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Come not within the measure of my wrath.

      — The Two Gentleman of Verona, Act V Scene 4

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Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Tempest
[I, 1]

Gonzalo

69

He'll be hang'd yet,
Though every drop of water swear against it
And gape at widest to glut him.
[A confused noise within: 'Mercy on us!'—]
'We split, we split!'—'Farewell, my wife and
children!'—
'Farewell, brother!'—'We split, we split, we split!']

2

Tempest
[I, 2]

Ariel

314

To every article.
I boarded the king's ship; now on the beak,
Now in the waist, the deck, in every cabin,
I flamed amazement: sometime I'ld divide,
And burn in many places; on the topmast,
The yards and bowsprit, would I flame distinctly,
Then meet and join. Jove's lightnings, the precursors
O' the dreadful thunder-claps, more momentary
And sight-outrunning were not; the fire and cracks
Of sulphurous roaring the most mighty Neptune
Seem to besiege and make his bold waves tremble,
Yea, his dread trident shake.

3

Tempest
[I, 2]

Prospero

442

Go make thyself like a nymph o' the sea: be subject
To no sight but thine and mine, invisible
To every eyeball else. Go take this shape
And hither come in't: go, hence with diligence!
[Exit ARIEL]
Awake, dear heart, awake! thou hast slept well; Awake!

4

Tempest
[II, 1]

Gonzalo

706

Beseech you, sir, be merry; you have cause,
So have we all, of joy; for our escape
Is much beyond our loss. Our hint of woe
Is common; every day some sailor's wife,
The masters of some merchant and the merchant
Have just our theme of woe; but for the miracle,
I mean our preservation, few in millions
Can speak like us: then wisely, good sir, weigh
Our sorrow with our comfort.

5

Tempest
[II, 1]

Gonzalo

722

When every grief is entertain'd that's offer'd,
Comes to the entertainer—

6

Tempest
[II, 1]

Antonio

992

A space whose every cubit
Seems to cry out, 'How shall that Claribel
Measure us back to Naples? Keep in Tunis,
And let Sebastian wake.' Say, this were death
That now hath seized them; why, they were no worse
Than now they are. There be that can rule Naples
As well as he that sleeps; lords that can prate
As amply and unnecessarily
As this Gonzalo; I myself could make
A chough of as deep chat. O, that you bore
The mind that I do! what a sleep were this
For your advancement! Do you understand me?

7

Tempest
[II, 2]

Caliban

1082

All the infections that the sun sucks up
From bogs, fens, flats, on Prosper fall and make him
By inch-meal a disease! His spirits hear me
And yet I needs must curse. But they'll nor pinch,
Fright me with urchin—shows, pitch me i' the mire,
Nor lead me, like a firebrand, in the dark
Out of my way, unless he bid 'em; but
For every trifle are they set upon me;
Sometime like apes that mow and chatter at me
And after bite me, then like hedgehogs which
Lie tumbling in my barefoot way and mount
Their pricks at my footfall; sometime am I
All wound with adders who with cloven tongues
Do hiss me into madness.
[Enter TRINCULO]
Lo, now, lo!
Here comes a spirit of his, and to torment me
For bringing wood in slowly. I'll fall flat;
Perchance he will not mind me.

8

Tempest
[II, 2]

Caliban

1235

I'll show thee every fertile inch o' th' island;
And I will kiss thy foot: I prithee, be my god.

9

Tempest
[III, 1]

Ferdinand

1324

Admired Miranda!
Indeed the top of admiration! worth
What's dearest to the world! Full many a lady
I have eyed with best regard and many a time
The harmony of their tongues hath into bondage
Brought my too diligent ear: for several virtues
Have I liked several women; never any
With so fun soul, but some defect in her
Did quarrel with the noblest grace she owed
And put it to the foil: but you, O you,
So perfect and so peerless, are created
Of every creature's best!

10

Tempest
[IV, 1]

Iris

1849

You nymphs, call'd Naiads, of the windring brooks,
With your sedged crowns and ever-harmless looks,
Leave your crisp channels and on this green land
Answer your summons; Juno does command:
Come, temperate nymphs, and help to celebrate
A contract of true love; be not too late.
[Enter certain Nymphs]
You sunburnt sicklemen, of August weary,
Come hither from the furrow and be merry:
Make holiday; your rye-straw hats put on
And these fresh nymphs encounter every one
In country footing.
[Enter certain Reapers, properly habited: they]
join with the Nymphs in a graceful dance;
towards the end whereof PROSPERO starts
suddenly, and speaks; after which, to a
strange, hollow, and confused noise, they
heavily vanish]

11

Tempest
[V, 1]

Prospero

2311

Sir, my liege,
Do not infest your mind with beating on
The strangeness of this business; at pick'd leisure
Which shall be shortly, single I'll resolve you,
Which to you shall seem probable, of every
These happen'd accidents; till when, be cheerful
And think of each thing well.
[Aside to ARIEL]
Come hither, spirit:
Set Caliban and his companions free;
Untie the spell.
[Exit ARIEL]
How fares my gracious sir?
There are yet missing of your company
Some few odd lads that you remember not.
[Re-enter ARIEL, driving in CALIBAN, STEPHANO]
and TRINCULO, in their stolen apparel]

12

Tempest
[V, 1]

Stephano

2328

Every man shift for all the rest, and
let no man take care for himself; for all is
but fortune. Coragio, bully-monster, coragio!

13

Tempest
[V, 1]

Prospero

2378

Sir, I invite your highness and your train
To my poor cell, where you shall take your rest
For this one night; which, part of it, I'll waste
With such discourse as, I not doubt, shall make it
Go quick away; the story of my life
And the particular accidents gone by
Since I came to this isle: and in the morn
I'll bring you to your ship and so to Naples,
Where I have hope to see the nuptial
Of these our dear-beloved solemnized;
And thence retire me to my Milan, where
Every third thought shall be my grave.

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