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A forted residence'gainst the tooth of time
And razure of oblivion.

      — Measure for Measure, Act V Scene 1

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KEYWORD: art

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Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

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The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

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1

Measure for Measure
[I, 1]

Vincentio

5

Of government the properties to unfold,
Would seem in me to affect speech and discourse;
Since I am put to know that your own science
Exceeds, in that, the lists of all advice
My strength can give you: then no more remains,
But that to your sufficiency [—]
[—] as your Worth is able,]
And let them work. The nature of our people,
Our city's institutions, and the terms
For common justice, you're as pregnant in
As art and practise hath enriched any
That we remember. There is our commission,
From which we would not have you warp. Call hither,
I say, bid come before us Angelo.
[Exit an Attendant]
What figure of us Think you he will bear?
For you must know, we have with special soul
Elected him our absence to supply,
Lent him our terror, dress'd him with our love,
And given his deputation all the organs
Of our own power: what think you of it?

2

Measure for Measure
[I, 2]

Lucio

121

Ay, why not? Grace is grace, despite of all
controversy: as, for example, thou thyself art a
wicked villain, despite of all grace.

3

Measure for Measure
[I, 2]

Lucio

125

I grant; as there may between the lists and the
velvet. Thou art the list.

4

Measure for Measure
[I, 2]

First Gentleman

127

And thou the velvet: thou art good velvet; thou'rt
a three-piled piece, I warrant thee: I had as lief
be a list of an English kersey as be piled, as thou
art piled, for a French velvet. Do I speak
feelingly now?

5

Measure for Measure
[I, 2]

Second Gentleman

137

Yes, that thou hast, whether thou art tainted or free.

6

Measure for Measure
[I, 2]

First Gentleman

145

Thou art always figuring diseases in me; but thou
art full of error; I am sound.

7

Measure for Measure
[I, 2]

Lucio

160

But, after all this fooling, I would not have it so.
Art thou sure of this?

8

Measure for Measure
[I, 2]

Claudio

268

I have done so, but he's not to be found.
I prithee, Lucio, do me this kind service:
This day my sister should the cloister enter
And there receive her approbation:
Acquaint her with the danger of my state:
Implore her, in my voice, that she make friends
To the strict deputy; bid herself assay him:
I have great hope in that; for in her youth
There is a prone and speechless dialect,
Such as move men; beside, she hath prosperous art
When she will play with reason and discourse,
And well she can persuade.

9

Measure for Measure
[II, 1]

Elbow

634

Marry, I thank your worship for it. Thou seest, thou
wicked varlet, now, what's come upon thee: thou art
to continue now, thou varlet; thou art to continue.

10

Measure for Measure
[II, 2]

Lucio

899

[Aside to ISABELLA] Art avised o' that? more on 't.

11

Measure for Measure
[II, 2]

Angelo

935

From thee, even from thy virtue!
What's this, what's this? Is this her fault or mine?
The tempter or the tempted, who sins most?
Ha!
Not she: nor doth she tempt: but it is I
That, lying by the violet in the sun,
Do as the carrion does, not as the flower,
Corrupt with virtuous season. Can it be
That modesty may more betray our sense
Than woman's lightness? Having waste ground enough,
Shall we desire to raze the sanctuary
And pitch our evils there? O, fie, fie, fie!
What dost thou, or what art thou, Angelo?
Dost thou desire her foully for those things
That make her good? O, let her brother live!
Thieves for their robbery have authority
When judges steal themselves. What, do I love her,
That I desire to hear her speak again,
And feast upon her eyes? What is't I dream on?
O cunning enemy, that, to catch a saint,
With saints dost bait thy hook! Most dangerous
Is that temptation that doth goad us on
To sin in loving virtue: never could the strumpet,
With all her double vigour, art and nature,
Once stir my temper; but this virtuous maid
Subdues me quite. Even till now,
When men were fond, I smiled and wonder'd how.

12

Measure for Measure
[II, 4]

Angelo

1017

When I would pray and think, I think and pray
To several subjects. Heaven hath my empty words;
Whilst my invention, hearing not my tongue,
Anchors on Isabel: Heaven in my mouth,
As if I did but only chew his name;
And in my heart the strong and swelling evil
Of my conception. The state, whereon I studied
Is like a good thing, being often read,
Grown fear'd and tedious; yea, my gravity,
Wherein—let no man hear me—I take pride,
Could I with boot change for an idle plume,
Which the air beats for vain. O place, O form,
How often dost thou with thy case, thy habit,
Wrench awe from fools and tie the wiser souls
To thy false seeming! Blood, thou art blood:
Let's write good angel on the devil's horn:
'Tis not the devil's crest.
[Enter a Servant]
How now! who's there?

13

Measure for Measure
[II, 4]

Isabella

1179

Ha! little honour to be much believed,
And most pernicious purpose! Seeming, seeming!
I will proclaim thee, Angelo; look for't:
Sign me a present pardon for my brother,
Or with an outstretch'd throat I'll tell the world aloud
What man thou art.

14

Measure for Measure
[III, 1]

Vincentio

1227

Be absolute for death; either death or life
Shall thereby be the sweeter. Reason thus with life:
If I do lose thee, I do lose a thing
That none but fools would keep: a breath thou art,
Servile to all the skyey influences,
That dost this habitation, where thou keep'st,
Hourly afflict: merely, thou art death's fool;
For him thou labour'st by thy flight to shun
And yet runn'st toward him still. Thou art not noble;
For all the accommodations that thou bear'st
Are nursed by baseness. Thou'rt by no means valiant;
For thou dost fear the soft and tender fork
Of a poor worm. Thy best of rest is sleep,
And that thou oft provokest; yet grossly fear'st
Thy death, which is no more. Thou art not thyself;
For thou exist'st on many a thousand grains
That issue out of dust. Happy thou art not;
For what thou hast not, still thou strivest to get,
And what thou hast, forget'st. Thou art not certain;
For thy complexion shifts to strange effects,
After the moon. If thou art rich, thou'rt poor;
For, like an ass whose back with ingots bows,
Thou bear's thy heavy riches but a journey,
And death unloads thee. Friend hast thou none;
For thine own bowels, which do call thee sire,
The mere effusion of thy proper loins,
Do curse the gout, serpigo, and the rheum,
For ending thee no sooner. Thou hast nor youth nor age,
But, as it were, an after-dinner's sleep,
Dreaming on both; for all thy blessed youth
Becomes as aged, and doth beg the alms
Of palsied eld; and when thou art old and rich,
Thou hast neither heat, affection, limb, nor beauty,
To make thy riches pleasant. What's yet in this
That bears the name of life? Yet in this life
Lie hid moe thousand deaths: yet death we fear,
That makes these odds all even.

15

Measure for Measure
[III, 1]

Isabella

1316

There spake my brother; there my father's grave
Did utter forth a voice. Yes, thou must die:
Thou art too noble to conserve a life
In base appliances. This outward-sainted deputy,
Whose settled visage and deliberate word
Nips youth i' the head and follies doth emmew
As falcon doth the fowl, is yet a devil
His filth within being cast, he would appear
A pond as deep as hell.

16

Measure for Measure
[III, 2]

Lucio

1555

How now, noble Pompey! What, at the wheels of
Caesar? art thou led in triumph? What, is there
none of Pygmalion's images, newly made woman, to be
had now, for putting the hand in the pocket and
extracting it clutch'd? What reply, ha? What
sayest thou to this tune, matter and method? Is't
not drowned i' the last rain, ha? What sayest
thou, Trot? Is the world as it was, man? Which is
the way? Is it sad, and few words? or how? The
trick of it?

17

Measure for Measure
[III, 2]

Lucio

1570

Why, 'tis good; it is the right of it; it must be
so: ever your fresh whore and your powdered bawd:
an unshunned consequence; it must be so. Art going
to prison, Pompey?

18

Measure for Measure
[III, 2]

Lucio

1675

I'll be hanged first: thou art deceived in me,
friar. But no more of this. Canst thou tell if
Claudio die to-morrow or no?

19

Measure for Measure
[V, 1]

Vincentio

2508

By heaven, fond wretch, thou knowist not what thou speak'st,
Or else thou art suborn'd against his honour
In hateful practise. First, his integrity
Stands without blemish. Next, it imports no reason
That with such vehemency he should pursue
Faults proper to himself: if he had so offended,
He would have weigh'd thy brother by himself
And not have cut him off. Some one hath set you on:
Confess the truth, and say by whose advice
Thou camest here to complain.

20

Measure for Measure
[V, 1]

Vincentio

2772

Thou art the first knave that e'er madest a duke.
First, provost, let me bail these gentle three.
[To LUCIO]
Sneak not away, sir; for the friar and you
Must have a word anon. Lay hold on him.

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