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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Rape of Lucrece |
Shakespeare |
1130 |
By this, lamenting Philomel had ended
The well-tuned warble of her nightly sorrow,
And solemn night with slow sad gait descended
To ugly hell; when, lo, the blushing morrow
Lends light to all fair eyes that light will borrow:
But cloudy Lucrece shames herself to see,
And therefore still in night would cloister'd be.
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2 |
Rape of Lucrece |
Shakespeare |
1390 |
The homely villain court'sies to her low;
And, blushing on her, with a steadfast eye
Receives the scroll without or yea or no,
And forth with bashful innocence doth hie.
But they whose guilt within their bosoms lie
Imagine every eye beholds their blame;
For Lucrece thought he blush'd to her see shame:
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3 |
Rape of Lucrece |
Shakespeare |
1404 |
His kindled duty kindled her mistrust,
That two red fires in both their faces blazed;
She thought he blush'd, as knowing Tarquin's lust,
And, blushing with him, wistly on him gazed;
Her earnest eye did make him more amazed:
The more she saw the blood his cheeks replenish,
The more she thought he spied in her some blemish.
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4 |
Rape of Lucrece |
Shakespeare |
1557 |
In him the painter labour'd with his skill
To hide deceit, and give the harmless show
An humble gait, calm looks, eyes wailing still,
A brow unbent, that seem'd to welcome woe;
Cheeks neither red nor pale, but mingled so
That blushing red no guilty instance gave,
Nor ashy pale the fear that false hearts have.
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5 |
Rape of Lucrece |
Shakespeare |
1795 |
About the mourning and congealed face
Of that black blood a watery rigol goes,
Which seems to weep upon the tainted place:
And ever since, as pitying Lucrece' woes,
Corrupted blood some watery token shows;
And blood untainted still doth red abide,
Blushing at that which is so putrified.
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