# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Much Ado about Nothing
[I, 1]

Benedick

120

God keep your ladyship still in that mind! so some
gentleman or other shall 'scape a predestinate
scratched face.

2

Much Ado about Nothing
[I, 1]

Benedick

153

Why, i' faith, methinks she's too low for a high
praise, too brown for a fair praise and too little
for a great praise: only this commendation I can
afford her, that were she other than she is, she
were unhandsome; and being no other but as she is, I
do not like her.

3

Much Ado about Nothing
[II, 1]

Beatrice

404

He were an excellent man that were made just in the
midway between him and Benedick: the one is too
like an image and says nothing, and the other too
like my lady's eldest son, evermore tattling.

4

Much Ado about Nothing
[II, 1]

Beatrice

450

Not till God make men of some other metal than
earth. Would it not grieve a woman to be
overmastered with a pierce of valiant dust? to make
an account of her life to a clod of wayward marl?
No, uncle, I'll none: Adam's sons are my brethren;
and, truly, I hold it a sin to match in my kindred.

5

Much Ado about Nothing
[II, 1]

Claudio

556

Thus answer I in the name of Benedick,
But hear these ill news with the ears of Claudio.
'Tis certain so; the prince wooes for himself.
Friendship is constant in all other things
Save in the office and affairs of love:
Therefore, all hearts in love use their own tongues;
Let every eye negotiate for itself
And trust no agent; for beauty is a witch
Against whose charms faith melteth into blood.
This is an accident of hourly proof,
Which I mistrusted not. Farewell, therefore, Hero!

6

Much Ado about Nothing
[II, 1]

Don Pedro

733

Come, you shake the head at so long a breathing:
but, I warrant thee, Claudio, the time shall not go
dully by us. I will in the interim undertake one of
Hercules' labours; which is, to bring Signior
Benedick and the Lady Beatrice into a mountain of
affection the one with the other. I would fain have
it a match, and I doubt not but to fashion it, if
you three will but minister such assistance as I
shall give you direction.

7

Much Ado about Nothing
[II, 2]

Borachio

784

Proof enough to misuse the prince, to vex Claudio,
to undo Hero and kill Leonato. Look you for any
other issue?

8

Much Ado about Nothing
[II, 3]

Don Pedro

967

It were good that Benedick knew of it by some
other, if she will not discover it.

9

Much Ado about Nothing
[II, 3]

Don Pedro

980

I would she had bestowed this dotage on me: I would
have daffed all other respects and made her half
myself. I pray you, tell Benedick of it, and hear
what a' will say.

10

Much Ado about Nothing
[III, 4]

Margaret

1496

Troth, I think your other rabato were better.

11

Much Ado about Nothing
[III, 4]

Beatrice

1530

I am out of all other tune, methinks.

12

Much Ado about Nothing
[III, 4]

Margaret

1559

Moral! no, by my troth, I have no moral meaning; I
meant, plain holy-thistle. You may think perchance
that I think you are in love: nay, by'r lady, I am
not such a fool to think what I list, nor I list
not to think what I can, nor indeed I cannot think,
if I would think my heart out of thinking, that you
are in love or that you will be in love or that you
can be in love. Yet Benedick was such another, and
now is he become a man: he swore he would never
marry, and yet now, in despite of his heart, he eats
his meat without grudging: and how you may be
converted I know not, but methinks you look with
your eyes as other women do.

13

Much Ado about Nothing
[IV, 1]

Beatrice

1973

Use it for my love some other way than swearing by it.

14

Much Ado about Nothing
[V, 1]

Don Pedro

2234

I'll tell thee how Beatrice praised thy wit the
other day. I said, thou hadst a fine wit: 'True,'
said she, 'a fine little one.' 'No,' said I, 'a
great wit:' 'Right,' says she, 'a great gross one.'
'Nay,' said I, 'a good wit:' 'Just,' said she, 'it
hurts nobody.' 'Nay,' said I, 'the gentleman
is wise:' 'Certain,' said she, 'a wise gentleman.'
'Nay,' said I, 'he hath the tongues:' 'That I
believe,' said she, 'for he swore a thing to me on
Monday night, which he forswore on Tuesday morning;
there's a double tongue; there's two tongues.' Thus
did she, an hour together, transshape thy particular
virtues: yet at last she concluded with a sigh, thou
wast the properest man in Italy.

15

Much Ado about Nothing
[V, 3]

Don Pedro

2538

Come, let us hence, and put on other weeds;
And then to Leonato's we will go.

16

Much Ado about Nothing
[V, 4]

Claudio

2600

For this I owe you: here comes other reckonings.
[Re-enter ANTONIO, with the Ladies masked]
Which is the lady I must seize upon?

17

Much Ado about Nothing
[V, 4]

Hero

2609

And when I lived, I was your other wife:
[Unmasking]
And when you loved, you were my other husband.