# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Tempest
[I, 1]

Gonzalo

34

I have great comfort from this fellow: methinks he
hath no drowning mark upon him; his complexion is
perfect gallows. Stand fast, good Fate, to his
hanging: make the rope of his destiny our cable,
for our own doth little advantage. If he be not
born to be hanged, our case is miserable.

2

Tempest
[I, 2]

Prospero

293

Know thus far forth.
By accident most strange, bountiful Fortune,
Now my dear lady, hath mine enemies
Brought to this shore; and by my prescience
I find my zenith doth depend upon
A most auspicious star, whose influence
If now I court not but omit, my fortunes
Will ever after droop. Here cease more questions:
Thou art inclined to sleep; 'tis a good dulness,
And give it way: I know thou canst not choose.
[MIRANDA sleeps]
Come away, servant, come. I am ready now.
Approach, my Ariel, come.

3

Tempest
[I, 2]

Ferdinand

550

Where should this music be? i' the air or the earth?
It sounds no more: and sure, it waits upon
Some god o' the island. Sitting on a bank,
Weeping again the king my father's wreck,
This music crept by me upon the waters,
Allaying both their fury and my passion
With its sweet air: thence I have follow'd it,
Or it hath drawn me rather. But 'tis gone.
No, it begins again.
[ARIEL sings]
Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell
[Burthen Ding-dong]
Hark! now I hear them,—Ding-dong, bell.

4

Tempest
[II, 1]

Sebastian

760

No; he doth but mistake the truth totally.

5

Tempest
[II, 1]

Gonzalo

841

My lord Sebastian,
The truth you speak doth lack some gentleness
And time to speak it in: you rub the sore,
When you should bring the plaster.

6

Tempest
[II, 1]

Sebastian

907

Please you, sir,
Do not omit the heavy offer of it:
It seldom visits sorrow; when it doth,
It is a comforter.

7

Tempest
[II, 1]

Sebastian

918

Why
Doth it not then our eyelids sink? I find not
Myself disposed to sleep.

8

Tempest
[II, 1]

Ariel

1040

My master through his art foresees the danger
That you, his friend, are in; and sends me forth—
For else his project dies—to keep them living.
[Sings in GONZALO's ear]
While you here do snoring lie,
Open-eyed conspiracy
His time doth take.
If of life you keep a care,
Shake off slumber, and beware:
Awake, awake!

9

Tempest
[II, 2]

Stephano

1185

Doth thy other mouth call me? Mercy, mercy! This is
a devil, and no monster: I will leave him; I have no
long spoon.

10

Tempest
[III, 3]

Ariel

1629

You are three men of sin, whom Destiny,
That hath to instrument this lower world
And what is in't, the never-surfeited sea
Hath caused to belch up you; and on this island
Where man doth not inhabit; you 'mongst men
Being most unfit to live. I have made you mad;
And even with such-like valour men hang and drown
Their proper selves.
[ALONSO, SEBASTIAN &c. draw their swords]
You fools! I and my fellows
Are ministers of Fate: the elements,
Of whom your swords are temper'd, may as well
Wound the loud winds, or with bemock'd-at stabs
Kill the still-closing waters, as diminish
One dowle that's in my plume: my fellow-ministers
Are like invulnerable. If you could hurt,
Your swords are now too massy for your strengths
And will not be uplifted. But remember—
For that's my business to you—that you three
From Milan did supplant good Prospero;
Exposed unto the sea, which hath requit it,
Him and his innocent child: for which foul deed
The powers, delaying, not forgetting, have
Incensed the seas and shores, yea, all the creatures,
Against your peace. Thee of thy son, Alonso,
They have bereft; and do pronounce by me:
Lingering perdition, worse than any death
Can be at once, shall step by step attend
You and your ways; whose wraths to guard you from—
Which here, in this most desolate isle, else falls
Upon your heads—is nothing but heart-sorrow
And a clear life ensuing.
[He vanishes in thunder; then, to soft music]
enter the Shapes again, and dance, with
mocks and mows, and carrying out the table]

11

Tempest
[V, 1]

Prospero

2039

And mine shall.
Hast thou, which art but air, a touch, a feeling
Of their afflictions, and shall not myself,
One of their kind, that relish all as sharply,
Passion as they, be kindlier moved than thou art?
Though with their high wrongs I am struck to the quick,
Yet with my nobler reason 'gaitist my fury
Do I take part: the rarer action is
In virtue than in vengeance: they being penitent,
The sole drift of my purpose doth extend
Not a frown further. Go release them, Ariel:
My charms I'll break, their senses I'll restore,
And they shall be themselves.

12

Tempest
[V, 1]

Alonso

2272

[To FERDINAND and MIRANDA] Give me your hands:
Let grief and sorrow still embrace his heart
That doth not wish you joy!