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We have seen better days.

      — Timon of Athens, Act IV Scene 2

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1-20 of 38 total

KEYWORD: prince

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Much Ado about Nothing
[I, 1]

Leonato

137

If you swear, my lord, you shall not be forsworn.
[To DON JOHN]
Let me bid you welcome, my lord: being reconciled to
the prince your brother, I owe you all duty.

2

Much Ado about Nothing
[I, 2]

Antonio

308

As the event stamps them: but they have a good
cover; they show well outward. The prince and Count
Claudio, walking in a thick-pleached alley in mine
orchard, were thus much overheard by a man of mine:
the prince discovered to Claudio that he loved my
niece your daughter and meant to acknowledge it
this night in a dance: and if he found her
accordant, he meant to take the present time by the
top and instantly break with you of it.

3

Much Ado about Nothing
[I, 3]

Borachio

369

I came yonder from a great supper: the prince your
brother is royally entertained by Leonato: and I
can give you intelligence of an intended marriage.

4

Much Ado about Nothing
[I, 3]

Borachio

382

Being entertained for a perfumer, as I was smoking a
musty room, comes me the prince and Claudio, hand
in hand in sad conference: I whipt me behind the
arras; and there heard it agreed upon that the
prince should woo Hero for himself, and having
obtained her, give her to Count Claudio.

5

Much Ado about Nothing
[II, 1]

Leonato

456

Daughter, remember what I told you: if the prince
do solicit you in that kind, you know your answer.

6

Much Ado about Nothing
[II, 1]

Beatrice

458

The fault will be in the music, cousin, if you be
not wooed in good time: if the prince be too
important, tell him there is measure in every thing
and so dance out the answer. For, hear me, Hero:
wooing, wedding, and repenting, is as a Scotch jig,
a measure, and a cinque pace: the first suit is hot
and hasty, like a Scotch jig, and full as
fantastical; the wedding, mannerly-modest, as a
measure, full of state and ancientry; and then comes
repentance and, with his bad legs, falls into the
cinque pace faster and faster, till he sink into his grave.

7

Much Ado about Nothing
[II, 1]

Claudio

556

Thus answer I in the name of Benedick,
But hear these ill news with the ears of Claudio.
'Tis certain so; the prince wooes for himself.
Friendship is constant in all other things
Save in the office and affairs of love:
Therefore, all hearts in love use their own tongues;
Let every eye negotiate for itself
And trust no agent; for beauty is a witch
Against whose charms faith melteth into blood.
This is an accident of hourly proof,
Which I mistrusted not. Farewell, therefore, Hero!

8

Much Ado about Nothing
[II, 1]

Benedick

572

Even to the next willow, about your own business,
county. What fashion will you wear the garland of?
about your neck, like an usurer's chain? or under
your arm, like a lieutenant's scarf? You must wear
it one way, for the prince hath got your Hero.

9

Much Ado about Nothing
[II, 1]

Benedick

578

Why, that's spoken like an honest drovier: so they
sell bullocks. But did you think the prince would
have served you thus?

10

Much Ado about Nothing
[II, 2]

Borachio

778

The poison of that lies in you to temper. Go you to
the prince your brother; spare not to tell him that
he hath wronged his honour in marrying the renowned
Claudio—whose estimation do you mightily hold
up—to a contaminated stale, such a one as Hero.

11

Much Ado about Nothing
[II, 2]

Borachio

784

Proof enough to misuse the prince, to vex Claudio,
to undo Hero and kill Leonato. Look you for any
other issue?

12

Much Ado about Nothing
[II, 2]

Borachio

788

Go, then; find me a meet hour to draw Don Pedro and
the Count Claudio alone: tell them that you know
that Hero loves me; intend a kind of zeal both to the
prince and Claudio, as,—in love of your brother's
honour, who hath made this match, and his friend's
reputation, who is thus like to be cozened with the
semblance of a maid,—that you have discovered
thus. They will scarcely believe this without trial:
offer them instances; which shall bear no less
likelihood than to see me at her chamber-window,
hear me call Margaret Hero, hear Margaret term me
Claudio; and bring them to see this the very night
before the intended wedding,—for in the meantime I
will so fashion the matter that Hero shall be
absent,—and there shall appear such seeming truth
of Hero's disloyalty that jealousy shall be called
assurance and all the preparation overthrown.

13

Much Ado about Nothing
[II, 3]

Benedick

819

I know that; but I would have thee hence, and here again.
[Exit Boy]
I do much wonder that one man, seeing how much
another man is a fool when he dedicates his
behaviors to love, will, after he hath laughed at
such shallow follies in others, become the argument
of his own scorn by failing in love: and such a man
is Claudio. I have known when there was no music
with him but the drum and the fife; and now had he
rather hear the tabour and the pipe: I have known
when he would have walked ten mile a-foot to see a
good armour; and now will he lie ten nights awake,
carving the fashion of a new doublet. He was wont to
speak plain and to the purpose, like an honest man
and a soldier; and now is he turned orthography; his
words are a very fantastical banquet, just so many
strange dishes. May I be so converted and see with
these eyes? I cannot tell; I think not: I will not
be sworn, but love may transform me to an oyster; but
I'll take my oath on it, till he have made an oyster
of me, he shall never make me such a fool. One woman
is fair, yet I am well; another is wise, yet I am
well; another virtuous, yet I am well; but till all
graces be in one woman, one woman shall not come in
my grace. Rich she shall be, that's certain; wise,
or I'll none; virtuous, or I'll never cheapen her;
fair, or I'll never look on her; mild, or come not
near me; noble, or not I for an angel; of good
discourse, an excellent musician, and her hair shall
be of what colour it please God. Ha! the prince and
Monsieur Love! I will hide me in the arbour.

14

Much Ado about Nothing
[III, 1]

Hero

1073

Good Margaret, run thee to the parlor;
There shalt thou find my cousin Beatrice
Proposing with the prince and Claudio:
Whisper her ear and tell her, I and Ursula
Walk in the orchard and our whole discourse
Is all of her; say that thou overheard'st us;
And bid her steal into the pleached bower,
Where honeysuckles, ripen'd by the sun,
Forbid the sun to enter, like favourites,
Made proud by princes, that advance their pride
Against that power that bred it: there will she hide her,
To listen our purpose. This is thy office;
Bear thee well in it and leave us alone.

15

Much Ado about Nothing
[III, 1]

Hero

1115

So says the prince and my new-trothed lord.

16

Much Ado about Nothing
[III, 3]

Dogberry

1389

This is the end of the charge:—you, constable, are
to present the prince's own person: if you meet the
prince in the night, you may stay him.

17

Much Ado about Nothing
[III, 3]

Dogberry

1393

Five shillings to one on't, with any man that knows
the statutes, he may stay him: marry, not without
the prince be willing; for, indeed, the watch ought
to offend no man; and it is an offence to stay a
man against his will.

18

Much Ado about Nothing
[III, 3]

Borachio

1456

Not so, neither: but know that I have to-night
wooed Margaret, the Lady Hero's gentlewoman, by the
name of Hero: she leans me out at her mistress'
chamber-window, bids me a thousand times good
night,—I tell this tale vilely:—I should first
tell thee how the prince, Claudio and my master,
planted and placed and possessed by my master Don
John, saw afar off in the orchard this amiable encounter.

19

Much Ado about Nothing
[III, 3]

Borachio

1465

Two of them did, the prince and Claudio; but the
devil my master knew she was Margaret; and partly
by his oaths, which first possessed them, partly by
the dark night, which did deceive them, but chiefly
by my villany, which did confirm any slander that
Don John had made, away went Claudio enraged; swore
he would meet her, as he was appointed, next morning
at the temple, and there, before the whole
congregation, shame her with what he saw o'er night
and send her home again without a husband.

20

Much Ado about Nothing
[III, 4]

Ursula

1575

Madam, withdraw: the prince, the count, Signior
Benedick, Don John, and all the gallants of the
town, are come to fetch you to church.

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