# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Measure for Measure
[III, 1]

Vincentio

1480

This forenamed maid hath yet in her the continuance
of her first affection: his unjust unkindness, that
in all reason should have quenched her love, hath,
like an impediment in the current, made it more
violent and unruly. Go you to Angelo; answer his
requiring with a plausible obedience; agree with
his demands to the point; only refer yourself to
this advantage, first, that your stay with him may
not be long; that the time may have all shadow and
silence in it; and the place answer to convenience.
This being granted in course,—and now follows
all,—we shall advise this wronged maid to stead up
your appointment, go in your place; if the encounter
acknowledge itself hereafter, it may compel him to
her recompense: and here, by this, is your brother
saved, your honour untainted, the poor Mariana
advantaged, and the corrupt deputy scaled. The maid
will I frame and make fit for his attempt. If you
think well to carry this as you may, the doubleness
of the benefit defends the deceit from reproof.
What think you of it?

2

Measure for Measure
[V, 1]

Vincentio

2713

Boldly, at least. But, O, poor souls,
Come you to seek the lamb here of the fox?
Good night to your redress! Is the duke gone?
Then is your cause gone too. The duke's unjust,
Thus to retort your manifest appeal,
And put your trial in the villain's mouth
Which here you come to accuse.