# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Rape of Lucrece

Shakespeare

1263

This Plot of death when sadly she had laid,
And wiped the brinish pearl from her bright eyes,
With untuned tongue she hoarsely calls her maid,
Whose swift obedience to her mistress hies;
For fleet-wing'd duty with thought's feathers flies.
Poor Lucrece' cheeks unto her maid seem so
As winter meads when sun doth melt their snow.

2

Rape of Lucrece

Shakespeare

1277

But as the earth doth weep, the sun being set,
Each flower moisten'd like a melting eye;
Even so the maid with swelling drops gan wet
Her circled eyne, enforced by sympathy
Of those fair suns set in her mistress' sky,
Who in a salt-waved ocean quench their light,
Which makes the maid weep like the dewy night.

3

Rape of Lucrece

Shakespeare

1327

'But tell me, girl, when went'—and there she stay'd
Till after a deep groan—'Tarquin from hence?'
'Madam, ere I was up,' replied the maid,
'The more to blame my sluggard negligence:
Yet with the fault I thus far can dispense;
Myself was stirring ere the break of day,
And, ere I rose, was Tarquin gone away.

4

Rape of Lucrece

Shakespeare

1334

'But, lady, if your maid may be so bold,
She would request to know your heaviness.'
'O, peace!' quoth Lucrece: 'if it should be told,
The repetition cannot make it less;
For more it is than I can well express:
And that deep torture may be call'd a hell
When more is felt than one hath power to tell.

5

Rape of Lucrece

Shakespeare

1348

Her maid is gone, and she prepares to write,
First hovering o'er the paper with her quill:
Conceit and grief an eager combat fight;
What wit sets down is blotted straight with will;
This is too curious-good, this blunt and ill:
Much like a press of people at a door,
Throng her inventions, which shall go before.