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For Brutus is an honourable man;
So are they all, all honourable men.

      — Julius Caesar, Act III Scene 2

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KEYWORD: been

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Taming of the Shrew
[Prologue, 1]

Lord

45

Even as a flatt'ring dream or worthless fancy.
Then take him up, and manage well the jest:
Carry him gently to my fairest chamber,
And hang it round with all my wanton pictures;
Balm his foul head in warm distilled waters,
And burn sweet wood to make the lodging sweet;
Procure me music ready when he wakes,
To make a dulcet and a heavenly sound;
And if he chance to speak, be ready straight,
And with a low submissive reverence
Say 'What is it your honour will command?'
Let one attend him with a silver basin
Full of rose-water and bestrew'd with flowers;
Another bear the ewer, the third a diaper,
And say 'Will't please your lordship cool your hands?'
Some one be ready with a costly suit,
And ask him what apparel he will wear;
Another tell him of his hounds and horse,
And that his lady mourns at his disease;
Persuade him that he hath been lunatic,
And, when he says he is, say that he dreams,
For he is nothing but a mighty lord.
This do, and do it kindly, gentle sirs;
It will be pastime passing excellent,
If it be husbanded with modesty.

2

Taming of the Shrew
[Prologue, 2]

Second Servant

221

Will't please your Mightiness to wash your hands?
O, how we joy to see your wit restor'd!
O, that once more you knew but what you are!
These fifteen years you have been in a dream;
Or, when you wak'd, so wak'd as if you slept.

3

Taming of the Shrew
[I, 1]

Lucentio

492

Basta, content thee, for I have it full.
We have not yet been seen in any house,
Nor can we be distinguish'd by our faces
For man or master. Then it follows thus:
Thou shalt be master, Tranio, in my stead,
Keep house and port and servants, as I should;
I will some other be- some Florentine,
Some Neapolitan, or meaner man of Pisa.
'Tis hatch'd, and shall be so. Tranio, at once
Uncase thee; take my colour'd hat and cloak.
When Biondello comes, he waits on thee;
But I will charm him first to keep his tongue.

4

Taming of the Shrew
[I, 1]

Lucentio

512

Tranio, be so because Lucentio loves;
And let me be a slave t' achieve that maid
Whose sudden sight hath thrall'd my wounded eye.
[Enter BIONDELLO.]
Here comes the rogue. Sirrah, where have you been?

5

Taming of the Shrew
[I, 1]

Biondello

517

Where have I been! Nay, how now! where are you?
Master, has my fellow Tranio stol'n your clothes?
Or you stol'n his? or both? Pray, what's the news?

6

Taming of the Shrew
[II, 1]

Gremio

917

I doubt it not, sir; but you will curse your wooing.
Neighbour, this is a gift very grateful, I am sure of it. To
express the like kindness, myself, that have been more kindly
beholding to you than any, freely give unto you this young
scholar [Presenting LUCENTIO] that hath been long studying at
Rheims; as cunning in Greek, Latin, and other languages, as the
other in music and mathematics. His name is Cambio. Pray accept
his service.

7

Taming of the Shrew
[III, 1]

Bianca

1319

I must believe my master; else, I promise you,
I should be arguing still upon that doubt;
But let it rest. Now, Licio, to you.
Good master, take it not unkindly, pray,
That I have been thus pleasant with you both.

8

Taming of the Shrew
[III, 1]

Hortensio

1330

Madam, before you touch the instrument
To learn the order of my fingering,
I must begin with rudiments of art,
To teach you gamut in a briefer sort,
More pleasant, pithy, and effectual,
Than hath been taught by any of my trade;
And there it is in writing fairly drawn.

9

Taming of the Shrew
[III, 2]

Biondello

1405

Why, Petruchio is coming- in a new hat and an old
jerkin; a pair of old breeches thrice turn'd; a pair of boots
that have been candle-cases, one buckled, another lac'd; an old
rusty sword ta'en out of the town armoury, with a broken hilt,
and chapeless; with two broken points; his horse hipp'd, with an
old motley saddle and stirrups of no kindred; besides, possess'd
with the glanders and like to mose in the chine, troubled with
the lampass, infected with the fashions, full of windgalls, sped
with spavins, rayed with the yellows, past cure of the fives,
stark spoil'd with the staggers, begnawn with the bots, sway'd in
the back and shoulder-shotten, near-legg'd before, and with a
half-cheek'd bit, and a head-stall of sheep's leather which,
being restrained to keep him from stumbling, hath been often
burst, and now repaired with knots; one girth six times piec'd,
and a woman's crupper of velure, which hath two letters for her
name fairly set down in studs, and here and there piec'd with
pack-thread.

10

Taming of the Shrew
[III, 2]

Gremio

1529

Trembled and shook, for why he stamp'd and swore
As if the vicar meant to cozen him.
But after many ceremonies done
He calls for wine: 'A health!' quoth he, as if
He had been abroad, carousing to his mates
After a storm; quaff'd off the muscadel,
And threw the sops all in the sexton's face,
Having no other reason
But that his beard grew thin and hungerly
And seem'd to ask him sops as he was drinking.
This done, he took the bride about the neck,
And kiss'd her lips with such a clamorous smack
That at the parting all the church did echo.
And I, seeing this, came thence for very shame;
And after me, I know, the rout is coming.
Such a mad marriage never was before.
Hark, hark! I hear the minstrels play. [Music plays]
Enter PETRUCHIO, KATHERINA, BIANCA, BAPTISTA, HORTENSIO, GRUMIO, and train

11

Taming of the Shrew
[IV, 2]

Tranio

1925

Well, sir, to do you courtesy,
This will I do, and this I will advise you-
First, tell me, have you ever been at Pisa?

12

Taming of the Shrew
[IV, 2]

Pedant

1928

Ay, sir, in Pisa have I often been,
Pisa renowned for grave citizens.

13

Taming of the Shrew
[IV, 5]

Katherina

2312

Pardon, old father, my mistaking eyes,
That have been so bedazzled with the sun
That everything I look on seemeth green;
Now I perceive thou art a reverend father.
Pardon, I pray thee, for my mad mistaking.

14

Taming of the Shrew
[V, 2]

Baptista Minola

2617

Now fair befall thee, good Petruchio!
The wager thou hast won; and I will add
Unto their losses twenty thousand crowns;
Another dowry to another daughter,
For she is chang'd, as she had never been.

15

Taming of the Shrew
[V, 2]

Katherina

2644

Fie, fie! unknit that threatening unkind brow,
And dart not scornful glances from those eyes
To wound thy lord, thy king, thy governor.
It blots thy beauty as frosts do bite the meads,
Confounds thy fame as whirlwinds shake fair buds,
And in no sense is meet or amiable.
A woman mov'd is like a fountain troubled-
Muddy, ill-seeming, thick, bereft of beauty;
And while it is so, none so dry or thirsty
Will deign to sip or touch one drop of it.
Thy husband is thy lord, thy life, thy keeper,
Thy head, thy sovereign; one that cares for thee,
And for thy maintenance commits his body
To painful labour both by sea and land,
To watch the night in storms, the day in cold,
Whilst thou liest warm at home, secure and safe;
And craves no other tribute at thy hands
But love, fair looks, and true obedience-
Too little payment for so great a debt.
Such duty as the subject owes the prince,
Even such a woman oweth to her husband;
And when she is froward, peevish, sullen, sour,
And not obedient to his honest will,
What is she but a foul contending rebel
And graceless traitor to her loving lord?
I am asham'd that women are so simple
To offer war where they should kneel for peace;
Or seek for rule, supremacy, and sway,
When they are bound to serve, love, and obey.
Why are our bodies soft and weak and smooth,
Unapt to toil and trouble in the world,
But that our soft conditions and our hearts
Should well agree with our external parts?
Come, come, you forward and unable worms!
My mind hath been as big as one of yours,
My heart as great, my reason haply more,
To bandy word for word and frown for frown;
But now I see our lances are but straws,
Our strength as weak, our weakness past compare,
That seeming to be most which we indeed least are.
Then vail your stomachs, for it is no boot,
And place your hands below your husband's foot;
In token of which duty, if he please,
My hand is ready, may it do him ease.

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