# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Othello
[II, 1]

Othello

988

Amen to that, sweet powers!
I cannot speak enough of this content;
It stops me here; it is too much of joy:
And this, and this, the greatest discords be
[Kissing her]
That e'er our hearts shall make!

2

Othello
[II, 1]

Othello

997

Come, let us to the castle.
News, friends; our wars are done, the Turks
are drown'd.
How does my old acquaintance of this isle?
Honey, you shall be well desired in Cyprus;
I have found great love amongst them. O my sweet,
I prattle out of fashion, and I dote
In mine own comforts. I prithee, good Iago,
Go to the bay and disembark my coffers:
Bring thou the master to the citadel;
He is a good one, and his worthiness
Does challenge much respect. Come, Desdemona,
Once more, well met at Cyprus.

3

Othello
[II, 3]

Iago

1220

O sweet England!
King Stephen was a worthy peer,
His breeches cost him but a crown;
He held them sixpence all too dear,
With that he call'd the tailor lown.
He was a wight of high renown,
And thou art but of low degree:
'Tis pride that pulls the country down;
Then take thine auld cloak about thee.
Some wine, ho!

4

Othello
[III, 3]

Othello

1687

Not now, sweet Desdemona; some other time.

5

Othello
[III, 3]

Othello

1689

The sooner, sweet, for you.

6

Othello
[III, 3]

Iago

1991

Be not acknown on 't; I have use for it.
Go, leave me.
[Exit EMILIA]
I will in Cassio's lodging lose this napkin,
And let him find it. Trifles light as air
Are to the jealous confirmations strong
As proofs of holy writ: this may do something.
The Moor already changes with my poison:
Dangerous conceits are, in their natures, poisons.
Which at the first are scarce found to distaste,
But with a little act upon the blood.
Burn like the mines of Sulphur. I did say so:
Look, where he comes!
[Re-enter OTHELLO]
Not poppy, nor mandragora,
Nor all the drowsy syrups of the world,
Shall ever medicine thee to that sweet sleep
Which thou owedst yesterday.

7

Othello
[III, 3]

Othello

2022

I had been happy, if the general camp,
Pioners and all, had tasted her sweet body,
So I had nothing known. O, now, for ever
Farewell the tranquil mind! farewell content!
Farewell the plumed troop, and the big wars,
That make ambition virtue! O, farewell!
Farewell the neighing steed, and the shrill trump,
The spirit-stirring drum, the ear-piercing fife,
The royal banner, and all quality,
Pride, pomp and circumstance of glorious war!
And, O you mortal engines, whose rude throats
The immortal Jove's dead clamours counterfeit,
Farewell! Othello's occupation's gone!

8

Othello
[III, 3]

Iago

2092

I do not like the office:
But, sith I am enter'd in this cause so far,
Prick'd to't by foolish honesty and love,
I will go on. I lay with Cassio lately;
And, being troubled with a raging tooth,
I could not sleep.
There are a kind of men so loose of soul,
That in their sleeps will mutter their affairs:
One of this kind is Cassio:
In sleep I heard him say 'Sweet Desdemona,
Let us be wary, let us hide our loves;'
And then, sir, would he gripe and wring my hand,
Cry 'O sweet creature!' and then kiss me hard,
As if he pluck'd up kisses by the roots
That grew upon my lips: then laid his leg
Over my thigh, and sigh'd, and kiss'd; and then
Cried 'Cursed fate that gave thee to the Moor!'

9

Othello
[III, 4]

Cassio

2367

What make you from home?
How is it with you, my most fair Bianca?
I' faith, sweet love, I was coming to your house.

10

Othello
[III, 4]

Cassio

2375

Pardon me, Bianca:
I have this while with leaden thoughts been press'd:
But I shall, in a more continuate time,
Strike off this score of absence. Sweet Bianca,
[Giving her DESDEMONA's handkerchief]
Take me this work out.

11

Othello
[III, 4]

Cassio

2391

I know not, sweet: I found it in my chamber.
I like the work well: ere it be demanded—
As like enough it will—I'ld have it copied:
Take it, and do't; and leave me for this time.

12

Othello
[IV, 1]

Cassio

2587

How now, my sweet Bianca! how now! how now!

13

Othello
[IV, 1]

Othello

2609

I would have him nine years a-killing.
A fine woman! a fair woman! a sweet woman!

14

Othello
[IV, 1]

Desdemona

2680

Why, sweet Othello,—

15

Othello
[IV, 2]

Othello

2814

O, ay; as summer flies are in the shambles,
That quicken even with blowing. O thou weed,
Who art so lovely fair and smell'st so sweet
That the sense aches at thee, would thou hadst
ne'er been born!

16

Othello
[IV, 2]

Emilia

2860

He that is yours, sweet lady.

17

Othello
[IV, 3]

Emilia

3112

Yes, a dozen; and as many to the vantage as would
store the world they played for.
But I do think it is their husbands' faults
If wives do fall: say that they slack their duties,
And pour our treasures into foreign laps,
Or else break out in peevish jealousies,
Throwing restraint upon us; or say they strike us,
Or scant our former having in despite;
Why, we have galls, and though we have some grace,
Yet have we some revenge. Let husbands know
Their wives have sense like them: they see and smell
And have their palates both for sweet and sour,
As husbands have. What is it that they do
When they change us for others? Is it sport?
I think it is: and doth affection breed it?
I think it doth: is't frailty that thus errs?
It is so too: and have not we affections,
Desires for sport, and frailty, as men have?
Then let them use us well: else let them know,
The ills we do, their ills instruct us so.

18

Othello
[V, 1]

Bianca

3231

O my dear Cassio! my sweet Cassio! O Cassio,
Cassio, Cassio!

19

Othello
[V, 2]

Othello

3302

It is the cause, it is the cause, my soul,—
Let me not name it to you, you chaste stars!—
It is the cause. Yet I'll not shed her blood;
Nor scar that whiter skin of hers than snow,
And smooth as monumental alabaster.
Yet she must die, else she'll betray more men.
Put out the light, and then put out the light:
If I quench thee, thou flaming minister,
I can again thy former light restore,
Should I repent me: but once put out thy light,
Thou cunning'st pattern of excelling nature,
I know not where is that Promethean heat
That can thy light relume. When I have pluck'd the rose,
I cannot give it vital growth again.
It must needs wither: I'll smell it on the tree.
[Kissing her]
Ah balmy breath, that dost almost persuade
Justice to break her sword! One more, one more.
Be thus when thou art dead, and I will kill thee,
And love thee after. One more, and this the last:
So sweet was ne'er so fatal. I must weep,
But they are cruel tears: this sorrow's heavenly;
It strikes where it doth love. She wakes.

20

Othello
[V, 2]

Othello

3361

Sweet soul, take heed,
Take heed of perjury; thou art on thy deathbed.