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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Much Ado about Nothing
[I, 1] |
Messenger |
30 |
I know none of that name, lady: there was none such
in the army of any sort.
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2 |
Much Ado about Nothing
[I, 1] |
Beatrice |
130 |
You always end with a jade's trick: I know you of old.
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3 |
Much Ado about Nothing
[I, 1] |
Don Pedro |
206 |
That she is worthy, I know.
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4 |
Much Ado about Nothing
[I, 1] |
Benedick |
207 |
That I neither feel how she should be loved nor
know how she should be worthy, is the opinion that
fire cannot melt out of me: I will die in it at the stake.
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5 |
Much Ado about Nothing
[I, 1] |
Claudio |
284 |
How sweetly you do minister to love,
That know love's grief by his complexion!
But lest my liking might too sudden seem,
I would have salved it with a longer treatise.
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6 |
Much Ado about Nothing
[I, 1] |
Don Pedro |
288 |
What need the bridge much broader than the flood?
The fairest grant is the necessity.
Look, what will serve is fit: 'tis once, thou lovest,
And I will fit thee with the remedy.
I know we shall have revelling to-night:
I will assume thy part in some disguise
And tell fair Hero I am Claudio,
And in her bosom I'll unclasp my heart
And take her hearing prisoner with the force
And strong encounter of my amorous tale:
Then after to her father will I break;
And the conclusion is, she shall be thine.
In practise let us put it presently.
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7 |
Much Ado about Nothing
[I, 2] |
Leonato |
320 |
No, no; we will hold it as a dream till it appear
itself: but I will acquaint my daughter withal,
that she may be the better prepared for an answer,
if peradventure this be true. Go you and tell her of it.
[Enter Attendants]
Cousins, you know what you have to do. O, I cry you
mercy, friend; go you with me, and I will use your
skill. Good cousin, have a care this busy time.
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8 |
Much Ado about Nothing
[II, 1] |
Leonato |
456 |
Daughter, remember what I told you: if the prince
do solicit you in that kind, you know your answer.
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9 |
Much Ado about Nothing
[II, 1] |
Ursula |
498 |
I know you well enough; you are Signior Antonio.
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10 |
Much Ado about Nothing
[II, 1] |
Ursula |
500 |
I know you by the waggling of your head.
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11 |
Much Ado about Nothing
[II, 1] |
Ursula |
506 |
Come, come, do you think I do not know you by your
excellent wit? can virtue hide itself? Go to,
mum, you are he: graces will appear, and there's an
end.
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12 |
Much Ado about Nothing
[II, 1] |
Beatrice |
518 |
I am sure you know him well enough.
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13 |
Much Ado about Nothing
[II, 1] |
Benedick |
529 |
When I know the gentleman, I'll tell him what you say.
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14 |
Much Ado about Nothing
[II, 1] |
Borachio |
544 |
And that is Claudio: I know him by his bearing.
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15 |
Much Ado about Nothing
[II, 1] |
Claudio |
546 |
You know me well; I am he.
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16 |
Much Ado about Nothing
[II, 1] |
Claudio |
551 |
How know you he loves her?
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17 |
Much Ado about Nothing
[II, 1] |
Benedick |
586 |
Alas, poor hurt fowl! now will he creep into sedges.
But that my Lady Beatrice should know me, and not
know me! The prince's fool! Ha? It may be I go
under that title because I am merry. Yea, but so I
am apt to do myself wrong; I am not so reputed: it
is the base, though bitter, disposition of Beatrice
that puts the world into her person and so gives me
out. Well, I'll be revenged as I may.
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18 |
Much Ado about Nothing
[II, 1] |
Don Pedro |
748 |
And Benedick is not the unhopefullest husband that
I know. Thus far can I praise him; he is of a noble
strain, of approved valour and confirmed honesty. I
will teach you how to humour your cousin, that she
shall fall in love with Benedick; and I, with your
two helps, will so practise on Benedick that, in
despite of his quick wit and his queasy stomach, he
shall fall in love with Beatrice. If we can do this,
Cupid is no longer an archer: his glory shall be
ours, for we are the only love-gods. Go in with me,
and I will tell you my drift.
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19 |
Much Ado about Nothing
[II, 2] |
Borachio |
788 |
Go, then; find me a meet hour to draw Don Pedro and
the Count Claudio alone: tell them that you know
that Hero loves me; intend a kind of zeal both to the
prince and Claudio, as,—in love of your brother's
honour, who hath made this match, and his friend's
reputation, who is thus like to be cozened with the
semblance of a maid,—that you have discovered
thus. They will scarcely believe this without trial:
offer them instances; which shall bear no less
likelihood than to see me at her chamber-window,
hear me call Margaret Hero, hear Margaret term me
Claudio; and bring them to see this the very night
before the intended wedding,—for in the meantime I
will so fashion the matter that Hero shall be
absent,—and there shall appear such seeming truth
of Hero's disloyalty that jealousy shall be called
assurance and all the preparation overthrown.
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20 |
Much Ado about Nothing
[II, 3] |
Benedick |
819 |
I know that; but I would have thee hence, and here again.
[Exit Boy]
I do much wonder that one man, seeing how much
another man is a fool when he dedicates his
behaviors to love, will, after he hath laughed at
such shallow follies in others, become the argument
of his own scorn by failing in love: and such a man
is Claudio. I have known when there was no music
with him but the drum and the fife; and now had he
rather hear the tabour and the pipe: I have known
when he would have walked ten mile a-foot to see a
good armour; and now will he lie ten nights awake,
carving the fashion of a new doublet. He was wont to
speak plain and to the purpose, like an honest man
and a soldier; and now is he turned orthography; his
words are a very fantastical banquet, just so many
strange dishes. May I be so converted and see with
these eyes? I cannot tell; I think not: I will not
be sworn, but love may transform me to an oyster; but
I'll take my oath on it, till he have made an oyster
of me, he shall never make me such a fool. One woman
is fair, yet I am well; another is wise, yet I am
well; another virtuous, yet I am well; but till all
graces be in one woman, one woman shall not come in
my grace. Rich she shall be, that's certain; wise,
or I'll none; virtuous, or I'll never cheapen her;
fair, or I'll never look on her; mild, or come not
near me; noble, or not I for an angel; of good
discourse, an excellent musician, and her hair shall
be of what colour it please God. Ha! the prince and
Monsieur Love! I will hide me in the arbour.
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