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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Much Ado about Nothing
[I, 3] |
Conrade |
346 |
Yea, but you must not make the full show of this
till you may do it without controlment. You have of
late stood out against your brother, and he hath
ta'en you newly into his grace; where it is
impossible you should take true root but by the
fair weather that you make yourself: it is needful
that you frame the season for your own harvest.
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2 |
Much Ado about Nothing
[II, 1] |
Margaret |
488 |
So would not I, for your own sake; for I have many
ill-qualities.
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3 |
Much Ado about Nothing
[II, 1] |
Claudio |
556 |
Thus answer I in the name of Benedick,
But hear these ill news with the ears of Claudio.
'Tis certain so; the prince wooes for himself.
Friendship is constant in all other things
Save in the office and affairs of love:
Therefore, all hearts in love use their own tongues;
Let every eye negotiate for itself
And trust no agent; for beauty is a witch
Against whose charms faith melteth into blood.
This is an accident of hourly proof,
Which I mistrusted not. Farewell, therefore, Hero!
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4 |
Much Ado about Nothing
[II, 1] |
Benedick |
572 |
Even to the next willow, about your own business,
county. What fashion will you wear the garland of?
about your neck, like an usurer's chain? or under
your arm, like a lieutenant's scarf? You must wear
it one way, for the prince hath got your Hero.
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5 |
Much Ado about Nothing
[II, 3] |
Benedick |
819 |
I know that; but I would have thee hence, and here again.
[Exit Boy]
I do much wonder that one man, seeing how much
another man is a fool when he dedicates his
behaviors to love, will, after he hath laughed at
such shallow follies in others, become the argument
of his own scorn by failing in love: and such a man
is Claudio. I have known when there was no music
with him but the drum and the fife; and now had he
rather hear the tabour and the pipe: I have known
when he would have walked ten mile a-foot to see a
good armour; and now will he lie ten nights awake,
carving the fashion of a new doublet. He was wont to
speak plain and to the purpose, like an honest man
and a soldier; and now is he turned orthography; his
words are a very fantastical banquet, just so many
strange dishes. May I be so converted and see with
these eyes? I cannot tell; I think not: I will not
be sworn, but love may transform me to an oyster; but
I'll take my oath on it, till he have made an oyster
of me, he shall never make me such a fool. One woman
is fair, yet I am well; another is wise, yet I am
well; another virtuous, yet I am well; but till all
graces be in one woman, one woman shall not come in
my grace. Rich she shall be, that's certain; wise,
or I'll none; virtuous, or I'll never cheapen her;
fair, or I'll never look on her; mild, or come not
near me; noble, or not I for an angel; of good
discourse, an excellent musician, and her hair shall
be of what colour it please God. Ha! the prince and
Monsieur Love! I will hide me in the arbour.
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6 |
Much Ado about Nothing
[II, 3] |
Don Pedro |
862 |
It is the witness still of excellency
To put a strange face on his own perfection.
I pray thee, sing, and let me woo no more.
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7 |
Much Ado about Nothing
[II, 3] |
Leonato |
954 |
O, she tore the letter into a thousand halfpence;
railed at herself, that she should be so immodest
to write to one that she knew would flout her; 'I
measure him,' says she, 'by my own spirit; for I
should flout him, if he writ to me; yea, though I
love him, I should.'
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8 |
Much Ado about Nothing
[III, 3] |
Dogberry |
1389 |
This is the end of the charge:—you, constable, are
to present the prince's own person: if you meet the
prince in the night, you may stay him.
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9 |
Much Ado about Nothing
[III, 3] |
Dogberry |
1399 |
Ha, ha, ha! Well, masters, good night: an there be
any matter of weight chances, call up me: keep your
fellows' counsels and your own; and good night.
Come, neighbour.
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10 |
Much Ado about Nothing
[III, 5] |
Dogberry |
1596 |
It pleases your worship to say so, but we are the
poor duke's officers; but truly, for mine own part,
if I were as tedious as a king, I could find it in
my heart to bestow it all of your worship.
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11 |
Much Ado about Nothing
[IV, 1] |
Leonato |
1686 |
Dear my lord, if you, in your own proof,
Have vanquish'd the resistance of her youth,
And made defeat of her virginity,—
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12 |
Much Ado about Nothing
[IV, 1] |
Claudio |
1712 |
Leonato, stand I here?
Is this the prince? is this the prince's brother?
Is this face Hero's? are our eyes our own?
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13 |
Much Ado about Nothing
[V, 1] |
Claudio |
2297 |
Rightly reasoned, and in his own division: and, by
my troth, there's one meaning well suited.
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14 |
Much Ado about Nothing
[V, 2] |
Margaret |
2425 |
Give us the swords; we have bucklers of our own.
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15 |
Much Ado about Nothing
[V, 2] |
Benedick |
2477 |
An old, an old instance, Beatrice, that lived in
the lime of good neighbours. If a man do not erect
in this age his own tomb ere he dies, he shall live
no longer in monument than the bell rings and the
widow weeps.
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16 |
Much Ado about Nothing
[V, 2] |
Benedick |
2483 |
Question: why, an hour in clamour and a quarter in
rheum: therefore is it most expedient for the
wise, if Don Worm, his conscience, find no
impediment to the contrary, to be the trumpet of his
own virtues, as I am to myself. So much for
praising myself, who, I myself will bear witness, is
praiseworthy: and now tell me, how doth your cousin?
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17 |
Much Ado about Nothing
[V, 4] |
Claudio |
2638 |
And I'll be sworn upon't that he loves her;
For here's a paper written in his hand,
A halting sonnet of his own pure brain,
Fashion'd to Beatrice.
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18 |
Much Ado about Nothing
[V, 4] |
Benedick |
2645 |
A miracle! here's our own hands against our hearts.
Come, I will have thee; but, by this light, I take
thee for pity.
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19 |
Much Ado about Nothing
[V, 4] |
Benedick |
2671 |
Come, come, we are friends: let's have a dance ere
we are married, that we may lighten our own hearts
and our wives' heels.
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