# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Much Ado about Nothing
[I, 1]

Benedick

223

With anger, with sickness, or with hunger, my lord,
not with love: prove that ever I lose more blood
with love than I will get again with drinking, pick
out mine eyes with a ballad-maker's pen and hang me
up at the door of a brothel-house for the sign of
blind Cupid.

2

Much Ado about Nothing
[II, 1]

Beatrice

417

Too curst is more than curst: I shall lessen God's
sending that way; for it is said, 'God sends a curst
cow short horns;' but to a cow too curst he sends none.

3

Much Ado about Nothing
[II, 1]

Beatrice

426

What should I do with him? dress him in my apparel
and make him my waiting-gentlewoman? He that hath a
beard is more than a youth, and he that hath no
beard is less than a man: and he that is more than
a youth is not for me, and he that is less than a
man, I am not for him: therefore, I will even take
sixpence in earnest of the bear-ward, and lead his
apes into hell.

4

Much Ado about Nothing
[II, 1]

Balthasar

497

No more words: the clerk is answered.

5

Much Ado about Nothing
[II, 3]

Balthasar

860

O, good my lord, tax not so bad a voice
To slander music any more than once.

6

Much Ado about Nothing
[II, 3]

Don Pedro

862

It is the witness still of excellency
To put a strange face on his own perfection.
I pray thee, sing, and let me woo no more.

7

Much Ado about Nothing
[II, 3]

Balthasar

882

Sigh no more, ladies, sigh no more,
Men were deceivers ever,
One foot in sea and one on shore,
To one thing constant never:
Then sigh not so, but let them go,
And be you blithe and bonny,
Converting all your sounds of woe
Into Hey nonny, nonny.
Sing no more ditties, sing no moe,
Of dumps so dull and heavy;
The fraud of men was ever so,
Since summer first was leafy:
Then sigh not so, &c.

8

Much Ado about Nothing
[II, 3]

Beatrice

1056

I took no more pains for those thanks than you take
pains to thank me: if it had been painful, I would
not have come.

9

Much Ado about Nothing
[II, 3]

Benedick

1064

Ha! 'Against my will I am sent to bid you come in
to dinner;' there's a double meaning in that 'I took
no more pains for those thanks than you took pains
to thank me.' that's as much as to say, Any pains
that I take for you is as easy as thanks. If I do
not take pity of her, I am a villain; if I do not
love her, I am a Jew. I will go get her picture.

10

Much Ado about Nothing
[III, 1]

Hero

1088

Now, Ursula, when Beatrice doth come,
As we do trace this alley up and down,
Our talk must only be of Benedick.
When I do name him, let it be thy part
To praise him more than ever man did merit:
My talk to thee must be how Benedick
Is sick in love with Beatrice. Of this matter
Is little Cupid's crafty arrow made,
That only wounds by hearsay.
[Enter BEATRICE, behind]
Now begin;
For look where Beatrice, like a lapwing, runs
Close by the ground, to hear our conference.

11

Much Ado about Nothing
[III, 2]

Don John

1305

If you dare not trust that you see, confess not
that you know: if you will follow me, I will show
you enough; and when you have seen more and heard
more, proceed accordingly.

12

Much Ado about Nothing
[III, 3]

Dogberry

1369

If you meet a thief, you may suspect him, by virtue
of your office, to be no true man; and, for such
kind of men, the less you meddle or make with them,
why the more is for your honesty.

13

Much Ado about Nothing
[III, 3]

Dogberry

1380

Truly, I would not hang a dog by my will, much more
a man who hath any honesty in him.

14

Much Ado about Nothing
[III, 3]

Dogberry

1405

One word more, honest neighbours. I pray you watch
about Signior Leonato's door; for the wedding being
there to-morrow, there is a great coil to-night.
Adieu: be vigitant, I beseech you.

15

Much Ado about Nothing
[III, 3]

Conrade

1452

All this I see; and I see that the fashion wears
out more apparel than the man. But art not thou
thyself giddy with the fashion too, that thou hast
shifted out of thy tale into telling me of the fashion?

16

Much Ado about Nothing
[III, 4]

Margaret

1541

Well, and you be not turned Turk, there's no more
sailing by the star.

17

Much Ado about Nothing
[III, 5]

Dogberry

1601

Yea, an 'twere a thousand pound more than 'tis; for
I hear as good exclamation on your worship as of any
man in the city; and though I be but a poor man, I
am glad to hear it.

18

Much Ado about Nothing
[IV, 1]

Claudio

1697

Out on thee! Seeming! I will write against it:
You seem to me as Dian in her orb,
As chaste as is the bud ere it be blown;
But you are more intemperate in your blood
Than Venus, or those pamper'd animals
That rage in savage sensuality.

19

Much Ado about Nothing
[IV, 1]

Claudio

1744

O Hero, what a Hero hadst thou been,
If half thy outward graces had been placed
About thy thoughts and counsels of thy heart!
But fare thee well, most foul, most fair! farewell,
Thou pure impiety and impious purity!
For thee I'll lock up all the gates of love,
And on my eyelids shall conjecture hang,
To turn all beauty into thoughts of harm,
And never shall it more be gracious.

20

Much Ado about Nothing
[IV, 1]

Hero

1828

They know that do accuse me; I know none:
If I know more of any man alive
Than that which maiden modesty doth warrant,
Let all my sins lack mercy! O my father,
Prove you that any man with me conversed
At hours unmeet, or that I yesternight
Maintain'd the change of words with any creature,
Refuse me, hate me, torture me to death!