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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Midsummer Night's Dream
[I, 1] |
Theseus |
58 |
In himself he is;
But in this kind, wanting your father's voice,
The other must be held the worthier.
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2 |
Midsummer Night's Dream
[I, 2] |
Quince |
284 |
A lover, that kills himself most gallant for love.
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3 |
Midsummer Night's Dream
[III, 1] |
Bottom |
827 |
There are things in this comedy of Pyramus and
Thisby that will never please. First, Pyramus must
draw a sword to kill himself; which the ladies
cannot abide. How answer you that?
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4 |
Midsummer Night's Dream
[III, 1] |
Bottom |
851 |
Nay, you must name his name, and half his face must
be seen through the lion's neck: and he himself
must speak through, saying thus, or to the same
defect,—'Ladies,'—or 'Fair-ladies—I would wish
You,'—or 'I would request you,'—or 'I would
entreat you,—not to fear, not to tremble: my life
for yours. If you think I come hither as a lion, it
were pity of my life: no I am no such thing; I am a
man as other men are;' and there indeed let him name
his name, and tell them plainly he is Snug the joiner.
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5 |
Midsummer Night's Dream
[V, 1] |
Philostrate |
1898 |
A play there is, my lord, some ten words long,
Which is as brief as I have known a play;
But by ten words, my lord, it is too long,
Which makes it tedious; for in all the play
There is not one word apt, one player fitted:
And tragical, my noble lord, it is;
For Pyramus therein doth kill himself.
Which, when I saw rehearsed, I must confess,
Made mine eyes water; but more merry tears
The passion of loud laughter never shed.
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6 |
Midsummer Night's Dream
[V, 1] |
Bottom |
2133 |
O wherefore, Nature, didst thou lions frame?
Since lion vile hath here deflower'd my dear:
Which is—no, no—which was the fairest dame
That lived, that loved, that liked, that look'd
with cheer.
Come, tears, confound;
Out, sword, and wound
The pap of Pyramus;
Ay, that left pap,
Where heart doth hop:
[Stabs himself]
Thus die I, thus, thus, thus.
Now am I dead,
Now am I fled;
My soul is in the sky:
Tongue, lose thy light;
Moon take thy flight:
[Exit Moonshine]
Now die, die, die, die, die.
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7 |
Midsummer Night's Dream
[V, 1] |
Theseus |
2201 |
No epilogue, I pray you; for your play needs no
excuse. Never excuse; for when the players are all
dead, there needs none to be blamed. Marry, if he
that writ it had played Pyramus and hanged himself
in Thisbe's garter, it would have been a fine
tragedy: and so it is, truly; and very notably
discharged. But come, your Bergomask: let your
epilogue alone.
[A dance]
The iron tongue of midnight hath told twelve:
Lovers, to bed; 'tis almost fairy time.
I fear we shall out-sleep the coming morn
As much as we this night have overwatch'd.
This palpable-gross play hath well beguiled
The heavy gait of night. Sweet friends, to bed.
A fortnight hold we this solemnity,
In nightly revels and new jollity.
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