company of three or four
gentlemanlike dogs under the duke's table: he had
not been there—bless the mark!—a pissing while, but
all the chamber smelt him. 'Out with the dog!' says
one: 'What cur is that?' says another: 'Whip him
out' says the third: 'Hang him up' says the duke.
I, having been acquainted with the smell before,
knew it was Crab, and goes me to the fellow that
whips the dogs: 'Friend,' quoth I, 'you mean to whip
the dog?' 'Ay, marry, do I,' quoth he. 'You do him
the more wrong,' quoth I; 'twas I did the thing you
wot of.' He makes me no more ado, but whips me out
of the chamber. How many masters would do this for
his servant? Nay, I'll be sworn, I have sat in the
stocks for puddings he hath stolen, otherwise he had
been executed; I have stood on the pillory for geese
he hath killed, otherwise he had suffered for't.
Thou thinkest not of this now. Nay, I remember the
trick you served me when I took my leave of Madam
Silvia: did not I bid thee still mark me and do as I
do? when didst thou see me heave up my leg and make
water against a gentlewoman's farthingale? didst
thou ever see me do such a trick?

14

Two Gentlemen of Verona
[IV, 4]

Julia

1917

Because methinks that she loved you as well
As you do love your lady Silvia:
She dreams of him that has forgot her love;
You dote on her that cares not for your love.
'Tis pity love should be so contrary;
And thinking of it makes me cry 'alas!'

15

Two Gentlemen of Verona
[V, 2]

Proteus

2086

O, sir, she makes no doubt of that.

16

Two Gentlemen of Verona
[V, 4]

Proteus

2265

Than men their minds! 'tis true.
O heaven! were man
But constant, he were perfect. That one error
Fills him with faults; makes him run through all the sins:
Inconstancy falls off ere it begins.
What is in Silvia's face, but I may spy
More fresh in Julia's with a constant eye?

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